Why does Bazarov call Nikolai Petrovich a ladybug? Who calls whom "retired man" and "ladybug"
Preview:
1. To whom was I. S. Turgenev’s novel “Fathers and Sons” dedicated?
A) N.G. Chernyshevsky
B) N.A. Nekrasov
B) N.A. Dobrolyubov
D) V.G. Belinsky
2. The inconsistency of Bazarov’s views is revealed:
a) in ideological disputes between Bazarov and P. P. Kirsanov
b) in love conflict with Odintsova
B) in dialogues with Arkady Kirsanov
d) in relations with Sitnikov and Kukshina
3. To what class did Bazarov belong?
4. How did the duel between Bazarov and Pavel Petrovich Kirsanov end?
a) the death of Bazarov b) the death of Kirsanov c) Kirsanov was wounded
d) the heroes abandoned this method of resolving disputes
5. I. S. Turgenev is deservedly called “the master of Russian landscape.” What is the nature of the landscape in the final scene (at Bazarov’s grave)?
a) romantic b) social
c) psychological d) philosophical
6. Indicate what type of COMPOSITION the author used in the novel “Fathers and Sons.”
a) ring or cyclic
b) consistent
c) parallel
7. What does I. S. Turgenev mean by “nihilism”?
a) complete denial of the knowledge accumulated by humanity
b) revolutionary-democratic worldview
C) denial of the political system, state system
d) natural science theories
8. Which hero of I. S. Turgenev’s novel “Fathers and Sons” is essentially an exponent of the author’s point of view?
a) Pavel Petrovich Kirsanov
b) Evgeny Bazarov
c) Nikolai Petrovich Kirsanov
d) Anna Sergeevna Odintsova
9. Identify the hero from the portrait.
She struck him with the dignity of her bearing. Her naked arms lay beautifully along her slender figure, light fuchsia branches fell beautifully from her shiny hair onto her sloping shoulders; calmly and intelligently, precisely calmly, and not thoughtfully, the bright eyes looked from under a slightly overhanging white forehead, and the lips smiled with a barely noticeable smile. Some kind of gentle and soft power wafted from her face.
a) Fenechka b) Evdoksiya Kukshina c) Katya Lapteva d) Anna Sergeevna Odintsova10. Why didn’t A.S. Odintsova reciprocate Bazarov’s feelings?
a) she did not feel love for Bazarov
b) she despised Bazarov because he was of low birth
c) she was afraid of Bazarov’s love and decided that
d) Bazarov was just curious about her
11. Which critic makes the following statement about Bazarov?
« To die the way Bazarov died is the same as accomplishing a great feat.”
a) V. G. Belinsky b) N. G. Chernyshevsky
c) M. A. Antonovich d) D. I. Pisarev
12. What is the fate of Pavel Petrovich Kirsanov after the duel and death of Bazarov?
a) continues to live on the estate with his brother
b) goes abroad
c) returned to St. Petersburg, I lead a secular lifestyle
d) took up farming and improvement of the estate and became a good owner
13. In I. S. Turgenev’s novel “Fathers and Sons”, household items play an important role in characterizing the hero. Find a match between a household item and the hero of the novel.
a) a silver ashtray in the shape of a bast shoe
b) a volume of poems by A. S. Pushkin
c) checkered hoodie with tassels
d) hair monogram in a black frame and a diploma under glass
A) Vasily Ivanovich Bazarov
B) Pavel Petrovich Kirsanov
B) Nikolai Petrovich Kirsanov
D) Evgeny Bazarov
14. To what literary direction does the work of I. S. Turgenev belong to?
a) classicism b) sentimentalism
c) romanticism d) realism
15. Indicate the name of the family estate of I. S. Turgenev?
a) Karabikha
b) Yasnaya Polyana
c) Spasskoye-Lutovinovo
d) Muranovo
16. By origin I. S. Turgenev was:
a) a nobleman
b) tradesman
c) commoner
17. At the heart of the novel “Fathers and Sons” is a conflict:
a) father and son Kirsanov (generation conflict)
b) landowners and serfs (social conflict)
c) common democrats and liberal nobles (ideological conflict)
d) Bazarov and Odintsova (love conflict)
18. In what year does the novel “Fathers and Sons” begin?
a) January 1840
b) March 1849
c) May 1859
d) September 1861
19. In disputes, Bazarov denied art, love, and nature. Which of the novel's heroes was Bazarov's main opponent on aesthetic issues?
