The general mood of the picture is 1 audience. Essay on the painting “The First Spectators” by Ekaterina Vasilievna Syromyatnikova
Artwork by E.V. Syromyatnikova’s “First Spectators” is unusually realistic and life-like. At first glance, the reader is watching a completely ordinary everyday sketch, which will not surprise anyone and may not attract the attention it deserves. However, if you look closely at the artistic canvas, you can see its peculiarity.
In the painting “The First Spectators” the artist combines several styles, thereby turning it into a unique work of art. In the background we see a beautiful landscape, which is conveyed in bright colors. The middle of the canvas is filled with portraits of curious boys who look through the open window. And in the foreground there is a skillfully conveyed description of the workshop in which the artist creates his works.
Summer is just around the corner! The weather is warm and sunny! The birch trees that are depicted in the clearing have spread their branches and straightened their leaves. On such a great day, two friends decided to take a walk around the village. And then a small house appeared on their way. The window was open, but there was no one inside the house. Therefore, the curious boys decided to take a look and find out what was inside.
It turns out that this is an art workshop. Probably the artist went out for a short walk, leaving all his working tools. It was they who attracted the attention of passing boys. After all, the main characters see such devices as an easel, brushes and palette, sketched sketches of works for the first time.
One of the boys looks at the picture, which is turned towards the window. We cannot see what is depicted on it. But this is not so important! The second boy examines what is located in the room. How unfamiliar and incredibly interesting it all is. This canvas radiates light! It is presented in soft, pleasant palettes. And this attracts the attention of the audience, arouses interest in what is depicted there.
Students are asked to write an essay on the painting “The First Spectators” during Russian language lessons. Let's try to give a few necessary recommendations for doing this job well.
A word about the artist
Before writing an essay on the painting “The First Spectators,” it is necessary to talk about the author of this painting. Ekaterina Vasilievna Syromyatnikova comes from Ukraine, the city of Kharkov. Besides the fact that she is very talented artist, our author received professional education in Fine Arts.
In addition to the painting “The First Spectators”, she wrote very famous painting"View from the Sparrow Hills."
The audience liked her works so much that almost all of them were sent to private collections for storage.
E. V. Syromyatnikova was known not only in Russia, but also in other countries.
Preparing for an essay
When we start working on a painting, we need to follow a few simple steps. First we need to make a plan according to which we will write the essay. Examples of these may vary. But the most important thing is to be consistent and stay on topic. The plot of the canvas, its main images can be described, and the necessary conclusions can be drawn after the work has been done.
Be sure to check your essay for semantic connections between paragraphs. Don’t forget about literacy, because while working on the content, you can make a mistake unnoticed.
The plot of the picture
The painting (by Syromyatnikov) “The First Spectators,” on which we are to write an essay, combines features of various genres. There is a landscape, an image of a person, and an interior.
Beautiful summer weather brings back pleasant memories. Bright greenery and young birch trees attract the eye to it.
Unfortunately, the history of the creation of the painting is not known for certain. But there is information that in 1929, when the canvas was painted, the artist was vacationing in the village of Ligachevo, located in the Moscow region. Apparently, then inspiration struck her, and she gave us this wonderful picture.
Two boys were walking down the street. Suddenly they noticed that in one of the country houses a window was wide open. Curious guys approached the house and what they saw pleasantly surprised them. It turned out that in front of them was the workshop of some artist. Children look at everything around them with the greatest interest. They are very curious to look at an unusual room.
The artist himself is not in the picture. He was probably gone for a while on some business. Since people of art are quite unique, our master may have left the house, forgetting to close the window.
The interpretation of the title of the painting must also be included in our essay. Examples may vary. We will assume that the painting is called “The First Spectators” because the boys were the earliest witnesses to the creation of a canvas by an unknown artist.
What do we see in the background?
In front of us is a spacious and very pleasant room. In the background we see. It seems that the artist’s house is located at a distance from the others, somewhere in a forest clearing. In the distance you can see trees and their lush green crowns. Near the house, the mesmerizing White-trunked beauties have hung their fluffy branches and are basking in the sun's rays.
The grass in the clearing is still very young. It is so bright that it looks like a soft velvet carpet. In the distance we see a path leading, probably, to another house.
Central plan
The entire canvas can be divided into two parts: the room itself and the street landscape.
