What happens if you mix purple and yellow? Mixing colors to get the desired color
Beginning painters and designers are often interested in how to mix paints to get the desired color. There are basic shades, when combined, a new original version can emerge. In some situations, this task arises when one paint runs out and can be replaced by mixing several options. Two or more can be used for this purpose.
How to mix paints to get different shades?
I would like to note that such a task is difficult, since some paints, after being combined with each other, provoke reactions, which ultimately have a negative effect on the result, for example, the color may become dark or even lose its tone and become gray.
Understanding what paints can be mixed, it is worth saying that yellow, red and Blue colour It is impossible to obtain by combining other paints, but they are actively used in different combinations.
Let's learn how to mix paints to get some colors:
- Pink. To make this color come out, you need to mix red and red in equal quantities. White color. By varying the proportion of white paint, you can obtain shades of different saturation.
- Green. To get this color, mix blue, cyan and yellow in equal proportions. If you want to create an olive shade, then combine green, yellow and add a small amount of brown. The light shade is obtained by mixing yellow, green and white.
- Orange. This beautiful color is achieved by combining red and yellow. The more red you end up with, the brighter the final shade.
- Violet. In this case, you need to mix the following paint colors: and blue, and in equal proportions. If you change the proportions and add white, you can get different shades.
- Grey. There are a huge number of options, so to get different shades, you should mix black and white in different proportions.
- Beige. This color is often used, for example, when painting portraits. To obtain it you need to brown color add white, and then, to improve brightness, use a little yellow.
It is worth noting that the closer the colors are to each other on the color wheel, the similar their tone, which means the result will be purer and more saturated.
When choosing paint for the interior, even for watercolor paintings, it is easy to make a mistake with the shade. Paper testers may not match the tone in reality.
Don't worry, there is a way to achieve the desired shade! Read on to find out what paints to mix to get blue.
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Creating a classic shade
Unfortunately, no matter what components are mixed, without the primary tone itself it will not be possible to even come close to creating the required shade .
Red and yellow colors follow the same rule.
If the color in your palette is too dark, then white paint will help to lighten it a few tones.
If, on the contrary, you need to darken the shade, then you need to add more dark tones to the mixture - black, gray or brown.
Important! If you are mixing colors to create a small pattern in the interior, then you can mix them in a small bowl by hand. If you want to paint an entire wall, tint the ingredients in a bucket using a mixer.
How to maintain proportions
How to get blue color by mixing:
- Get delicate ultramarine by mixing blue and white parts in a 3:1 ratio.
- To create a shade with a slight blue, increase the portion of white color. The ratio of blue to white is 2:1.
- To obtain a more transparent, light tone, mix them in equal proportions.
WITH Hello! The heavenly color is perfect for painting a boy’s nursery.
A turquoise tone will help you get a more saturated heavenly tone.
A complex recipe from three ingredients will help create a sea green color. How to make blue using turquoise and white? Take 2 parts blue paint, 1 part white and turquoise. Enjoy the blue of the sea.
This is interesting! Red, blue, yellow are called primary, because by mixing other tones it is not possible to achieve the desired shade. Why do you need to know what colors need to be mixed to make blue? To achieve a play of shades and original texture, create artistic masterpieces.
Dark shade
In the case when you want to make the color darker, the mixing recipe is a little more complicated. It all depends on what the final result is and how rich the tone you are trying to achieve. How to successfully mix different tones to get a dark blue color:
- You will need two paints: black and aquamarine. If the tone is made to decorate parts, then stir the mixture with a brush or stick in a small container. To paint walls, you need to tint the shade with a construction mixer, a special attachment for an angle grinder.
- There are no exact proportions. Add black color to the base paint drop by drop or a few milliliters.
- It is better to test the resulting mixture on a sheet of white paper and let it dry. If you are satisfied with the shade, then stop tinting. If not, add even more black.
Advice! Did it get dark? Lighten the mass by several tones using white. Stir in gradually so you don't have to add black again.
Violet
Ultramarine is similar to artificial, which does not occur in nature. Purple will help create paint the color of a dark sky. Magic coloring will help create an interesting tone that can be used to paint the ceiling in the nursery, and bright luminous star stickers will create an imitation of the night sky. How to get blue from purple:
- Mix blue paint with purple in proportions 3:1.
- For the ceiling, knead the dye with a construction hook for about 10 minutes.
- Test the finished mixture on a small section of the wall. Do not forget that you need to apply the interior color in 2-3 layers.
A woman's favorite shade is royal ultramarine.
To get such a noble tone on the verge of night blue and sea wave, you need an acidic violet color or pink. The recipe is similar to the previous tinting:
- You will need 2 tones: acid violet (pink) and ultramarine.