a) Arkady Kirsanov
b) Pavel Petrovich Kirsanov
c) Anna Sergeevna Odintsova
d) Nikolai Petrovich Kirsanov
20. Which of the heroes of the novel “Fathers and Sons” did D.I. Pisarev call “little Pechorin”?
a) E. V. Bazarova
b) P. P. Kirsanova
c) Arkady Kirsanov
d) N. P. Kirsanova
21. Arkady Kirsanov tells E. Bazarov the life story of his uncle, P. P. Kirsanov, in order to:
a) satisfy Bazarov’s curiosity
b) keep a bored friend busy
c) place Bazarov in favor of his uncle
d) justify the sybarism of P. P. Kirsanov
22. Which word in E. Bazarov’s vocabulary is considered abusive?
a) progress
b) liberalism
c) romanticism
d) "principles"
23. What role do they play? female images in the works of I. S. Turgenev?
a) introduced to develop the plot
b) they are used to check personal qualities hero
c) they inspire male heroes to take action
d) they are opposed to the main character
24. Bazarov and P.P. Kirsanov are contrasted with each other in their way of life, thoughts, and appearance. Are there any similarities in the characters of these heroes? Indicate the similarities between these characters.
a) “satanic pride” b) low origin
c) cynicism d) pragmatism
25. Why did I. S. Turgenev place the democrat Bazarov next to one of the best representatives of the nobility, Pavel Petrovich Kirsanov?
a) in order to show the inconsistency of Bazarov’s views
b) in order to show the failure of the noble class and the moral superiority of a democrat over an aristocrat
c) in order to humiliate the democrat Bazarov
d) in order to emphasize the aristocracy of P. P. Kirsanov
a) I. S. Turgenev believed that people like Bazarov are useless
b) I. S. Turgenev believed that people like Bazarov are premature, ahead of their time
c) I. S. Turgenev believed that people like Bazarov would bring nothing to Russia except harm
d) I. S. Turgenev believed that people like Bazarov are unique and not typical for Russia
27. To what class did Bazarov belong?
a) nobility b) philistinism c) commoners d) peasantry
a) the hero is despised
b) the hero evokes sympathy
c) the hero is depicted ironically
29. What function does the following landscape serve in the novel “Fathers and Sons”?
The places they passed through could not be called picturesque. Fields, all fields stretched right up to the sky... There were rivers with dug-out banks, and tiny ponds with thin dams, and villages with low huts under dark, often half-swept roofs... As if on purpose, the peasants were all shabby, on bad nags; Like beggars in rags, roadside willows with stripped bark and broken branches stood...
a) aesthetic
b) social
c) philosophical
d) psychological
Test based on the novel by I.S. Turgenev “Fathers and Sons”
- a- b b- c c-d d- a
“Bazarov Fathers and Sons” - Critics about the novel. -At the present time, the most useful thing is to deny - we deny. Not only art, poetry... but also... it’s scary to say... What a luxury “Fathers and Sons”! I don't agree with you, Evgeny Bazarov. “Raphael is not worth a penny.” A.P. Chekhov. Just at least shout guard. Lesson-Seminar. A.V. Lunacharsky.
“Turgenev Fathers and Sons” - Collect information about Evgeny Bazarov. 2nd group. Yu.V. Lebedev. P. Weil, A. Genis. “Fathers and Sons” is perhaps the most noisy and scandalous book in Russian literature. Vasily Ivanovich Bazarov. 3rd group. Social-philosophical, polemical. Nikolai Petrovich Kirsanov. 4th group. Pavel Petrovich Nikolai Petrovich Old men Bazarovs Arkady, Kukshina and Sitnikov.