The essay on the painting “The First Spectators” will continue with a description of the central plan.
The atmosphere in the workshop was very unusual, which attracted the attention of the boys.
The curtain does not cover the window. It flutters smoothly, which indicates that there may be a weak summer breeze blowing outside.
To the right of the window there is a luxurious armchair. While relaxing on it, the artist is probably thinking about his creative ideas. It is made in an old style, the sun rays fall on the seat.
One of the boys looks at this unusual piece of furniture with interest. On the left, under the window, there are already painted paintings. They are turned with the front side to the wall, as required by the drying rules.
The floor is wooden, not covered with anything, but nevertheless clean and well-groomed.
Or maybe E. V. Syromyatnikova herself lived or visited in this house?!
Foreground
A pretty bouquet of daisies flaunts right before our eyes. It can be assumed that it was the author who captured it in the picture. Unfortunately, we do not know what is depicted on this canvas. And how I would like to see what the eldest of the guys was so interested in! He is so mesmerized by the canvas that his cheeks even glow with pleasure.
On the left we see an easel and a sketchbook. This suggests that the artist is a master of his craft. In his work he used four brushes and perhaps green and white colors, because they were the ones that remained on his palette. This confirms our version that the artist may have depicted daisies on the canvas.
It seems that, having finished the work, the master, sitting in his unusual chair, appreciated his own creation.
It is noteworthy that in this painting we see an unusual situation. The artist depicted one picture within another.
Unfortunately, the audience does not know what creation surprised the children so much, but what is certain is that the canvas was made of very high quality. So much so that it attracts the attention of strangers.
Color spectrum
The picture leaves a very pleasant impression because it is very realistic. This is achieved through the artist’s use of well-chosen colors and shades. This information must be included in the essay on the film “The First Spectators.”
The depiction of nature is very attractive. This is how I remember a carefree childhood, summer holidays, clear sunny days. Probably, it was during this period that the boys went for a walk, forgetting about school for a while.
The guys' clothes are quite bright and summery. The eldest of them has a gray T-shirt with blue trim. The younger one is wearing a red blouse. Such “live” colors make the boys stand out from the general background of the picture.
The daisies were a bright “spot” in the room. These fresh summer flowers will please each of us. This is a symbol of carelessness, relaxation and even romance. Probably, this bouquet is located on the cabinet and pleases the eye of its owner. It can be assumed that it was given to the master by one of the fans of his work.
The palette of colors also stands out in the decor of the room. This is still a working workshop, so the artist does not put away his working tools.
In general, the whole picture is expressively bright and at the same time light. Everything around is flooded with sunlight, and you can feel the warmth of the summer sun.
Conclusion
After such a detailed description, we can finish our essay on the canvas, which was written by E. Syromyatnikova. “The First Spectators” amazes the viewer with its skill and at the same time simplicity. Don't forget to draw conclusions regarding your impression of the picture. It will probably remain pleasant. It’s impossible not to love these little brats who sneak peeks into someone else’s house!
If anyone wants to see the original of this painting, it can be easily found in the most famous museum in Russia - Tretyakov Gallery.
Having seen the creation with your own eyes, perhaps you will become even more inspired by this painting.
Essay based on the painting: “The First Spectators” by E. Syromyatnikova.
The painting by E. V. Syromyatnikova “The First Spectators” is dedicated to creativity, or more precisely, co-creation, the creator of any work, be it a novel, a musical play or a painting, requires a viewer who could appreciate the creation. The painting depicts the artist’s room, in which there is a completed canvas and two boys looking at the painting through the open window of the room.
We see that the author of the painting “The First Spectators” depicted a few details of the furnishings of the artist’s room: an armchair with wooden armrests standing by the window, a thin light curtain that was pulled back to the very edge of the window, a portable easel rolled up under the window. In the foreground of the picture is a ceramic vase with a bouquet of field daisies. But the main detail of the artist's room is his completed painting, which is turned towards the window. That is, we do not see what is depicted on it, but the first viewers of the picture were perfectly able to see what was depicted. Next to the painting there is a wooden stool on which paints and brushes lie. It seems as if the artist had just finished his work and went out somewhere for a second.
