Jabba the Hutt: character description, interesting facts, photos. Jabba the Hutt: character description, interesting facts, photos Creation and design
Already painted +0 I want to draw +0 Thank you + 13
As one of the most notorious crimes of the Lords of the Outer Rim, Jabba the Hutt was one of the last characters of the unsightly smuggler Han Solo wanted to cross paths with in New Hop, and Princess Leia was not too happy to mingle with his crew in Return of the Jedi either. But Jabba's legless bullet-type body makes him a fun character to draw.
Step one:
Start by drawing an eggplant shape to provide a frame for Jabba's large body. Add a bullet-like tail that comes off to its side. Jabba doesn't have too many shapes, so he's chubby and round.
Step two:
Slightly start to be rough in where his face and body functions will be. Draw two ovals for the eyes, two slots for the nose, the mouth is wide, a little T-Rex dinosaur like the arms, and a little curl with its tail. Draw roll after roll of sticky, green flesh rolls.
Step three:
Now that you have Jabba's basic shape and his features sketched out, add more creases to his skin and details to his eyes and face. Sharpen the lines around the body as you go, erasing some of the previously lighter lines.
Step four:
Give Jabba some personality by adding slime drips off his all so smug lips, wrinkles and poke marks on his skin, and even more rolls of fat. Draw a few of his assistants, like the obscene little jester peeking out from behind his mass or the frog-dog Bubo looking in on the scene. Now that you have your pencil drawing ready, it's ready for colorful!
One of the most powerful underworld kings in the galaxy, Jabba the Hutt has run the largest criminal organization ever since he was six hundred years old. He placed his headquarters in the ancient monastery of B 'Omarr on Tatooine.
Jabba's criminal empire knows no restrictions - it is engaged in smuggling, distribution of glitterstamp - a narcotic substance obtained in Kessel, slave trade, murder, extortion and piracy. At one time, Han Solo and his companion Chewbacca worked for him, but one day Solo had to throw overboard a load of spices under the threat of an attack by the Imperials, the cost of which he was never able to reimburse Jabba. Since then, Jabba's mercenaries have pursued Solo across the galaxy, and a few years later, hired hunter Boba Fett finally managed to bring Han Solo, trapped in carbonite, to Jabba's palace. Khan's loyal friends go there to free him. Jabba the Hutt throws Luke Skywalker to be devoured by his home rancor, but the young Jedi manages to cope with the terrible creature, and enraged, Jabba orders all the rebels to be fed to the monster Sarlacca. However, Jabba had to pay the price for underestimating Skywalker, the princess
A character in the Star Wars movie saga, created by the director and screenwriter. A gangster from the planet Nal Hutta, a huge non-humanoid alien from the Hutt race, less than four meters tall, looking like a slug or toad with orange eyes. Hermaphrodite - has the sexual characteristics of a male and a female at the same time. Belongs to the Hutt clan.
History of creation
Jabba the Hutt's concept changed from one film to the next as the film industry grew and developed and new opportunities emerged. George Lucas originally conceived of Jabba as a furry creature resembling a Wookiee. Then came the concept of Jabba as a fat, slug-like creature with an enormous, ugly mouth, eyes and tentacles.
Actor Declan Mulholland, invited to play Jabba, read the character's lines during filming. The actor put on a furry suit Brown, and at the post-production stage, they had to replace a person with a character created by means of puppet animation. Jabba's scene was supposed to be an important plot link, but George Lucas ended up cutting the scene out of the movie due to budget and time constraints.
In 1997, while working on the anniversary edition of A New Hope, George Lucas brought the scene back, and the broken storytelling was restored. Technology at that time made it possible to realize the image of Jabba at a higher level compared to 1977. In 2004, with the next reprint, the scene was again finalized, and the appearance of the villain was further improved.
"Star Wars"
Jabba was first mentioned in 1977's Star Wars: A New Hope Episode IV. Jabba is an episodic character there - a crime boss and the leader of a gang of smugglers on the planet Tatooine. The smuggler pilot owes Jabba a tidy sum of money for failing to deliver the smuggled cargo.
Han Solo was supposed to bring a cargo of prohibited drugs to Jabba from one asteroid, but an Imperial patrol sat on the tail of Solo's ship. Solo chose to dump the dangerous cargo. An enraged Jabba assigned such a tempting bounty to Han Solo's head that every bounty hunter in the universe began to chase after it.
In 1980, Jabba's name reappears in Episode V, The Empire Strikes Back. Han Solo never returned the favor, and Jabba sends a bounty hunter in search of the debtor, promising a decent sum for the capture of Solo. Later, Han Solo is in the hands, and he sends the hero to Jabba, having previously frozen it in carbonite so that Solo does not escape. At the end, Solo's friends go to the rescue to rescue the hero from Jabba's clutches.
In the third film, Return of the Jedi, released in 1983, a complex animatronic doll was used to create the on-screen image of Jabba. In the first film in 1977, Jabba the Hutt was played by the Irish actor Declan Mulholland, dressed in a fluffy suit. But the scene where he appears was cut from the final cut of the original film. In the 1997 reissue of A New Hope, the Jabba scene was returned, but the live actor was replaced with a CGI image and the voice was re-voiced. The new Jabba spoke in a fictional Hutt language.