“Turgenev the Writer” - Until August 1839, Turgenev lived in Berlin. Creativity of I.S. Turgenev. Question: Literature lesson in 10th grade. In 1880, Turgenev took part in the celebrations in honor of the opening of the monument to Pushkin in Moscow. Connection with Russian revolutionaries. Last years life. Early years writer. Life abroad. Turgenev and pan-European literature.
“Mumu lesson” - Lesson summary. 2004 – 2009 studying at the Faculty of Philology of Ulyanovsk State Pedagogical University. T.G. Buchugina. Key manager – Masagutova N.A. Russian teacher Language and Literature – Madanova G.D. 1994 – 2002 studying at Staromainskaya secondary school No. 1. Technical means: use of MMD presentation; use of audio recording. A group of researchers led by Ph.D., Assoc.
“The Story of I.S. Turgenev Mumu” - Gerasim and Mumu. But the authorities forbade mentioning Gogol's name in the press. Unlike Andrei, Gerasim did not forgive his mistress for Mumu’s death and went to the village. From the history of the creation of the story “Mumu”. It was under such conditions that the story “Mumu” was written. R. Kasimov: “Gerasim is the non-fictional hero of I. S. Turgenev’s story. And Gerasim, it seems to me, eventually rebelled.
“Asya Turgenev” - The Tale “Asya” (1858). Portrait of I.S. Turgenev. 1872. V.A. Nedzvetsky. Municipal educational institution Tominsk secondary school. 2009 – 2010 academic year. V.G.Perov. Prepared by Chuiduk N.A., teacher of Russian language and literature of the first category. TURGENEV Ivan Sergeevich (1818-83), Russian writer. Turgenev Ivan Sergeevich Tale "Asya".
There are a total of 43 presentations in the topic
- What was the idea behind the novel Fathers and Sons? How was the socio-political struggle of the 60s of the 19th century reflected in it? In this case, did the writer’s intentions and the objective meaning of his work coincide?
- What is the main conflict in Fathers and Sons? Does the novel show the struggle of two generations or two ideologies?
- Which of the characters in the novel immediately attracts attention and evokes sympathy? Who can be called a hero of his time? Why do you think so?
- What does the generation of “fathers” (Kirsanov brothers, Vasily Ivanovich Bazarov) look like in Turgenev’s image? What do you think about their attitude towards the younger generation? Does the author sympathize with them or despise them?
- What is the essence of ideological disputes between “fathers” and “children”? Whose side is Turgenev on?
- Why do you think Pavel Petrovich Kirsanov became Bazarov’s main opponent? What does the duel scene characterize each of them?
- What are Bazarov's views? What attracts (or repulses) him? Why does Turgenev show him alone not only in the camp of the “fathers”, but also among the “children”?
- Prove that Bazarov is a fighter and thinker. What is the essence of Bazarov's nihilism? Does he have the moral right to call himself self-destructive?
- How does Bazarov feel about his parents? Why can’t there be spiritual intimacy between them?
- It is known that the test of love is a difficult exam for Turgenev’s heroes. How does Bazarov reveal himself in love? How does Turgenev show the sincerity and strength of his hero’s feelings? Is Anna Sergeevna Odintsova worthy of his love?
- “To die the way Bazarov died is the same as having accomplished a great feat.” Do you agree with this opinion of D.I. Pisarev? Why do you think the novel ends with the picture of Bazarov’s death? How does D.I. Pisarev answer this question? Why did Turgenev call Bazarov a “tragic face”?
- What is the role of landscape in Fathers and Sons?
- Why does Arkady belong to the camp of the “fathers”?
- How are the ideological views of the characters revealed in the novel “Fathers and Sons” by I.S. Turgenev?
- Describe the portrait of Pavel Petrovich Kirsanov.
- Which principles of Bazarov cannot stand up to a dispute with life?
- How do you understand the meaning of the word “nihilist”?
- What is the weakness of Bazarov’s position?Material from the site
The weakness of Bazarov's position lies in the total denial of everything that goes beyond the scope of empirical knowledge: art, the beauty of nature, love, religion. Life itself shatters his rejection of love. His materialism is superficial and crude, identifying physiology and morality (“each of us has a brain, spleen, heart, and lungs that are constructed in the same way,” which means that we all have the same “moral qualities”). Bazarov has no loyal supporters, he is alone, and therefore doomed.