Two boys look in through the open window - the first viewers of the picture. They seem to have already examined what the artist depicted on the canvas, and are now looking with curiosity at the details of the environment in which the artist lives. A dark-haired boy in a red shirt leans over the saucer and looks into the right corner - apparently, he found something interesting for himself there. Another boy - he is older - looks to the left. On this side there are obviously other works by the artist. The boy (he is dark-haired, wearing a blue-and-white T-shirt) looks with great attention and interest at what interests him.
In the very center of the picture is an open window. It is located right behind the boy’s back and a beautiful spring landscape can be seen through it. We see the white and brown trunks of birch trees, their young fresh greenery. Behind the birches is a clearing, the grass of which has an emerald color. In the distance beyond the clearing the forest begins. It's like he's shrouded in a haze.
Looking at the boys, we, the audience, cannot help but wonder: what was so interesting to the guys in the artist’s room? Of course, they were primarily interested in the work of the novice painter. It is obvious that this work was a success, it became a real work, because one thing is generally known - first of all, children feel falsehood in everything. And since the boys, having examined the painting, not only did not leave, but began to look closely at other works and the furnishings in the artist’s room, it means that the painter has something to be proud of.
Of course, we can ask the question: what is shown in the picture? Probably nature. It is no coincidence that through the open window of the artist’s room one can see a beautiful landscape, it is no coincidence that there are flowers in his room, just as it is no coincidence that of all the paints lying on the stool in the artist’s room, the least amount of green paint remains. All this suggests that he is a connoisseur of Russian beauty and nature and dedicates his works to it. In addition, the interest of the audience of the film testifies to this. Surely, the boys were surprised and attracted by the fact that someone was able to depict their beloved native places on canvas, and depict them authentically.
Essay based on the painting by E. Syromyatnikova “The First Spectators”
Essay plan.
E. V. Syromyatnikova - the personality of the artist
The plot and composition of the picture
Artist's palette
The general mood of the picture
Everything that my master has done bears the stamp of earthly Love and humble simplicity.
Oh yes, he didn’t know how to draw everything,
But what he painted was perfect.
N. S. Gumilev
E. V. Syromyatnikova is a multifaceted, creative personality. Most of her works were made in the style of realism, but from work to work the style of the work subtly changed, creating a special mood. Syromyatnikova is a corresponding member of the Union of Artists, a graduate of the Moscow state institute named after V.I. Surikov. After the exhibition "Soviet modern Art", held in Japan in 1976, all the artist’s works were purchased by private collectors. Until now, most of the artist’s works are in private collections in Russia and abroad, and they can only be appreciated according to the published catalog of works, but the painting to which this is dedicated the composition is in the Tretyakov Gallery.
The plot of the picture is simple, but at the same time rare, almost exclusive. The canvas depicts two boys looking into the artist’s window. Outside the window is a clear summer day, snow-white thin trunks of birch trees covered with lush foliage are visible, the forest darkens in the distance. There is a feeling warm sun, gentle breeze; You can hear the perky chirping of birds and the whisper of leaves.
The huge window is fully open, the curtains flutter slightly. It is impossible to recognize the general furnishings of the room, but it is clear that it belongs to a creative person. From the angle from which the artist depicted the room, an easel with a canvas, a palette and brushes are visible. You can also see a sketchbook leaning against the wall under the window. Next to the easel there is a bouquet of daisies - it is possible that this was painted by an artist unknown to us. In the corner, shaded, stands an antique armchair with graceful armrests and curved legs. One of the boys curiously examines the canvas facing him - there is a slight smile on his lips, and genuine interest in the master’s work seems to be frozen in his eyes. The second boy does not look at the picture - his attention was attracted by some object located in the corner of the room, invisible to the audience. Maybe this is the artist’s cat, or maybe it’s another painting depicting birch trees outside the window or a wonderful summer garden.
The composition of the picture is complex, it is full of important, obligatory details. The canvas is clearly divided into three plans, with the most significant being the middle plan - a wall with a window and the spectators themselves, the work of an unknown artist. The first plan, due to the peculiarities of the angle, turns out to be cut off on one side by the edge of the canvas, on the other by a bouquet of daisies.
The background, stretching into the distance towards the horizon, reveals to the viewer a view of a grove of slender birch trees and a dense dark forest. By what kind of trees grow outside the window, we can determine that the action takes place in central Russia, the artist’s homeland.