In the cut scene, Jabba, accompanied by gangsters, arrives at the hangar where Han Solo is holding the ship. Jabba demands that the hero recover the cost of the lost cargo. Han Solo promises that he will give the money back as soon as he receives payment for new job... Han Solo had just made an effort to deliver, and their droid companions to Alderaan.
Jabba demands that Solo return with the money as soon as possible, and threatens to unleash all the criminals in the galaxy on Solo. Solo, however, will never fulfill his obligations to Jabba.
In the first part of Return of the Jedi, Jabba mocks numerous servants and awards a generous reward to anyone who brings Han Solo's head to his feet. Bandit Boba Fett brings Jabbe Han Solo, and the crime boss displays the frozen hero as part of an exhibit in his own throne room.
However, Han Solo's friends do not sleep and rush to help. They manage to get into Jabba's palace, but on this luck turns away from the heroes. she herself is captured by Jabba, and the villain turns the girl into slavery. The gangster tries to deal with Luke Skywalker when he arrives to make a deal with Jabba to free Han Solo.
Under the throne room is a pit where a monstrous monster sits, and Luke is thrown there. The hero destroys the monster, but Jabba doesn't stop there. There is a giant worm-like creature in the Sea of Dunes on Tatooine, and Jabba decides it would be a glorious idea to feed the monstrosity to Luke and Han Solo.
However, the heroes manage to defeat Jabba's guards, and the villain himself is killed by Princess Leia during the confusion. Jabba is overtaken by a very symbolic death - Leia strangles him with slave chains. Jabba's sail barge explodes and everyone on board is killed. However, Leia, Luke and the rest of the heroes manage to escape.
In the 1999 prequel to The Phantom Menace, Jabba can be seen in an episode of the Pod Race. The villain sits on the podium, surrounded by henchmen, and is completely uninterested in what is happening. Jabba eventually dozes off and misses the race finals.
Jabba the Hutt is depicted in the movie saga as a major crime boss, constantly surrounded by a retinue of bodyguards and smaller gangsters who work for him. Jabba is about six hundred years old. The villain has numerous assassins, smugglers and bounty hunters under his command. The character stands at the center of a criminal empire that he controls.
On the desert planet Tatooine, Jabba has his own palace, where numerous slaves, droids and all kinds of alien creatures serve the criminal. Jabba loves to torture those who turn up close at hand, is not indifferent to young slaves and plentiful food, is fond of gambling.
Quotes
“If I told you half of what I’ve heard about this Jabba the Hutt, you would most likely have a short circuit!”
“By the time we next met, he was already a much larger figure - in every sense. And besides, he managed to hate me. "
, Jabba makes a cameo at the start of the Pod Race.
Jabba's role in Star Wars ah ”is primarily antagonistic. He appears as an approximately 600-year-old hutt, crime boss and gangster who is surrounded by a retinue of criminals, bounty hunters, smugglers, assassins and bodyguards working for him, with the help of which he runs his criminal empire. In his palace on the desert planet Tatooine, he has at his disposal many servants: slaves, droids and various alien creatures. Jabba has a dark sense of humor, an irrepressible appetite and a passion for gambling, female slaves and torture.
The character was included in the merchandising campaign. Star Wars, which was coincident with Return of the Jedi premiere. In addition to films, Jabba the Hutt has featured in literary works in the Star Wars universe, which sometimes mentioned him full name, Jabba Desilijic Tiure. Since then, the image of Jabba the Hutt has played an important role in popular culture, especially in the United States. The name is used as a satirical literary device and political caricature to highlight the negative qualities of the object of criticism, such as obesity and corruption.
Appearances
Jabba the Hutt appears in three of the six Star Wars fictional films and in The Clone Wars. He is a frequent contributor to expanded universe literature and is the hero of a comic book anthology. (Jabba the Hutt: The Art of Business) (1998), a comic book originally published in 1995 and 1996.
In movie
Jabba is first mentioned in A New Hope (1977), but his first screen appearance occurs in 1983, in the third installment of the original Star Wars trilogy, Return of the Jedi, directed by Richard Markand and written by Lawrence Kasdan and George Lucas ... The first part of Return of the Jedi shows Princess Leia (Carrie Fisher), the Chewbacca Wookiee (Peter Mayhew) and Jedi Knight Luke Skywalker (Mark Hamill) trying to rescue their friend Han Solo (Harrison Ford), who was imprisoned in carbonite as a result of the events of the previous film, The Empire Strikes Back.
The captured Khan is brought to Jabba by the bounty hunter Boba Fett (Jeremy Bullock) and placed on display in the crime boss's throne room. Khan's friends, namely Lando Calrissian (Billy Dee Williams), droids C-3PO (Anthony Daniels) and R2-D2 (Kenny Baker), Leia and Chewbacca, infiltrate Jabba's palace as part of their plan to rescue Khan. Leia, however, herself soon finds herself captured and enslaved by the Hutt. Luke arrives at Jabba to strike a "deal for Solo's life." Luke, however, is thrown into a pit with a monstrous rancor monster below Jabba's throne room. After Luke kills the monster, Jabba condemns Luke, Han and Chewbacca to slow death in the womb of the Sarlacc, a giant alien worm-like creature that lives in the Tatooine Sea of Dunes. The execution turns into a firefight at the Great Pit of Karkon, where Luke escapes execution with R2-D2 and defeats Jabba's guards. In the ensuing confusion, Leia strangles Jabba to death with her slave chains. Luke, Leia, Han, Lando, Chewbacca, C-3PO, and R2-D2 escape from Jabba's sail barge before the explosion, and everyone inside is killed.
