Composition based on the play by Vampilov A.V. "eldest son
Vampilov is a writer to whom fame came after his death. It was after the ridiculous death that happened to him on Lake Baikal that his posthumous fame began to gain momentum. Everyone reads his works, books are printed, although only one came out during his lifetime. Plays began to be staged in theaters, films were made based on his works. In a word, they started talking about Vampilov and we study his works to this day. So in literature we got acquainted with the work of Vampilov the Elder Son.
Vampilov Eldest son
The eldest son is a play by Vampilov, which came out in two versions. At first it was a work called The World in the House of Sarafanov and was written in 1964. In 1970, Alexander Vampilov finalizes his play and gives it a new name, Elder Son.
Vampilov's book The Elder Son is a wonderful work of the author. It shows us how important it is in life to be able to listen, understand another, come to the rescue in difficult times, be responsive and how important support is. It is shown that even in spirit it is possible to be closer than any kindred.
In the work, we get acquainted with such heroes as Sarafanov - an elderly man, his children Nina and Vasya, and the named eldest son Busygin. The whole plot of the play is comedic and begins with a joke. So, finding themselves at night in an unfamiliar area, two young guys Silva and Busygin Vova are looking for an overnight stay. That's just no one wants to shelter strangers. And then Silva goes to the trick. Seeing how a man enters the house, they rush to where they played the show. Silva, realizing that they will now be kicked out and will not be given shelter for the night, introduces Busygin as the named older brother. The guys, listening to the conversation between father and son, shook everything on their heads. As a result, they answer all the questions of Sarafanov Sr. Busygin enters into confidence. Vova himself was so imbued with the old man, his life, that he himself began to consider himself the eldest son.
Busygin, at the right time, appeared in the life of Sarafanov, whose daughter is going to get married and wants to leave her father's house. Vasya, who is unlucky in love, tries to escape into the taiga. And now Busygin, like that magic wand, appears in order to change everything. Volodya himself enjoyed the role of a son, because he never had a father. He completely immersed himself in his role, and really became like an older brother, like an older son who wants to help, guide his named brother and sister on the true path, and his old life brightens up his old father.
The eldest son Vladimir brings harmony to the house from which everyone wanted to escape. Nina wants to leave for Sakhalin, hoping to escape from the duties assigned to her. Vasya could not find answers to life's questions in any way, he could not find himself in life, and therefore he wanted to go to a construction site in the taiga. Yes, and Sarafanov himself would be glad to run away from home and nowhere. Busygin changes everything. Now no one wants to run anywhere. Sarafanov has an older son to rely on, Nina has found love, Vasya has overcome his attachment to a girl. Busygin showed Nina and Vasya how much their father means to them. However, conscience makes itself felt, and then there are the feelings that arose for Nina. Busygin admits to everything, but nothing changes from this, because, as it turned out, spiritual kinship is even stronger than blood.
The main characters of the play
One of the main characters of the play The Elder Son is Sarafanov. His life failed: his wife left, the children also want to leave home. Not getting along at work, I had to leave my profession. As Sarafanov said, he did not turn out to be a serious musician and he was forced to start playing in a funeral orchestra.
Vasya is the son of Sarafanov, a tenth grader, in love with a girl ten years older than him.
Nina is the daughter of Sarafanov. She took care of the family. It is difficult for her, she even looks older than her years. Wants to leave by getting married.
By genre, the work belongs to the comedy style with the inclusion of tragic motifs in the content, creating the impression of a kind of philosophical parable.
The storyline of the play is based on a strange coincidence, dramatic moments that are the driving force in the development of the narrative action built around the Sarafanov family.
All the characters in the work are presented by the writer as key images, starting with two young friends Silva (Semyon Sevostyanov) and Vladimir Busygin, who, by chance, found themselves on the outskirts of the city and found lodging for the night in the apartment of Sarafanov, the head of a small family consisting of Vasenka, who was finishing school, and daughter Nina, who recently married cadet Kudimov.
The events of the play, which began with a simple deception of young men who were looking for a place to sleep, unfold in a serious direction, since the elder Sarafanov suddenly recognizes in Busygin his eldest son, illegitimately born twenty years ago, and the rest of the family subsequently sees their outward resemblance. Thus, Busygin is accepted into the Sarafanov family relationships, which are not prosperous.
The elder Sarafanov is an elderly, intelligent man with a failed career, long abandoned by his wife, raising children alone who do not plan to connect their future lives with an aging father, dreaming of leaving for Sakhalin and the taiga. In Busygin, Sarafanov hopes to find his son's lost love, not feeling deceit and lies, and subsequently not wanting to notice them.