The lighting of the room also divides it into two parts: brightly illuminated by the rays of the hot summer sun, and the shadow side of the room. A painting by an unknown artist, a palette, and a bouquet of daisies appear in the rays of the sun. The window sill is brightly lit; There are reflections of the sun on the upholstery of the chair and the polished wooden window sill. In a strip of shadow, clearly dividing the floor of the room into a light and dark area, there is an armchair, a wall and the floor under the window. The sketchbook and frame, leaning against the wall opposite to the viewer, also turn out to be darkened.
There is an interesting angle from which the view of the boys and the room opens up. The focal point from which the artist saw the composition is located in the back of the room, just opposite the window. It may be that this point is the gaze of the artist himself, unknown to the audience, who briefly left the room and entered after hearing a child’s chirping next to the open window. I wonder if the boys will get scared and run away, outrunning the light summer breeze, or, on the contrary, will they stay and then start a leisurely conversation about paintings, paints and canvases?
The fact that the artist’s painting is inaccessible to the viewer is not a drawback of the canvas. On the contrary, this detail arouses interest - you inevitably begin to envy the boys who got the opportunity to examine the work in all its details and appreciate it!
The artist’s palette is incredibly rich and varied - the coloring of the painting is distinguished by an extraordinary variety of colors and shades. An interesting fact is that the shades of paint on the artist’s palette completely echo the shades and halftones of the canvas itself.
Despite the numerous halftones, the picture does not look motley or popular print. On the contrary, each plane has its own color with a variety of shades. Only small spots of color diversify the monochromatic background and introduce a play of shades, adding dynamism to the picture. Thus, the view outside the window consists of numerous shades of green, beautifully harmonizing with each other and transforming into one another. Here are the bright greens of birch leaves, and light green grass illuminated by the sun's rays, and the dark blue-green color forest area in the distance. A riot of greenery is set off by the almost white sky in the gap between the trees, the white and blue T-shirt of one of the boys and the bright orange-red stain of the T-shirt of the second spectator.
The room, on the contrary, is made in muted tones and half-tones of brown, reddish, and gold. Soft cold shadows intertwine with light golden tones of sunlit fragments, adding picturesqueness and dynamism to the work.
All three plans of the picture, despite different color schemes, echo each other. And indeed, all three plans, each of which has its own color characteristic (the front is golden and warm yellow, the middle is cool brown, the back is rich green), there is always a white detail in each of them. For the background - birch trunks, for the middle, as if highlighting the characters with a wide frame - a curtain and a window sill, for the foreground - a bouquet of daisies near the easel. The overall mood of the picture can only be compared with the landscape outside the window - summer, upbeat, cheerful. The plot of the picture is momentary, it seems that in another moment there will be no trace of the audience left, they will fly away like light summer birds, only the curtain will flutter. But while they are here, while they are looking at the painter’s room with interest, the painting has a soul. As long as the artist has an audience, even if they are frivolous and young, he can create, and each of his works will be lively and bewitching.
Syromyatnikova - First spectators for 6th grade
The artist’s most famous work is considered to be a painting called “The First Spectator.” It was written by the master at the beginning of the dawn of her career. Ekaterina Vasilievna had a dacha outside the city. A small wooden house served her to write new masterpieces. It was there that she took a break from the bustle of the city and enjoyed nature.
And so the canvas depicts a large, spacious, bright room. In the foreground is a painting. She is turned away from the viewer. The painting is very large, about human height. And next to her, on a small wooden stool, lies an easel with paints. They haven't been touched yet. Perhaps the artist has just begun preparations for painting. There are also brushes of different thicknesses nearby.
On the left side of the picture there is a large iron bucket. It contains a large number of field daisies. I assume they were collected to paint a still life. Further, right next to the window, stands a massive wooden chair covered with soft fabric. The curved legs and armrests of the chair give it grandeur. There is a colorful curtain on its back. The wind probably blew it away.
But the most important characters in the canvas are two boys who look through the huge window with great interest. Presumably the boys were walking somewhere, and, passing by the artist’s house, they saw that the window was open. They became interested in seeing how such talented people work.
There is surprise and delight in their eyes. One of the boys is wearing a blue T-shirt. His hair is light brown. He looks at the canvas with interest. The second guy is shorter. Dressed in a red T-shirt. He looks around the room with delight. But his attention was attracted by an unusual, beautiful chair by the window.