- The proportions of blue and pink are 3:1. Sometimes you need a little more pink.
- Evaluate the result by applying the dye to a small area.
Advice! To get purple, mix red and blue in equal proportions.
From yellow
To create an emerald blue color based on ultramarine, you need yellow. The resulting shade is similar to glitter precious stones. It is appropriate to use it for decorating small elements to create a fantastic picture. How to get blue from yellow:
- Mix yellow and ultramarine colors in equal parts.
- For a pastel look, add white. The proportion recipe depends on the desired degree of pallor.
Advice! To create fantastic color with overflow, do not stir the paint thoroughly. A lazy tinting method will create an interesting mother-of-pearl effect.
From green
Prussian blue is a favorite of designers not only for interior design, but also for clothing.
The deep color is associated with the depths of the sea and a distant galaxy. How to easily turn green into blue:
- We combine two colors: aquamarine and green in equal parts.
- Mix using a technique to ensure uniform texture.
Surprisingly, when adding a third white ingredient, the color does not fade.
How to make paint the right shade
What if there is no main color, but you need to make blue paint? An interesting tone, similar to sapphire shine, is obtained by mixing red and green. This tinting will not give pure ultramarine, but by adding black and white paint you can achieve interesting and unusual shades.
Prices for colors
Useful video: how to mix colors
Combine combinations of warm shades with delicate pastels, blue tones with cold ones. Change the proportions to your liking; proper tinting is the key to successful repairs. Experiment and create your own color scheme!
Mixing colors is one of the most difficult procedures that a person who decides to make repairs on their own may face the need to perform. The point is that it is very important to know what colors to mix to create a certain tone. It should be immediately noted that it is better to purchase white paint and tint it in a store using a special machine, so the tone will be uniform. If you decide to do everything yourself, then you can read more about how to mix colors correctly.
These materials are universal, they are used for many purposes: with their help you can simply paint walls, paint stained glass windows, apply designs on the wall and ceiling. In general, the scope of their use is limited by imagination. The compositions are easy to use and adhere well to the surface. But if you decide to paint a multi-component image on the wall, then buying paint in all the necessary colors will be too expensive, and after completion of the work there will be a large amount of unnecessary material left. In this case, it is better to buy a basic series, and to create certain shades, mix acrylic paints.
Mixing base paint colors makes it possible to get many different shades, while you can save a lot on your purchase
Main color range
More from school days Everyone knows: when you combine yellow and red, you get orange, but if you add blue to the same yellow, you get green. It is on this principle that the table for mixing acrylic paints is built. According to it, it is enough to purchase only the primary colors:
- white;
- black;
- red;
- brown;
- blue;
- yellow;
- pink.
You can simply mix acrylic paints of these tones to get most of the existing shades.
Basics of mixing according to the table
To properly mix materials, you cannot do without a table. At first glance, it is easy to work with: to get the desired result, you just need to find the color and see what components are required. But the color mixing table does not indicate the proportions, so it is necessary to gradually add tinting material to the base paint and apply the mixture to some unnecessary product: a sheet of plywood, drywall, and so on. Then you need to wait until the material dries. If the color matches what is required, you can begin work on the main surface.
Coloring technique
Now about how to get colors. By mixing acrylic materials, you can achieve the formation of two main tones: light and dark. Basic tones: earthy, green, orange, purple. To create color, it is recommended to follow certain rules:
- Light. In this case, the main material is titanium white, to which one or two tinting compounds are added. The less additional paintwork materials are used, the lighter the tone will be. This is how you can make most shades of a light palette.
- Dark. To create shades of this type, do the opposite. Before mixing colors, you need to prepare the base tone; black dye is gradually introduced into the base. When working with black paint, you need to be careful because it can make the color look muddy rather than dark.
- Green. This shade is not in the main palette, so you will need to mix yellow and blue. The exact ratio can only be determined experimentally.
- Violet. This is a cool color that is obtained by mixing blue with pink or red. In some cases, you will also need to add black to darken the material.
- Orange. To create this color you need to mix red and yellow. For a richer orange, it is recommended to add more red and vice versa. If you want to create a soft color, for example, coral, then you need to lighten the material with white. Can I add dark dyes? Yes, you can, but mixing colors may result in a muddy tone.
- Earthy. Here the main color is brown. By adding various shades to it, they get a color from beige to dark wood.
Rules for working with the palette
To begin, you will need a basic set of paints, brushes, a container of water and a palette (you can take any surface, including school supplies for drawing).