Jabba the Hutt's second screen appearance was in a special edition of A New Hope, released in 1997 to commemorate the 20th anniversary of the original Star Wars. Han Solo gets into a skirmish at the Mos Eisley bar with the alien bounty hunter Greedo (Paul Blake and Maria de Aragon), which ends with the death of the latter. According to Greedo, Jabba "does not deal with smugglers who dump their cargo at the first approach of an Imperial cruiser." Jabba hired Khan to deliver the illegal drug "Spice" from the asteroid Kessel. Khan, however, was forced to dump his cargo when an Imperial patrol began pursuing the Millennium Falcon, Khan's ship. Greedo told Khan that "Jabba's bounty on your head is so great that every bounty hunter in the galaxy will be looking for you." In a scene cut from the original 1977 film, Jabba and the bounty hunters around him are seen in the Millennium Falcon hangar trying to find a smuggler. Jabba confirms Greedo's last words and demands that Khan pay him the cost of the cargo. Khan promises to compensate Jabba for the loss as soon as he receives payment for the delivery of the "goods" - Obi-Wan Kenobi (Alec Guinness), Luke Skywalker, R2-D2 and C-3PO - to Alderaan. Jabba warns Khan that if he does not return soon, he will assign a bounty for him "so high that you cannot fly close to a civilized system." However, Han never fulfills his contract with the Hutt. All of this material was taken from an unfinished scene in the original 1977 film version, in which Jabba was played by Irish actor Declan Mulholland, dressed in a furry suit. In 1997, in a special edition of the film, Jabba's CGI image was replaced by Mulholland, and his voice was re-dubbed in fictional Hutt language.
Jabba the Hutt appears for the third time in 1999, in the prequel to the original trilogy (and the first film in the new trilogy), The Phantom Menace. The scene with this character is insignificant and has nothing to do with the plot of the film. On the eve of the Mos Espa pod races on Tatooine, in which nine-year-old Anakin Skywalker (Jake Lloyd) wins his freedom, Jabba the Hutt is shown on his podium, accompanied by Gardulla the Hutt (female Hutt) and his Twi'lek majordomo Bib Fortuna (Matthew Wood ). Although he is the master of the race, Jabba has a completely disinterested appearance and even slumbers, missing the end of the race.
In the fourth and last time on the big screen, Jabba appears in The Clone Wars. In this 2008 cartoon, Jabba the Hutt's son Rotta is captured by the Separatists in an attempt to crush the Jedi and the Republic. Anakin Skywalker and his Padawan Ahsoka Tano managed to rescue Rotta and bring him back to Jabba, thereby securing his permission for Republic ships to pass safely through his territory. In addition to the full-length cartoon, Jabba has appeared in three episodes of the third season of The Clone Wars animated series based on him. He appeared in the episode "Sphere of Influence" where his son Rotta also appears. Jabba confronts the Chairman of the Papanoid, whose daughters have been kidnapped by one of his bounty hunters, Greedo. Jabba allows a blood sample to be taken from Greedo, which is necessary in order to expose him as the kidnapper, but Greedo's cowardice speaks first. In the episode "Treacherous Plans," Jabba hires bounty hunter Cad Bane to bring him plans for the Senate building. When Bane returns with a successfully completed assignment, Jabba not only pays him but also hires him for another task. He and the Council of the Hutts send Bane to free his uncle Ziro the Hutt from prison (rather unexpected as Ziro helped kidnap his son). Jabba makes his last appearance in the episode "The Hunt for Ziro," in which he is shown laughing and having fun upon hearing of Ziro's death at the hands of Su Snotles and pays her to deliver Ziro's holographic diary.
In literature based on Star Wars
Jabba the Hutt first appeared in Star Wars Expanded Universe literature in the Marvel Comics adaptation of A New Hope. In comics Six against the galaxy(1977) Roy Thomas What Ever Happened to Jabba the Hut?(1979) and In mortal combat(1980) Archie Goodwin's Jabba the Hutt (originally spelled Hut) appeared as a tall humanoid with a walrus-like face, a crest, and a bright yellow uniform. Jabba's "official" appearance has not yet been confirmed as he has not yet appeared on screen.
In anticipation of the continuation of Star Wars, Marvel has kept the monthly comics with their storylines, one of which focuses on Jabba's tracking of Han Solo and Chewbacca to their old hideout, which they use for smuggling. However, circumstances force Jabba to raise the bounty for Solo and Chewbacca, which forces them to return to Tatooine for an adventure with Luke Skywalker, who has returned to the planet to recruit more pilots for the Alliance. On another adventure, Solo kills the space pirate Crimson Jack, interrupting a Jabba-sponsored operation. Jabba thus raised the bounty on Solo's head again, and Solo later kills the bounty hunter, who tells him why he hunted him again. He and Chewbacca return to the rebels. (Solo mentions the incident with the "bounty hunter we encountered on Ord Mantella" in the opening scene of The Empire Strikes Back.)
The Marvel artists created Jabba's character based on the appearance of the character later named Mosep Binned, an alien who could only be briefly replaced in the Mos Eisley bar scene in A New Hope. The 1977 paperback novelization of the Star Wars script describes Jabba as "a large, moving mass of muscle and fat topped with a shaggy, scarred skull," but does not provide a more detailed description of the character's physical characteristics or appearance.