- Why does I. S. Turgenev end Bazarov’s line with the death of the hero?
- What is the meaning of the title of the novel “Fathers and Sons” by I.S. Tour-geneva?
- What details of the portrait emphasize Bazarov’s democracy?
“My whole story is directed against the nobility as an advanced class,” argued I. S. Turgenev. In Bazarovo he pictured an extraordinary, titanic figure, growing from the soil of the people, but lonely and therefore doomed to death. The author conceived the main conflict of the novel as a conflict of ideologies: the moderate liberal position of the “fathers” and the extreme left views of nihilists (read revolutionaries, the author notes). The writer wanted to show the triumph of democracy over the aristocracy, but was sure of the defeat of the revolutionaries. Therefore, he categorically objected to the revolutionary conclusions made by Dobrolyubov after reading Fathers and Sons, and because of this he broke with his dear Sovremennik. The writer, who served “the revolution with the heartfelt meaning of his works” (from the proclamation of the People’s Volunteers), turned out to be wrong: the objective meaning of his novel outgrew the concept and turned out to be broader and more convincing than Turgenev had imagined.
Bazarov has the character of a fighter. He never backs down in disputes with ideological opponents, does not change his beliefs, most often developed through experience. His aphorisms, often controversial, are the result of a lot of mental work. Bazarov’s nihilism is not denial for the sake of denial, but a firm conviction that “science “in general” does not exist at all,” that everything must be looked at critically, the results of one’s research checked in the laboratory, etc. Bazarov is confident that “everyone a person must educate himself,” and cites himself as an example. He has the right to call himself “self-deluded” because he never gives in to his weaknesses and fearlessly defends what he considers true.
Arkady in the epilogue “has become a zealous owner,” his “farm brings in significant income.” This suggests that the influence
Bazarov quickly disappeared - after all, Arkady, despite the search for a social ideal outside the ideology of the nobility, remained a “liberal gentleman.” He is the keeper of the traditions of the “fathers” not only in relation to culture. The ideological views of the heroes of I.S. Turgenev's ideas are most fully revealed in the disputes between the Kirsanovs and Bazarovs.
Pavel Petrovich Kirsanov is an aristocrat, which is emphasized by his beautiful white hands “with long pink nails”, “English suit, fashionable low ties”, “amazing collars”. He speaks with emphasized refined politeness, slightly tilting his head.
Bazarov's nihilistic attitude towards love is shattered by his own feelings for Odintsova. For the first time, he realizes that he is powerless to give up love for the sake of reason, that he becomes dependent on a woman whose words, glance, and manners arouse in him a storm of irresistible passions. After defeat in a love match, Bazarov loses optimism and comes to gloomy discussions about the insignificance of man in the face of eternity.
The concept of “nihilism” by I.S. Turgenev introduced into the Russian language as a designation for the system of views of the “new people” who entered the Russian social life from the late 50s of the 19th century. Nihilism is a simplified, crudely materialistic understanding of life, in which rational, experimental knowledge through the natural sciences is brought to the fore, religion, art, beauty, and morality are denied as useless in society. “We act because of what we recognize as useful. At the present time, the most useful thing is denial - we deny.”
I. S. Turgenev believed that the “Russian Insarovs” had come, but their time had not come. Bazarov is a premature person who does not have a close social perspective, which is why he had to die.
The name has double meaning: confrontation between two social forces - liberal nobles (“fathers”) and democrats-commoners (“children”); the eternal contradiction of generations.
I.S. Turgenev in appearance emphasized Bazarov's democracy. His face “long and thin, with a wide forehead, a flat upward, pointed nose downward, large greenish eyes and hanging sand-colored sideburns, was enlivened by a calm smile and expressed self-confidence and intelligence.” He dresses simply and pointedly casually - in a “long robe with tassels”, and his hands are “red and naked”, never wearing gloves.
Didn't find what you were looking for? Use the search
On this page there is material on the following topics:
- Bazarov's attitude towards love
- what are Bazarov’s views and beliefs
- what is the idea of the novel fathers and sons
- union and in the title of the novel fathers and sons
- fathers and sons questions on the text
Description of the landscape, characteristics of the characters through their relationship to nature - all this occupies a large place in the works of Turgenev. Love for nature and frequent references to it in his works made the author an expert in landscape characterization. Speaking about nature in the novel "Fathers and Sons", first of all the reader will remember the forest or, more specifically, the tree. And this makes sense, because some of the novel’s characters are directly related to the forest and trees.
There will be no doubt about the statement that many of the heroes of Fathers and Sons are zoomorphic. For example, Bazarov directly calls Nikolai Petrovich a ladybug, and Fenechka is a cat in Bazarov’s dream. And what about Bazarov himself? It is already more difficult to compare it with any animal. Perhaps he compares himself with a frog, believing that all people are the same as a frog. Speaking about Bazarov, it must be said that he is probably the only hero who has talismans. And here nature shows its influence, to which Bazarov is indifferent, even with cynicism: “Nature is not a temple, but a workshop, and man is a worker in it.” But it was nature that gave him one of his talismans - the aspen. But aspen is a very unusual tree, it absorbs energy, and criminals have even been hanged on it. Why did the aspen tree become Bazarov’s talisman? Perhaps because Bazarov himself looks like an aspen. In conversations with him, many were lost, embarrassed, not knowing how to behave; it was as if he was taking energy from the people who communicated with him. This was probably the reason why Arkady Kirsanov followed Bazarov, although he was not a nihilist at heart. But at the same time, there is a version that the cross of Christ was made from aspen, that is, there is a positive principle in aspen. And it certainly can't be denied positive traits Bazarov as an intelligent and fairly educated person. Bazarov is a frog, but only she can turn to God.
Bazarov’s words that not a single botanist would consider each birch tree separately became an aphorism. And Bazarov said this, comparing birches with people. His own life convinced him otherwise. He met such an unusual, slightly mysterious woman as Odintsova, and fell in love with her, although before meeting Odintsova he spoke contemptuously about women, saying that only a freak thinks freely between women. But the birch, with which he compared people, is a tree that gives off energy, unlike aspen.
Another bright character"Fathers and Sons" - this is Pavel Petrovich Kirsanov. And if we compare Bazarov to an aspen tree, then Pavel Petrovich is a forest. The forest consists of human trees, which is partly in its favor, partly not. Pavel Petrovich is a fairly strong man, but still he could not overcome himself when he met Princess R. It is in the forest that ladybugs live, and you can find a cat and a frog there. Therefore, probably, Pavel Petrovich as a result begins to understand Bazarov, because the frog is Bazarov’s talisman. Bazarov and Pavel Petrovich have more similarities than differences, and this is confirmed by the fact that the frog lives in the forest. And also Bazarov is both a worm and an eagle, and Pavel Petrovich is both the Apostle Paul and the “little one”.
We also see the tree motif during Arkady Kirsanov’s meeting with Katya Odintsova. They sat under an ash tree, which promoted their love and protected them. They probably felt this and that’s why they met there.
In the scene under the haystack, when Bazarov and Arkady were resting there, there is a tree motif. A maple leaf is falling. And the maple leaf resembles a cross and takes on the meaning of the key to life, turning to God.
And at the turning point of the novel - the duel - there is also a tree motif: the duel took place behind a grove, this grove hid the duelists, and no one guessed what actually happened between Bazarov and Pavel Petrovich.
Bazarov, who had mocked beauty all his life, at the end of his life wondered why he lived, did Russia need him? Love and nature defeated his coldness and indifference, and above his grave we see two beautiful Christmas trees, planted by caring hands! his parents.
The motif of the forest and the tree can be traced throughout almost the entire novel and is of no small importance. It is both a means of characterizing characters and a means of expression. author's position. It takes great skill to make seemingly small details significant. And Turgenev, possessing this gift, put an undeniable importance and necessity into the descriptions and mentions of forests and trees.