It is recommended to place white in the center, since it is used in creating most shades. Dyes of the main color range are placed in the recesses around (if any). You need to mix carefully, gradually adding tinting material and constantly checking the result. After mixing the colors, the brush should be rinsed in a container of water.
On a note! Working with materials based on acrylic resins using a table and palette is quite simple. The main thing is to practice more, the result will get better each time.
Oil paints
If we compare this material with watercolor or acrylic, then oil is more fluid. Because of this, you need to mix compositions of different colors very carefully. On the one hand, this is a drawback, but on the other hand, this feature allows you to obtain the following effects:
- If thoroughly mixed, a uniform tone will be obtained. This material is perfect for both complete painting of surfaces and partial decoration.
- If you mix partially, then different colored veins will appear on the coating.
Mixing
Now about how to mix oil paints. A chart is also used to mix oil-based paint colors. It indicates the colors obtained by combining various tinting components. In addition, here you can find such an indicator as a combination of shine. If you add a little gloss to a matte base, there will be practically no result, but if you do the opposite, the shine will be slightly muted.
Mixing methods:
- Mechanical. In this case we're talking about about mixing two or more different-colored materials in one container. Color saturation is controlled by the number of compositions of bright shades. The desired color is created even before the wall or ceiling is processed.
- Color overlay. Gradual application of several strokes on top of each other.
- Optic. This is the most complex method, which is available only to specialists. It involves mixing glossy and matte bases while applying paint to the surface. You can mix paint colors only on the surface being treated, otherwise you will get a more even tone.
Peculiarities
The first method fully corresponds to the data in the table. When it comes to color application, the result is unpredictable. One of the most simple options optical illusions is glazing: a dark tone is applied to the surface, after it dries, paint is applied a little lighter, and then completely light. As a result, each color will be visible through the top layers.
So there is no specific pattern. To find out which colors need to be mixed, it is not enough just to take and look at the table; it is important to constantly practice and not be afraid of experiments. This way you can create a new effect that will make the interior unique. It is also important to remember that a mixed shade is very difficult to replicate, so you should remember the proportions.
Now the question of how to mix paints correctly does not seem so difficult.
Blue is one of the primary colors. Along with red and yellow, it is on the list of tones that cannot be produced at home. But artists know very well how to get blue in its various shades - to do this, you need to mix the classic color with other pigments, which gives amazing results.
Traditional color wheel
Experts call blue, red, and yellow the “three pillars” of color and painting. It is on them that the widest palette of halftones of the second and third orders rests; they are combined with each other, while creation with is excluded.
All the most important colors are included in the so-called color wheel. It represents a conditional model divided into sectors. The latter are placed in an order close to their location in the visible light spectrum. The adjacent shades are called chromatic; they can be mixed together to obtain a new chromatic (color) paint. If, when mixing paints, you take opposite tones, the result will be an achromatic color (grayish). That is, the further the colors are from each other, the more likely it is that their mixture will give an inexpressive, ugly tone.
Classic blue and its shades
You won’t be able to make blue at home, so to create different shades of it you need to purchase ready-made gouache, watercolor, acrylic paint or another type of dye (even plasticine). Then you can use other colors from the set, because when they are combined you can get incredible tones and halftones of blue. Artists have special tables with the names of shades and the required proportions for paints, but in practice they still have to experiment.
In regular gouache sets, blue is represented by the shade ultramarine. It is very bright, moderately dark, and has slightly purple notes. There is an important rule that you need to remember: add white to lighten the tone, black to darken it, and different colors to change the reflection of the paint.
Blue-green
Making shades of blue with green highlights is easy. The effect of a dark green tone is achieved by introducing a small amount of ready-made green paint into the blue. If it is not there, you can do it differently. Since the combination of blue and yellow gives a green color, you can add a little yellow to the blue. Next, the paint is lightened with white, the result is a third-order shade, less saturated.
Prussian blue
The azure color also contains green shades. Artists have a recipe for its preparation - you need to combine 1 part blue and the same amount of light green or bright green (grass) shade. If necessary, the tone is diluted with white.
Blue-violet
This color is considered very rich and powerful in energy; it is prepared by combining blue with red paint in equal proportions. But the finished purple must be made to turn blue, for which blue color is added drop by drop until the desired tone is obtained. Typically the final ratio does not exceed 2:1.
Royal blue
The royal color is a dark, cool tone, close to classic. Traditional royal blue is part of the HTML color scheme used in computer graphics. It is also the main tone of ink and paint for cartridges. To make this color, a drop of black and even less of green are added to ultramarine.