Subsequent Expanded Universe novels and comics used the character portrayed in the film. They also covered his life before the events of the Star Wars films. For example, The Revenge of Zorb the Hutt (1992), a teenage novel by Paula and the Hollas Davids, reveals that Jabba's father was a major crime boss named Zorba the Hutt, and Jabba was born 596 years before the events of A New Hope, which means that he was about 600 years old at the time of his death in Return of the Jedi. Anna K. Crispin's novel The Hutt Gambit (1997) explains how Jabba the Hutt and Han Solo became business partners, and shows the events that lead to a generous bounty assigned to Khan's head. Other extended universe stories, notably Jim Woodring's Dark Horse Comics anthology titled Jabba the Hutt: The Art of the Deal(Jabba the Hutt: The Art of Business) (1998) also details Jabba the Hutt's ascent as head of the Desilijik clan (in particular, he challenges and kills his father's brother, Jiliak the Hutt), his role in the underworld of the Star Wars universe and the creation of their own crime syndicate on Tatooine, a planet in the Outer Rim of the Star Wars universe, at the ancient monastery of B'ommar.
Tales From Jabba's Palace(Tales from Jabba's Palace) (1996), a collection of short stories edited by science fiction writer Kevin Anderson, brings together the stories of the various servants of Jabba the Hutt in his palace and their relationship to him in the last days of his life. Stories show that some of the Hutt's servants were loyal to him, but most of them were in fact involved in a conspiracy to assassinate him. When Jabba the Hutt was killed in Return of the Jedi, his surviving former courtiers joined forces with their rivals on Tatooine, and his family on the Hutt homeworld of Nal the Hutt laid claim to his palace, wealth and criminal empire. Timothy Zahn's novel Heir to the Empire (1991) reveals that a smuggler named Talon Karrde eventually replaces Jabba as "the big fish in the pond" and moves to the headquarters of the Hutt crime empire on Tatooine.
Appearance and personality
Jabba the Hutt is an example of lust, greed and gluttony. The character is known throughout the Star Wars universe as a "sneaky gangster" who entertains himself with the torture and humiliation of his subordinates and enemies. He surrounds himself with scantily clad slaves of all kinds, chaining many of them to his pedestal. The Star Wars Database, the official online database and information on Star Wars, notes that the inhabitants of his palace are not immune to his desires for domination and torture. Jabba sent even his most loyal servants and valuable associates to their deaths. For example, in Return of the Jedi, the Twi'lek slave dancer Ula throws herself at the monster Rakoru because she refuses to indulge its whims.
Jabba the Hutt's appearance is grotesque to his character and reinforces his personality as a deviant criminal. As Han Solo pointed out in Return of the Jedi, Jabba is "a slippery lump of worm-like mud." Film critic Roger Ebert describes him as "a cross between a toad and a Cheshire cat," and astrophysicist and science fiction writer Jean Kavelos calls Jabba "the most disgusting alien." Sci-fi authors Tom and Martha Veith wrote that Jabba's body is a "miasmatic mass" of flesh that quakes when he laughs. It exudes a distinctive scent: "The Hutt's greasy body seemed to periodically emit fatty discharges, sending new waves of rotten stench" into the air. Saliva drips from its swollen tongue as it feeds on creatures that resemble frogs and worms. Jabba's appetite is insatiable, he is not limited in any way in his diet. For example, his jester, the Kovakian monkey lizard Solucius Crumb, has to make the Hutt crime boss laugh once a day every day, or Jabba will eat him.
Jabba the Hutt, however, shows rare examples of compassion. For example, in one of the expanded universe stories, he saves a Chevin named Epant Mon from freezing to death on an icy planet by covering him with his swollen layers of fat; both are eventually saved, and Epant Mon becomes completely loyal to his master's crimes, making him the only resident of Jabba's palace that the crime boss can trust. Additionally, in Star Wars: The Clone Wars, Jabba appears to show genuine love for Rott's son and is concerned and outraged at his abduction and presumed death.
Concept and creation
Jabba the Hutt has undergone several changes during his screen appearances between different versions of the films. The changes in Jabba the Hutt's concept from a furry creature to a slug-like creature and from an animatronic doll to a CGI product represent two of the most obvious character changes in the creation and conceptualization process.
Episode IV: A New Hope
The original script for A New Hope describes Jabba as "a fat, slug-like creature with eyes, extended tentacles and a huge, ugly mouth," but Lucas stated in interviews that his original design was supposed to be more furry and Wookiee-like. When filming a scene of dialogue between Han Solo and Jabba in 1976, Lucas brought in Northern Irish actor Declan Mulholland to play as a substitute and read Jabba the Hutt's lines while wearing a furry brown suit. Lucas planned to replace Mulholland in post-production with a puppet-animated creature. The scene was supposed to link A New Hope to Return of the Jedi and explain why Han Solo was captured at the end of The Empire Strikes Back. However, Lucas decided to cut a scene from the final cut due to budget and time constraints, and also because he felt he was not improving the film's plot. The scene, however, remained in the novelization, comics, and radio adaptation of the film.
Lucas returned to the scene in 1997 while working on a special edition of A New Hope, restoring narrative consistency and replacing Mulholland with a CGI version of Jabba the Hutt, along with replacing the English dialogue with dialogue in Hutt, a fictional language created by sound engineer Ben Bert. ... Joseph Letteri, visual effects senior for the special edition, explained that the ultimate goal of reworking the scene was to make it look like Jabba the Hutt was actually talking and interacting with Harrison Ford, while film crew just takes it off. Letteri stated that the new scene consisted of five shots that took a year to complete before it was completed. The scene was further refined for the 2004 DVD release: Jabba's appearance was improved in line with advances in CGI technology, although in no release does he look exactly like the original Jabba the Hutt doll.
At one point in the original scene, Ford walks in behind Mulholland. This became a problem when adding Jabba's CGI image, as he has a tail that gets in the way of the actor. In the end, the problem was solved in the following way: Khan stepped on the Hutt's tail, making Jabba yelp in pain.
Lucas admitted that some people were upset about the appearance of Jabba's CGI, complaining that the character "looks fake." Lucas dismissed this, stating that since a character is portrayed as a doll or as a CGI image, it will always always be "fake" because the character is not real. He said he couldn't tell the difference between a latex doll and a computer generated image. The CGI character performed actions that the doll could not do, such as walking. In The Phantom Menace, Jabba appeared as a CGI character based on his appearance in A New Hope.
Episode VI: Return of the Jedi
Lucas designed the CGI look for the character based on what he originally appeared in Return of the Jedi. In this film, Jabba the Hutt is a huge, sedentary, slug-like creature developed by Lucas' Industrial Light & Magic creature workshop. Design consultant Ralph McQuarrie said, “In my sketches, Jabba was a huge, lithe, ape-like figure. But then the design went in a different direction, and Jabba became more like a worm-like creature. " According to a 1985 documentary From Star Wars to Jedi Lucas rejected the original character design. The first option made Jabba too human-like, very similar to literary hero Fu Manchu, and the second made him look too much like a snail. Lucas finally settled on making the character design a hybrid of the two. Return of the Jedi costume designer Nilo Rodis-Jamero commented:
“My vision for Jabba was that he should literally look like Orson Welles in his mature years. I saw him as a very thin person. Most of the villains we love are very smart people... But Phil Tippett continued to portray him as a kind of slug, almost like in Alice in Wonderland. At one time, he created a sculpture of a slug-like creature that smokes. I kept thinking that I should just leave, but ultimately that was what led to his established identity. "
Creation and design
Designed by visual effects artist Phil Tippett, Jabba the Hutt's appearance was inspired by the anatomy of several animal species. Its body structure and reproductive processes were based on annelids, hairless animals that do not have a skeleton and are hermaphrodites. Jabba's head was modeled after that - like a snake, along with bulging eyes with narrow pupils and a mouth that opens wide enough to swallow large prey. His skin was made damp like that of an amphibian. Jabba's designs have subsequently been used to depict nearly all of the Hutt species in subsequent Star Wars works.
In Return of the Jedi, the role of Jabba is "played" by a 1-ton doll that took three months and half a million dollars to create. During filming, the doll had its own makeup artist. It took three puppeteers to operate the doll, making it one of the largest devices ever used in a movie. Stuart Freeborn designed the doll, while John Coppinger sculpted it directly from latex, clay and foam pieces. The puppeteers were David Alan Barclay, Toby Philpott and Mike Edmonds, who were members of Jim Henson's Muppets. Barclay controlled his right hand and mouth and read the character's lines in English, while Philpott controlled his left hand, head and tongue. Edmonds, the smallest of the three (he also played Logray's Ewok in subsequent scenes), was responsible for Jabba's tail movements. Tony Cox, who also played one of the Ewoks, also helped. The eyes and facial expressions were controlled from a distance, as they were radio controlled.
Lucas expressed dissatisfaction with the doll's appearance and immobility, complaining that the doll could move when filming various scenes. In the comments on the Return of the Jedi DVD Special Edition, Lucas noted that if such technology had been available in 1983, Jabba the Hutt would have been a CGI character similar to the one that appears in the scene for the New Hope special edition.
Jabba the Hutt speaks only Hutt in the film, but his lines are translated into English with subtitles. His voice and dialogues in Hutt were performed by voice actor Larry Ward, whose participation is not indicated in the film credits. A heavy, booming sound to Ward's voice was achieved by shifting the pitch range one octave lower than usual and processing it through a subharmonic generator. A soundtrack of wet, slimy sound effects was recorded to accompany the movements of the doll's limbs and mouth. The recorded sounds were created by a hand passing through a bowl of cheese casserole and a dirty towel scrubbing along the inside of a trash can.
Music theme Jabba the Hutt is performed on tuba throughout the film, directed by John Williams. One reviewer of Return of the Jedi soundtrack commented: "Among the new thematic ideas [in the soundtracks] is a cute piece on Jabba the Hutt's tuba (playing in front of politically incorrect motives on the tuba is fat) ..." This theme is very similar to another that Williams wrote for the heaviest character in the film. Fitzwilly(1967), although the theme does not appear on the film soundtrack album. Williams subsequently turned the theme into a symphonic piece performed by the orchestra Boston pops orchestra featuring a solo tuba by Chester Schmitz. The role of the piece in film and popular culture has been the focus of research by musicologists such as Gerald Sloane, who wrote that Williams' play "combines the monstrous and the lyrical."
According to film historian Laurent Bozerou, the death of Jabba the Hutt in Return of the Jedi was suggested by screenwriter Laurence Kasden. Lucas decided that Leia should strangle him with her slave chains. He was inspired by a scene from The Godfather (1972), where a fat character named Luca Brasi (Lenny Montana) was killed with a garrote.
Embodiment
Jabba the Hutt was played by Declan Mulholland in scenes cut from the 1977 version of A New Hope. In scenes where Mulholland plays Jabba, Jabba is portrayed as a plump man wearing a furry fur coat. George Lucas announced his intention to use the alien's appearance to represent Jabba, but the special effects technology of the time could not fulfill the task of replacing Mulholland. In a special edition 1997 reissue of the film, the original scene was restored and altered to include a computer-generated image of Jabba. In Return of the Jedi, he was played by puppeteers Mike Edmonds, Toby Philpott, David Alan Barclay and voiced by Larry Ward. In The Phantom Menace, Jabba is voiced by an uncredited voice actor, and the end credits indicate that Jabba is playing himself. The puppeteer actors who controlled Jabba's doll appeared in documentaries From "Star Wars" to "Jedi": The Making of a Saga and Classic Creatures: Return of the Jedi.... David Alan Barkay, who was one of Jabba's puppeteers in the film, played Jabba in the computer and video game version Return of the jedi for the Super Nintendo console. In the radio adaptation of the original trilogy, Jabba was played by Edward Asner. In Star Wars: The Clone Wars, Jabba was voiced by Kevin Michael Richardson. In all of Jabba's other video game appearances, he has been voiced by Clint Bajakin. Jabba was supposed to appear in the PC game Star Wars: The Force Unleashed, but was dropped due to time constraints. A cutscene was produced that included a conversation between Jabba and Juno Eclipse (voiced by Natalie Cox), which was revised in-game. But then he did appear in a version of the game called the Ultimate Sith Edition.
Cultural influence
Since the premiere of Return of the Jedi in 1983 and its accompanying merchandising campaign, Jabba the Hutt has become a true icon of American pop culture. Based on the character, sets of action figures produced by Kenner / Hasbro, produced from 1983 to 2004, were produced and released for sale in the form of a series. In the 1990s, Jabba the Hutt became the main character in his own comic book series under the general title Jabba the Hutt: The Art of the Deal("Jabba the Hutt: The Art of Business").
Jabba's role in popular culture extends beyond the Star Wars universe and its fans. In Mel Brooks's Star Wars parody Space Eggs (1987), Jabba the Hutt is parodied as the character Pizza Hutt, a cheese blob shaped like a slice of pizza whose name is a double pun of Jabba the Hutt and the Pizza Hut restaurant franchise. Like Jabba, Pizza the Hutt is a loan shark and mobster. The character meets his death at the end of Space Eggs when he is "locked in his car and [eats] himself to death." The National Air and Space Museum in Washington, DC included the image of Jabba the Hutt in the temporary Star Wars: The Magic of Myth exhibition, which closed in 1999. The Jabba booth was called The Return of the Hero, in reference to Luke Skywalker's journey to become a Jedi.
Media attention
Since the release of Return of the Jedi, Jabba the Hutt's name has become synonymous in the American media with repulsive qualities such as obesity and corruption. This name is often used as a literary device or as a comparison or metaphor to illustrate the shortcomings of a particular character or person. For example, in Under the duvet(2001) Marian Keys alludes to binge problems when she writes "birthday cake wheel, I feel Jabba the Hutt moment is coming." Also, in the novel Steps and Exes: A Novel of Family(2000) Laura Kalpakin uses the name Jabba the Hutt to emphasize the weight of the hero's father: “The girls named Janice Jabba the Hutt's parents and Wookiees. But Jabba (Janice's father) is dead, and it doesn't seem right to talk about the dead using such terms. " In Dan Brown's first novel, Digital Fortress, the NSA technician is affectionately referred to as Jabba the Hutt.
In his book of humor and folk culture The Dharma of Star Wars(2005) writer Matthew Bortolin attempts to show the similarities between Buddhist teachings and aspects of Star Wars fiction. Bartholin insists that if a person makes decisions about what Jabba the Hutt would do, then the person is not practicing the proper spiritual concept of dharma. Bartholin's book reinforces the idea that Jabba's name is synonymous with negativity:
“One way to see if we are practicing healthy lifestyles is to compare our trade to that of Jabba the Hutt. Jabba slipped his fat and stubby fingers into many of the trades that led to the victory of the dark side. He was mainly involved in the illegal trade in Spice, an illegal drug in the Star Wars galaxy. He also did business in the slave trade. He had many slaves, and some he fed to the rancor, a creature he kept in a cage and tortured in his dungeon. Jabba used deceit and violence to maintain his position. "
Outside of literature, the character's name has become an offensive and derogatory pejorative. Saying that someone “looks like Jabba the Hutt” is usually understood as an insult that casts doubt on a person's normal weight and / or appearance. The term is often used in the media as a journalistic attack on prominent personalities. For example, actress and comedian Roseanne faced what W.S. Goodman called "venomous attacks based on her weight" by New York Observer journalist Michael Thomas, who has often likened her to "the teardrop monster from Star Wars." Jabboy the Hutt. In an episode of the 1999 South Park animated series, Nightmare Marvin in Space, Christian Children's Fund spokesman Sally Strathhers is portrayed as a Hutt and accused of being fat on food aid for starving Ethiopians. Another excuse appears in an episode of He's Too Sexy for His Fat in the animated series Family Guy, when Peter mentions his raucous ancestor Jabba Griffin. In the television series Lost, Sawyer uses Jabba's name as a derogatory nickname for Hugo due to the latter's "excess weight and unattractiveness."