Vladimir gradually gets used to the invented role of a son and begins to take an active part in the life of the family, giving advice to younger children in their personal life, sometimes rudely interfering in private relationships.
The semantic load of the play lies in the depiction by the writer of an acute human need for a constant feeling of spiritual kinship and the desire to find a native home.
Busygin, being a complete stranger to the Sarafanovs, unexpectedly begins to feel a family connection between them and feels his responsibility for their future fate. Despite youthful bravado and cynicism, in young man the ability to manifest true feelings in the form of love, forgiveness, compassion is born.
The narrative content of the play “The Elder Son” throughout the development of the action demonstrates, using the example of a simple everyday story, universal humanistic problems in the form of an acute shortage of human kindness, trust, mutual understanding and responsibility, and also depicts the possibility of gaining spiritual kinship between people who are not connected by formal close relationships, who only met by chance.
The writer raises in the play a deeply moral issue, which consists in the dream of every person to find a common family blissful harmony.
Analysis 2
The work of A.V. Vampilov "Elder Son" can be attributed to the comedy genre. But, despite this, tragic moments can be traced in the plot. Therefore, the play is more like a philosophical parable. In the work, events happen as if by chance. All actions revolve around the Sarafanov family.
Absolutely all the characters are the main characters. It can be said that the writer did not deprive anyone of attention. Even seemingly random characters (several guys asked for an overnight stay in the apartment of the Sarafanov family) play a significant role in the work. The Sarafonov family is small; the schoolboy Vasenka is brought up in it and the daughter Nina lives with her husband cadet Kudimov.
The work begins with a story about how the guys were looking for an overnight stay, and found it in the apartment where the Sarafonovs lived. From that moment, events began to unfold in a serious direction. The head of the family recognizes in one guy (Vladimir Busygin) his illegitimate eldest son. He should have been twenty years old. But after a while, all family members began to note the outward similarity of the elder Sarafanov and Busygin. The poor guy was literally dragged into family relationships who were not well off.
The head of the Sarafan family is an elderly man, intelligent, but who did not have a career. His wife left him, leaving him two children. Children do not want to live and inspect the old man in the future. They plan to leave the city for Sakhalin. Sarafanov saw his son in Busygin. The old man hoped that the guy would stay with him. Sarafanov believed that his newfound son needed him. Therefore, he did not notice the deception that was happening before his eyes.
Vladimir was not opposed to playing along with the old man and portraying his son. He actively entered the character. The guy quickly gained confidence. Vladimir treated the younger children as if they were his own brothers. He gave them advice and guidance. He tried to teach them about life. Sometimes he went too far and intervened where he shouldn't.
In fact, Busygin was not Sarafanov's own child. But, despite this, feelings of compassion, paternal love and understanding arose between them.
The main idea of the work is that every person wants to feel needed, loved and irreplaceable. The author tried to convey to the reader the idea of how important family relationships and relationships are. The play “The Elder Son” demonstrates the problem of the lack of kindness, caress, care, trust and love in family relationships.
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b..zatelno since childhood trying to find the keys to these mysteries. We easily solved the problems if our village is called Sosnovka Osinovka Dubrovka Berezovka. Everything is clear here, yes (same) if today the forest and (not) smells ..t near the villages .. . But now it's a little more complicated task. Orlovo village. I was born in this village and, of course, at about ten years old, asking questions to the world, I decided that there were many eagles in our places. The father with whom .. poured his discovery said that (n ..) when master Orlov ruled the village. With increasing..stom, interest in this kind of and..results (not) prop..gives. I eagerly read and asked about everything that happened in the village. I discovered that (n ..) what kind of gentleman Orlov ruled our village (not) that the village was always free. Why the town was called Orlov so and (not) ud..elk dock..patsya. Sometimes (not) it takes a lot of effort to (would) doc..pat..sya to the meaning of the names. But over the years of trips, I had a lot of loving ..experimental names in my zap..snoy book.. (According to V. Peskov.) GRAMMAR ASSIGNMENTS. 1. Title the text. 2. Prove that this is a text. 3. Theme of the text. 4. The main idea of the text. 5. Text style (prove your opinion). 6. Type of text (prove your opinion). 7. Fill in the missing punctuation marks. Insert the missing letters where necessary. 8. Write down a number of single-root words for your own names. 9. Produce a phonetic analysis of the word of course. 10. Find 2-3 polysemantic words in the text. In what meanings are they used? Pick up examples of phrases where these words appear in other meanings. 11. Write out from the text 2-3 examples of words corresponding to the schemes: 12. Make a morphological analysis of the word Orlovo. 13. Determine the method of communication between the following sentences of the text: 1 and 2; 2 and 3. 14. Write out the highlighted sentence from the text and parse it. 15. Find complex sentences in the text with subordinate explanatory and attributive clauses and graphically designate them. 16. Write out sentences from the text that can illustrate the following punctuation rules: a comma between homogeneous members suggestions; segregation of circumstances.
PLEASE HELP, I NEED TO DO THIS ASAP!! Indicate its theme and main idea. Define the stylespeech of the text (prove your opinion). Determine in which sentences unions are used to connect the subordinate clause with the main ones, in which allied words.
Young men and women, think about the fact that the time will come when you, fathers and mothers of your sons and daughters, will become weak, powerless, decrepit. It will be clear to you and your children that you are living out your life. The only thing that facilitates the fate of a person at the end of his life is the sincere, devoted, faithful love of children. All other joys pale before this highest, truly human joy. Truly happy and wise is the one who knows how to accumulate this wealth bit by bit all his life. The repository of this wealth is the souls of your children. His name is your responsibility to the children. Take care of this wealth, it will return to you. Know that the time will come when your children will become stronger and wiser than you, the fathers - this is an inevitable and very wise pattern of life. And the only source of your happiness will be the realization that in the spiritual life of your children you yourself have become an enormous, incomparable value, because in your mind, in your heart, in your every impulse and aspiration, the children will see first of all your duty. and your responsibility. This is the only capital on which you can live in old age, feeling calm confidence that you have not lived your life in vain.
Theme of the text and the main ideaWhen I got home, undressed and thought about sleep, I saw that it was absolutely impossible. I had in my hand a feather from her fan and her whole glove, which she gave me when she left, when she got into the carriage and I helped her mother and then her. I looked at these things and, without closing my eyes, I saw her in front of me at that moment when she, choosing from two gentlemen, guesses my quality, and I hear her sweet voice when she says: “Pride? Yes?" - and happily gives me his hand or when at dinner he sips a glass of champagne and looks at me from under his brows with caressing eyes. But most of all I see her in a pair with her father, when she moves smoothly around him and with pride and joy, both for herself and for him, looks at the admiring spectators. And I involuntarily unite him and her in one tender, tender feeling.
Composition
“A chance, a trifle, a combination of circumstances sometimes become the most dramatic moments in a person’s life,” Vampilov developed this idea in his plays. A. Vampilov was deeply concerned about the problems of morality. His works are based on real life material. The awakening of conscience, the education of a sense of justice, kindness and mercy - these are the main motives of his plays. The plot of the play "Elder Son" is simple. Two young men - a student at the medical institute Volodya Busygin and a trade agent nicknamed Silva (Semyon Sevastyanov) - were brought together by chance at a dance. After seeing home two girls living on the outskirts of the city, they are late for the last train and they have to look for a lodging for the night. The young men call the Sarafanovs' apartment. The resourceful Silva comes up with the idea to come up with a story that Busygin is the eldest son of Andrei Grigoryevich Sarafanov, that he was allegedly born to a woman with whom fate accidentally brought Sarafanov at the end of the war. In order to somehow pass the night, Busygin does not refute this fiction.
Sarafanov’s life didn’t work out: his wife left, things didn’t work out at work - he had to leave the position of an actor-musician and work part-time in an orchestra playing at a funeral. Not all is well with children either. Sarafanov's son, tenth grader Vasenka, is in love with his neighbor Natasha Makarskaya, who is ten years older than him and treats him like a child. Daughter Nina is going to marry a military pilot, whom she does not love, but considers a worthy couple, and wants to go with him to Sakhalin.
Andrei Grigorievich is lonely, and therefore becomes attached to the "eldest son." And the one who grew up without a father, in an orphanage, is also drawn to the kind, glorious, but unhappy Sarafanov, besides, he liked Nina. The play has a happy ending. Volodya honestly admits that he is not the son of Sarafanov. Nina does not marry the unloved. Vasenka manages to persuade him not to run away from home. The "elder son" becomes a frequent guest of this family.
The name of the play "Elder Son" is the most successful, since its main character - Volodya Busygin - fully justified the role he took on. He helped Nina and Vasenka understand how much their father means to them, having raised both of them without a mother who left the family. The gentle character of the head of the Sarafanov family is manifested in everything. He takes everything to heart: he is ashamed of his position in front of the children, hides that he left the theater, recognizes the “eldest son”, tries to calm Vasenka, to understand Nina. You can’t call him a loser, since at the very peak of his mental crisis, Sarafanov survived, while others broke down. Unlike the neighbor who refused Busygin and Silva an overnight stay, he would have warmed up the guys, even if they had not invented this story with the “elder son”. But most importantly, Sarafanov cherishes his children and loves them. Children are callous towards their father. Vasenka is so carried away by his first love that he does not notice anyone except Makarska. But his feeling is selfish, because it is no coincidence that, having become jealous of Natasha for Silva, he sets a fire and does not repent for what he has done. There is little truly lyrical in the character of this young man. Nina is smart, beautiful girl and at the same time practical and prudent. These qualities are manifested, for example, in the choice of a groom. However, these qualities were predominant in her until she fell in love. Love completely changes her life position. Busygin and Silva, having met by chance during a dance, behave corny, courting the first girls they meet, and in this they are similar to each other. But, being in a non-standard situation, the characters manifest themselves in different ways. Volodya Busygin loves people, he is conscientious, sympathetic, sympathetic to someone else's misfortune, obviously, that's why he acts decently. The "positiveness" of aspirations makes him strong and noble.
Silva, like Volodya, is also essentially an orphan: with living parents, he was brought up in a boarding school. Apparently, his father's dislike was reflected in his character. Silva told Volodya about how his father “admonished” him: “Hey, he says, you have the last twenty rubles, go to a tavern, get drunk, make a brawl, but such a brawl that I won’t see you for a year or two.” Vampilov did not accidentally make the origins of the fates of the heroes similar. By this, he wanted to emphasize how important a person’s own choice is, independent of circumstances. Unlike orphan Volodya, "orphan" Silva is cheerful, resourceful, but cynical. His true face is revealed when he "exposes" Volodya, declaring that he is not a son or brother, but a recidivist. Nina's fiancé - Mikhail Kudimov - is an impenetrable man. Such people are found in life, but you will not immediately understand them. “Smiling. He still smiles a lot. Good-natured,” says Vampilov about him. In fact, the word that he gave himself for all occasions is dearest of all to him. He is indifferent to people. This character occupies an insignificant place in the play, however, he is a pronounced type of “correct” people who create a suffocating atmosphere around themselves.
Involved in a family intrigue, Natasha Makarskaya is shown as a decent, but unhappy and lonely person. Vampilov deeply reveals in the play the theme of loneliness, which can bring a person to despair. In the image of the neighbor Sarafanovs, a type of a cautious person, an inhabitant, who is afraid of everything (“looks at them with apprehension, suspicion”, “removes silently and timidly”) and does not interfere in anything is deduced. Issues and main idea the pieces are stated in the title itself dramatic work. It was no coincidence that the author replaced the original name "Suburb" with "Elder Son". The main thing is not where the events take place, but who participates in them. To be able to think, to understand each other, to support in difficult times, to show mercy - this is the main idea of the play by Alexander Vampilov. Being kindred in spirit is more than being born. The author does not define the genre of the play. Along with the comic, there are many dramatic moments in the play, especially in the subtext of the statements of Sarafanov, Silva, Makarska.
What does the author affirm in man and what does he deny in him? "Seems, main question, which Vampilov constantly asks: will you, a man, remain a man? Will you be able to overcome all the false and unkind things that have been prepared for you in many life's trials, where love and betrayal, passion and indifference, sincerity and falsehood, goodness and enslavement have become difficult to differ and oppose ... ”(V. Rasputin).
“A chance, a trifle, a combination of circumstances sometimes become the most dramatic moments in a person’s life,” Vampilov developed this idea in his plays. A. Vampilov was deeply concerned about the problems of morality. His works are based on real life material. The awakening of conscience, the education of a sense of justice, kindness and mercy - these are the main motives of his plays. The plot of the play "Elder Son" is simple. Two young men - a student at the medical institute Volodya Busygin and a trade agent nicknamed Silva (Semyon Sevastyanov) - were brought together by chance at a dance. After seeing home two girls living on the outskirts of the city, they are late for the last train and they have to look for a lodging for the night. The young men call the Sarafanovs' apartment. The resourceful Silva comes up with the idea to come up with a story that Busygin is the eldest son of Andrei Grigoryevich Sarafanov, that he was allegedly born to a woman with whom fate accidentally brought Sarafanov at the end of the war. In order to somehow pass the night, Busygin does not refute this fiction.
Sarafanov’s life didn’t work out: his wife left, things didn’t work out at work - he had to leave the position of an actor-musician and work part-time in an orchestra playing at a funeral. Not all is well with children either. Sarafanov's son, tenth grader Vasenka, is in love with his neighbor Natasha Makarskaya, who is ten years older than him and treats him like a child. Daughter Nina is going to marry a military pilot, whom she does not love, but considers a worthy couple, and wants to go with him to Sakhalin.
Andrei Grigorievich is lonely, and therefore becomes attached to the "eldest son." And the one who grew up without a father, in an orphanage, is also drawn to the kind, glorious, but unhappy Sarafanov, besides, he liked Nina. The play has a happy ending. Volodya honestly admits that he is not the son of Sarafanov. Nina does not marry the unloved. Vasenka manages to persuade him not to run away from home. The "elder son" becomes a frequent guest of this family.
The name of the play "Elder Son" is the most successful, since its main character - Volodya Busygin - fully justified the role he took on. He helped Nina and Vasenka understand how much their father means to them, having raised both of them without a mother who left the family. The gentle character of the head of the Sarafanov family is manifested in everything. He takes everything to heart: he is ashamed of his position in front of the children, hides that he left the theater, recognizes the “eldest son”, tries to calm Vasenka, to understand Nina. You can’t call him a loser, since at the very peak of his mental crisis, Sarafanov survived, while others broke down. Unlike the neighbor who refused Busygin and Silva an overnight stay, he would have warmed up the guys, even if they had not invented this story with the “elder son”. But most importantly, Sarafanov cherishes his children and loves them. Children are callous towards their father. Vasenka is so carried away by his first love that he does not notice anyone except Makarska. But his feeling is selfish, because it is no coincidence that, having become jealous of Natasha for Silva, he sets a fire and does not repent for what he has done. There is little truly lyrical in the character of this young man.
Nina is a smart, beautiful girl and at the same time practical and prudent. These qualities are manifested, for example, in the choice of a groom. However, these qualities were predominant in her until she fell in love. Love completely changes her life position. Busygin and Silva, having met by chance during a dance, behave corny, courting the first girls they meet, and in this they are similar to each other. But, being in a non-standard situation, the characters manifest themselves in different ways. Volodya Busygin loves people, he is conscientious, sympathetic, sympathetic to someone else's misfortune, obviously, that's why he acts decently. The "positiveness" of aspirations makes him strong and noble.
Silva, like Volodya, is also essentially an orphan: with living parents, he was brought up in a boarding school. Apparently, his father's dislike was reflected in his character. Silva told Volodya about how his father “admonished” him: “Hey, he says, you have the last twenty rubles, go to a tavern, get drunk, make a brawl, but such a brawl that I won’t see you for a year or two.” Vampilov did not accidentally make the origins of the fates of the heroes similar. By this, he wanted to emphasize how important a person’s own choice is, independent of circumstances. Unlike orphan Volodya, "orphan" Silva is cheerful, resourceful, but cynical. His true face is revealed when he "exposes" Volodya, declaring that he is not a son or brother, but a recidivist. Nina's fiancé - Mikhail Kudimov - is an impenetrable man. Such people are found in life, but you will not immediately understand them. “Smiling. He still smiles a lot. Good-natured,” says Vampilov about him. In fact, the word that he gave himself for all occasions is dearest of all to him. He is indifferent to people. This character occupies an insignificant place in the play, however, he is a pronounced type of “correct” people who create a suffocating atmosphere around themselves.
Involved in a family intrigue, Natasha Makarskaya is shown as a decent, but unhappy and lonely person. Vampilov deeply reveals in the play the theme of loneliness, which can bring a person to despair. In the image of the neighbor Sarafanovs, a type of a cautious person, an inhabitant, who is afraid of everything (“looks at them with apprehension, suspicion”, “removes silently and timidly”) and does not interfere in anything is deduced. The problematics and the main idea of the play are stated in the very title of the dramatic work. It was no coincidence that the author replaced the original name "Suburb" with "Elder Son". The main thing is not where the events take place, but who participates in them. To be able to think, to understand each other, to support in difficult times, to show mercy - this is the main idea of the play by Alexander Vampilov. Being kindred in spirit is more than being born. The author does not define the genre of the play. Along with the comic, there are many dramatic moments in the play, especially in the subtext of the statements of Sarafanov, Silva, Makarska.
What does the author affirm in man and what does he deny in him? “It seems that the main question that Vampilov constantly asks is: will you, a man, remain a man? Will you be able to overcome all the false and unkind things that have been prepared for you in many life's trials, where love and betrayal, passion and indifference, sincerity and falsehood, goodness and enslavement have become difficult to differ and oppose ... ”(V. Rasputin).