Blue-gray
This shade is reminiscent of a cloudy sky, as well as the color of water on a non-sunny day. You need to add a little brown to the base blue, the result will be a dark blue-gray tone. It is diluted with white to the desired degree of lightening. There is another option for creating a gray-blue tint - combining blue with orange, the result will be a grayish mass with a slightly blue tint.
Dark blue
The blue paint begins to darken with the addition of a small amount of black color. The ratio should be no more than 4:1. Creating such a shade is required if you need to “calm down” a color when it is initially too bright.
Blue
Blue color is easy to make. To do this, blue of any tone is diluted with white 3:1 or more. Increasing the volume of white paint results in even greater lightening, up to a sky blue or pastel blue. To achieve an original tone, you can dilute turquoise with white.
Other shades
Wedgwood tone is obtained by combining a portion of blue, as well as a drop of white and black paint. For dark turquoise, yellow-green color is added dropwise to blue. Cornflower blue is created by mixing purple, blue, a drop of brown and the same amount of black dye.
Blue in nature
In the real world, blue is perceived by the eye in the range of 440-485 nm. This is a digital value of the electromagnetic wavelength that has a blue tone in the general spectrum of light. In nature, you can see up to 180 shades of blue - its tones are visible in the colors of the seas and oceans, the sky, twilight, moonlight, many plants, and insects.
To obtain the ideal color, you need to ensure that all ingredients are similar in chemical composition. Otherwise, the mass may separate, leaving unmixed veins. It is also important to use high-quality paints, because others begin to darken and turn gray over time. Oil dyes are very susceptible to changes - it is better to first try the work on a small area and evaluate the effect after a couple of days. Artists note: the fewer colors were combined, the better the result will be, and the lower the risk of fading and peeling of the finished decor.
Knowledge about color mixing options can be useful not only in the professional activities of artists. Individual design of a living space often poses the question to the designer of how to achieve this or that interesting undertone. The proposed combination options and color mixing table will help you achieve the desired effect.
Everyday life is filled with a wide range of different colors. To get the right one, you need to know the intricacies of combination.
Blue, red and yellow paint are the three pillars on which a wide palette of halftones rests. It is impossible to form these colors by mixing other colors. At the same time, combining them with each other gives an unusually large number of combinations.
Important! You can create a variety of shades by mixing only two colors by changing their proportions.
Depending on the volume of one part of paint added to another, the resulting result approaches one or another original color. One of the most famous examples is the mixing of blue and yellow, resulting in green color. The resulting result, when adding new portions of yellow paint, will gradually change, getting as close as possible from green to yellow. You can return to blue by adding more of the original element to the green mixture.
Mixing chromatic colors that are close together in color wheel, give a paint that does not have a pure tone, but has an expressive chromatic shade. Combining colors that are on opposite sides of the chromatic circle will result in an achromatic tone. An example is combining orange or purple with green. That is, a mixture of colors located closely in the color wheel gives a rich chromatic shade; the maximum distance of colors from each other when mixed leads to a grayish tone.
Individual paints, when interacting, produce undesirable chemical reaction, which may result in cracking of the decorative layer. In some cases, the resulting background may darken or turn gray. A good example is the mixture of white lead and red cinnabar. Attractive pink color It gets darker over time.
It is optimal when the impression of multicolor is achieved by mixing a minimum number of colors. At the same time, it is important to consider which paints, when mixed with each other, give a lasting result, and which ones are unacceptable to combine. The knowledge gained allows us to eliminate paints that fade or darken in the future from work.
The table of unwanted mixtures below will help reduce the risk of erroneous combinations:
Having tried the examples given in practice, future painters and designers will gain valuable professional experience.
Methods for obtaining red and its shades
Red is one of the three primary colors and is necessarily present even in minimal sets. But for mass printing, magenta tone is used. The answer to the question of how to get red is quite simple: mix the proposed magenta with yellow in a 1:1 ratio. There are other options for getting red when mixing paints:
The main red is located in the center. Next are the options for mixing. The next circle is the result of combining the first two colors. In conclusion, color options are presented when added to last result red, black or white paint.
Blue and its shades
Blue belongs to primary colors, so to form all its shades you will need blue paint.
Attention! No combination of other colors produces a shade of blue, so the presence of this paint in the kit is mandatory.
Even with a set of 12 colors available, the question periodically arises of how to get blue. The classic tone is called “royal”, and in a set of acrylic paints the main color is often ultramarine, which has a bright dark shade with a purple undertone. A lighter effect can be achieved by mixing blue and white in a 3:1 ratio. Increasing the white leads to a lighter tone, up to a sky blue. If you want to achieve a moderately rich result, dark blue paint is mixed with turquoise.