In another sense, the expression "Jabba the Hutt" has become a symbol of greed and anarchy, especially in the business world. For example, basketball biographer Michael Jordan Mitchell Krugel uses the term to discredit Chicago Bulls general manager Jerry Krause after Krause commented on Jordan and other multi-million dollar players: “Krause added to his Jabba the Hutt look during a fundraiser the media, which preceded the opening of the camp, when he answered a question about the prospects for the restoration of the “Bulls” without Phil and Michael in the near future, saying: “Organizations win championships. Players and coaches are part of the "" organization. Jabba the Hutt was ranked fifth on its Forbes Fictional 15 list of 15 richest 15 fictional characters by Forbes in 2008.
Jabba the Hutt is a popular caricature medium in American politics. For example, opponents of California Democratic lawmaker Jackie Goldberg typically portray the politician as given. character Star Wars in their cartoons. The Los Angeles Daily News published hand-drawn cartoons of her as a grotesque, overweight figure reminiscent of Jabba the Hutt, while the New Times LA wrote of Goldberg as "the Jabbn the Hutt man who consumes good while producing bad." William J. Oach uses the term to describe what he sees as ineffective bureaucracy in the public school system: "With all these unnecessary layers of organizational fat, school districts have come to resemble Jabba the Hutt, the leader of the Star Wars smugglers." In Ireland, Health Minister Mary Harney was named "Jabba the Hutt" in a satirical show Gift Grup.
Bibliography
- Wallace, Daniel... (2002). Star Wars: The Essential Guide to Characters. Del rey... p. 88-90. ISBN 0-345-44900-2.
Notes (edit)
- Wallace D., Sutfin M. and Mangels A. Star Wars: The New Essential Guide to Characters. Paw Prints, 2008. ISBN 1439564973, 9781439564974
- TIME magazine review, May 23, 1983; last accessed November 26, 2008.
- Roger Ebert, review of Return of the jedi, Chicago Sun-Times, May 25, 1983, at RogerEbert.com
- Jabba the Hutt, starwars.com, paragraph 11, "By the age of 600, Jabba was the Hutt to be reckoned with ...", Retrieved 11-23-2008
- Sansweet, Star Wars Encyclopedia, pp. 146-147.
- "Jabba Desilijic Tiure (Jabba the Hutt)", in Sansweet, Star Wars Encyclopedia, pp. 146-147.
- , dir. Richard Marquand (DVD, 20th Century Fox, 2005), disc 1.
- , Special Edition, dir. George Lucas (DVD, 20th Century Fox, 2005), disc 1.
- "Mos Espa Grand Arena" at the Star Wars Databank.
- Star Wars Episode I: The Phantom Menace, dir. George Lucas (DVD, 20th Century Fox, 1999), disc 1.
- Roy Thomas, Marvel Star Wars # 2: Six Against the Galaxy(Marvel, August 1977).
- Archie Goodwin, Marvel Star Wars # 28: What Ever Happened to Jabba the Hut?(Marvel, October 1979).
- Archie Goodwin, Marvel Star Wars # 37: In Mortal Combat(Marvel, July 1980).
- Jabba the Hutt, Behind the Scenes, Star Wars Databank; last accessed July 3, 2006.
- George Lucas, Star Wars: From the Adventures of Luke Skywalker(paperback; New York: Del Rey, 1977), p. 107, ISBN 0-345-26079-1.
- Paul Davids and Hollace Davids, Zorba the Hutt's Revenge(New York: Bantam Spectra, 1992), ISBN 0-553-15889-9.
- A. C. Crispin, The hutt gambit(New York: Bantam Spectra, 1997) ISBN 0-553-57416-7.
- Jim Woodring, Jabba the Hutt: The Art of the Deal(Dark Horse Comics, 1998), ISBN 1-56971-310-3.
- Kevin J. Anderson, ed., Tales from Jabba's Palace(paperback; New York: Bantam Spectra, 1996), ISBN 0-553-56815-9.
- Timothy Zahn, Heir to the empire(paperback; New York: Bantam Spectra, 1991), p. 27, ISBN 0-553-29612-4.
- Murray Pomerance, "Hitchcock and the Dramaturgy of Screen Violence", in Steven Jay Schneider, ed., New hollywood violence(Manchester, Eng .: Manchester University Press, 2004), p. 47, ISBN 0-7190-6723-5.
- From the title crawl of Star Wars Episode VI: Return of the Jedi; also a description from the Return of the jedi novelization at Del Rey; last accessed July 3, 2006.
- Jabba the Hutt, The Movies, Star Wars Databank; last accessed July 3, 2006.
- Kathy Tyers, "A Time to Mourn, A Time to Dance: Oola's Tale," in Anderson, ed., Tales from Jabba's Palace, p. 80.
- Jeanne Cavelos, "Just Because It Goes" Ho Ho Ho "Doesn’t Mean It’s Santa", The Science of Star Wars: An Astrophysicist's Independent Examination of Space Travel, Aliens, Planets, and Robots as Portrayed in the Star Wars Films and Books(New York: St. Martin's Press, 1999), p. 57, ISBN 0-312-20958-4.
- Tom Veitch and Martha Veitch, "A Hunter's Fate: Greedo's Tale", in Kevin J. Anderson, ed., Tales from the mos eisley cantina(paperback; New York: Bantam Spectra, 1995), pp. 49-53, ISBN 0-553-56468-4.
- Ryder Windham, This crumb for hire, in A decade of dark horse# 2 (Dark Horse Comics, 1996).
- Esther M. Friesner, “That’s Entertainment: The Tale of Salacious Crumb,” in Anderson, ed., Tales from Jabba's Palace, pp. 60-79.
- Ephant Mon, Expanded Universe Star Wars Databank; last accessed July 3, 2006.
- George Lucas interview, Star Wars Episode IV: A New Hope
- George Lucas commentary, Star Wars Episode IV: A New Hope, Special Edition, dir. George Lucas, (DVD, 20th Century Fox, 2004).
- Joseph Letteri interview, Star Wars Episode IV: A New Hope, Special Edition (VHS, 20th Century Fox, 1997).
- « A new hope: Special Edition - What has changed ?: Jabba the Hutt, January 15, 1997, at StarWars.com; last accessed July 3, 2006. Archived March 13, 2007 at the Wayback Machine
- Star Wars: The Changes - Part One at DVDActic.com; last accessed July 3, 2006.
- George Lucas commentary, Star Wars Episode VI: Return of the Jedi, Special Edition, dir. Richard Marquand (DVD, 20th Century Fox, 2004).
- Ralph McQuarrie, quoted in Laurent Bouzereau, Star Wars: The Annotated Screenplays(New York: Del Rey, 1997), p. 239,
Full biography
The son of a major clan leader and a member of an ancient line of criminal tycoons, Jabba strove to become his father's equal. By the age of 600, Jabba (whose Hutt name is Jabba Desiliyik Tiure) was at the head of a large criminal empire. Along with his immense fortune, Jabba flew from the estate of his father, Zorba the Hutt, to Nel Hutt on Tatooine, where he settled in a palace built on the ruins of the ancient monastery of the monks B "Ommar.
The lingering atmosphere of Jabba's palace soon attracted many unscrupulous villains here who flocked to the fortress to drink and eat, have fun and find work. Thieves, smugglers, assassins, spies and all kinds of criminals have always been around Jabba. He was soon dragged into all sorts of criminal activities in The Outer Worlds, including smuggling, the glitterstim spice trade, the slave trade, homicide, debt collection, racketeering, and piracy.
While pursuing his illegal activities, Jabba once hired a smuggler named Han Solo to deliver the glitterstim spice from Kessel, where it was mined in the mines under the Imperial correctional colony(Imperial Correction Facility). After Solo dropped a load of glitterstim to pass through the Imperial cordons, Jabba sent several bounty hunters to find the pilot. Solo killed Greedo, one of Jabba's close friends, but was unable to escape the Hutt. Jabba met with Solo on Tatooine, but allowed him and his co-pilot, Chewbacca, to transport passengers to Alderaan in exchange for the flight proceeds. Solo did not return. Furious, Jabba appointed a huge bounty for the smuggler, dead or alive.
After some time, Boba Fett delivered Jabba Solo, frozen in carbonite, but alive. Shortly thereafter, Khan's friends infiltrated Jabba's palace to help out the smuggler. Jabba captured Princess Leia and chained her, then attempted to feed Luke Skywalker first to his home rancor and then to Sarlacca. Standing on the edge of Karkun's Great Vortex, Luke escaped death with his Jedi skills, and a battle began between the rebels and Jabba's men. In the fight, Jabba found his death at the hands of Leia. Moments later, most of his henchmen were killed in the explosion of a sailing barge arranged by Luke and Leia. The remnants of Jabba's fortune passed to his father Zorba, who vowed revenge on Leia and her friends.
Behind the scenes
The filmmakers worked for a very long time on appearance Jabba before he could appear in the original Return of the Jedi in his final form. In his first incarnation, appearing in the novelization of A New Hope, the crime lord is described as "a moving carcass of muscle and fat topped with a rough, scarred skull ..." A New Hope also featured a scene of the Hutt's conversation with Han Solo leaving Mos Eisley. In this scene, Jabba is played by a large man (Declan Mulholland) wearing fur clothes. Lucas intended to cut the actor and replace him with some kind of mechanical creation, however the necessary technology was not available. Therefore, the scene was cut out completely.
Ralph McQuarrie, Nilo Rodis-Jamero and Phil Tippet collaborated with Lucas to design Jabba's appearance for Return of the Jedi. They made over 76 sketches before coming to a final decision. McQuarrie first envisioned Jabba as a monstrous and agile primate, similar to a giant ape, and Rodis-Jamero saw him as a sophisticated, experienced humanoid. Tippet suggested the idea of a huge slug. He designed eight skins for Jabba, with early designs having multiple pairs of hands.
It took Stuart Freeborn's English studio two tons of clay and 600 pounds (270 kilograms) of latex to make Jabba the Hutt. It was a giant doll, 18 feet (5.5 meters) long, controlled from within by three puppeteers. Two of them each moved one arm of Jabba, and the third - his tail. Two employees were in charge of Jabba's eye movements (which were controlled by wires), as well as inflating and deflating air bubbles under the Hutt's skin, giving his face a variety of expressions. In addition, during filming, Jabba constantly needed a make-up artist.
For the special edition of A New Hope, Lucas, armed with digital technology, returned to the scene of Jabba's first appearance in Mos Eisley. The all-computer Jabba replaced Declan Mulholland in a "conversation" with Harrison Ford.