It's hot summer weather outside. Not far from the house you can see a birch grove. The boys were very lucky, because they were the first viewers of the canvas depicted by the artist.
Option 2
Painting by E.V. Syromyatnikova’s “First Spectators” is flooded with sunlight. There are elements of several genres at once: a portrait of two curious boys, a wonderful landscape outside the window, everyday genre- room furnishings. They all harmonize with each other.
It is easy to guess that this painting depicts the artist’s room. An easel is visible in the left corner of the canvas, and paints lie on a chair next to it. The artist probably draws inspiration from living nature. Next to the master’s workplace there is a vase with a bouquet of snow-white daisies, and outside the window there is a beautiful birch grove behind which begins a forest shrouded in haze.
The window is wide open on this hot summer day, the curtains barely flutter with a fresh breath of wind. The boys who were passing under the window looked into it. The boy in a light T-shirt was interested in what was written with a brush on the canvas, and his friend had already admired the painting and was looking with curiosity at the furnishings of the room, his gaze turned to the chair.
The entire room is flooded with sunlight. Apparently, the one who lives here loves to sit in the evenings on a beautiful and comfortable chair by the window and look at the birch grove nearby. Under the window sill, against the wall, several canvases are visible. Maybe the artist has not yet had time to turn them into works of art, or maybe something is already depicted there.
The artist mainly uses bright, warm colors: green, yellow, brown - this brings back memories of a hot summer. Thanks to this, the picture attracts attention and comes to life. It seems that sonorous boyish voices are about to be heard.
Looking at the picture of E.V. Syromyatnikova’s “First Spectators”, the mood is lifted. Everything here is permeated with sunlight, warmth and kindness: the room, the clearing outside the window, the birch grove, the forest in the distance, and the faces of those very first spectators.
Essay describing the painting by Syromyatnikova First viewers
Unusual painting“The First Spectators” by Ekaterina Vasilievna Syromyatnikova was made in a mixed genre. The painting contains a colorful still life, a classic landscape and a characteristic portrait. Each element is of interest and gives rise to thought. The composition of the painting is built on four planes: nature, children, a fragment of a room and a still life in the foreground. This staircase structure creates an expressive perspective, uniting all the details into a common line.
The painting tells the story of curious boys who sneak a peek into the artist’s studio. The room left by the master greets the children with a new work of art. Next to the easel is a working palette and a set of brushes, which are neatly folded and await the author’s return. Near the painter’s working tools, a bouquet of daisies joyfully reaches out to the sunlight. And on the opposite side of the room, the creative atmosphere attracts boys. Behind the guys are the familiar Russian birch trees in a bright green meadow. The artist left minor details of the setting in the shadows. The sun generously bestows nature outside the window and casts an expressive ray on the island of nature in the room.
But a friendly, fine day cannot distract young viewers from exploring the artist’s interesting studio. Youngest child became interested in something unimportant that remained behind the scenes. And the older boy looks at the picture enthusiastically. An unprepared viewer cannot take his eyes off the artist’s work. What's drawn there? It is possible that the image of simple daisies or familiar birches, which are so boring to the eye that we do not notice their beauty. And a talented painter can not only see, but also show extraordinary harmony in things familiar to the eye. The artist’s interesting idea invites the observer to look at the picture within the picture, to see another viewer, invites the viewer to guess a riddle or imagine a whole story about what plot could attract an ordinary boy.
Not every adult, much less a child, is able to feel the power of art. But real talent is always able to captivate more than one generation of first and regular viewers with its magical power. The open window in the painting is like an unspoken invitation to enter the world of painting for everyone who can touch it. creative life or pass by.
Ekaterina Vasilievna Syromyatnikova is a famous artist in the vastness of the USSR. Born in 1914, in the famous city of Kharkov (Ukraine). More from youth, the girl’s parents, began to actively engage in her art education. They saw her potential for painting. Education received at the Moscow Institute named after Vasily Surikov. What struck me most was the fact from Syromyatnikova’s biography. Turns out, great love Ekaterina Vasilievna instilled in her daughter and beloved granddaughter the art. She also did not ignore her son-in-law. Under the strict guidance of Ekaterina Vasilievna, her entire family was involved in art. And so the famous dynasty of artists appeared. Already by the 70s of the last century, the artist had her own catalog of works.
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