Let's look at what colors need to be mixed to get shades of blue:
- The effect of a dark blue-green tone is achieved by mixing blue and yellow paint in equal proportions. Adding white paint will result in a lighter shade while reducing the brightness due to the combination of the 3 elements.
- The creation of “Prussian blue” is carried out by mixing 1 part of the main blue and adding 1 part of a composition of bright green and light green. A rich and deep shade can be diluted with white, and its purity will not change.
- Combining blue and red in a 2:1 ratio produces blue with a hint of purple. Adding white allows you to lighten a dark and rich tone.
- Royal blue is distinguished by its brightness; a similar effect is achieved by mixing the main blue with mangento pink in equal parts. An admixture of white traditionally brightens the result.
- Combination with orange gives a gray mass. Replacing orange with brown in a 1:2 ratio to the base creates a dark color with a complex gray-blue tint.
- The formation of dark blue occurs with the help of an admixture of black in a ratio of 3:1.
- You can create a blue tone yourself by mixing the main color with white.
A small table of combination options is presented below:
Green color palette
Solving the problem of how to get green if it is not in the set is quite simple: combine yellow and blue. A rich palette of green halftones is created by changing the proportions of the original components and adding additional elements that perform the function of darkening or lightening. Black and white paint plays this role. The olive and khaki effect is achieved by mixing two main elements (yellow and blue) and a slight admixture of brown.
Comment! The saturation of green depends entirely on the quality of the constituent elements: intense tones of the source materials guarantee a bright result.
If green is obtained by mixing, then all subsequent undertones will be duller. Therefore, it is better to experiment with the range of green if you initially have a ready-made primary color. There are many combination options:
- A combination of blue and yellow in equal proportions produces a grassy green.
- Increasing yellow to 2 parts and adding 1 part blue results in a yellow-green effect.
- An experiment on the contrary in the form of a blue-yellow proportion of 2:1 will allow you to obtain a blue-green tone.
- If you add ½ part of black to the previous composition, you will achieve a dark green effect.
- A light green warm tone is formed from yellow, blue and white paint in a ratio of 1:1:2.
- For a similar light green shade, but a cool tone, you need to take yellow, blue and white bases in a 1: 2: 2 ratio.
- Dark olive color is formed by mixing equal parts of yellow, blue and brown paint.
- The gray-brown tone is obtained from similar elements in a ratio of 1:2:0.5.
The expressiveness of the green color is directly dependent on the original elements; accordingly, the brightness of the halftones is based on the saturation of the green. The graphic palette gives a clear idea of the mixing options:
As in the case of the red circle, the main paint is located in the center, followed by mixing options, then the result of the experiments. The final circle is the shades of the previous level when adding base, white or black paint.
Other combination options
There are many other techniques to create the desired effect by adding some kind of dye to the base color. The answer to the question of how to get ivory color is multifaceted and depends on the surface where you plan to apply the paint. The simplest option is to mix a snow-white base with a yellowish one. For example, yellowish ocher or a minimal amount of strontium is added to white. To tint paper, a small amount of potassium permanganate is diluted in water. A light pink tint indicates a correctly diluted solution. A cotton swab, brush or sponge is moistened with the resulting composition, after which the surface of the paper is treated.
Advice! For double-sided tinting, the sheet can be dipped in a container with a solution of potassium permanganate for a couple of minutes. After drying, it will acquire the desired ivory effect.
There are also several ways to get black:
- by mixing the three basic colors of red, blue and yellow;
- when combining cyan, magenta and yellow;
- a combination of green and red, but the result will not be 100% clear, but only close to the desired effect.
We will try to answer the most popular questions about mixing options:
- How to get raspberry color: the base is blue with the addition of red, white and brown tones.
- You can get turquoise color, whose second name is aquamarine, by mixing blue and green. Depending on the proportions, the tones of the new shade range from soft pastels to intense and bright ones.
- How to get yellow? It is a basic color and cannot be obtained by combining other colors. Something similar to yellow can be created watercolor paints when combining green and orange or red. But it is impossible to achieve purity of tone in this way.
- How to get a brown tint? To do this you will need basic paints: red, yellow and blue. First, a small amount of yellow is added to the red (in an approximate ratio of 10:1), then the volume is gradually increased until an orange tone is obtained. After which they proceed to the introduction of the blue element, 5-10% of the total volume will be enough. Minor adjustments to proportions will produce a wide variety of brown effects.
- Combining black and white elements in different proportions gives a diverse range of gray tones.
As you can see, there are countless options to achieve the desired effect in the creative design process. The information presented will be supplemented by a table with options for mixing colors and video: