How to draw Egypt with a pencil step by step. Makeup of the Egyptian queen: photo instructions Ancient Egypt: rules for applying painting
How to draw an Egyptian woman with a pencil step by step? It won't be too difficult if you follow the instructions in this tutorial. In ancient Egypt, fashion played no less a role than in modern world. The Egyptians developed their own, unique style. When going on a visit, they wore sheep's wool wigs. Women wore knee-length linen dresses with ties at the neck. Jewelry was made of silver and gold. Rich ladies were hung with precious necklaces (uskhs). Women painted their lips and cheeks with red ocher and used thin sticks to line their eyebrows and eyelids with special paint. Women Ancient Egypt They used fragrant oil, which was produced from valuable wood, flowers and vegetable or animal fat. Such perfumes not only had a wonderful aroma, but also moisturized the skin.
The lower part of the pattern is based on the shape of the skirt, and the upper part is based on the frame. The skirt is drawn using a large and a small
ovals. Take a close look at the silhouette, shape and pattern decorating the suit, as well as the background. If you want to color your drawing, take colored pencils, because felt-tip pens can blur the outlines of what you draw.
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Using almost no pressure, draw a large, slightly inclined oval, tapering towards the right side. Above it, at a distance of a leg length, draw a smaller oval and connect the edges of the skirt. Add a line of the spine, a circle of the head, a chin pointing down, and place an X on the head. Mark the circumference of the chest and the line of the shoulders across it. Draw a line right hand, pubescent down, and the left arm, perpendicular to the spine. Add articulations and outlines of the hands. | Construct the outline of the figure on the frame. Outline the face, neck and hair outline. First draw the shoulders, then the chest and. Add a belt at the waist. |
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Define the outline with a blacker and smoother stroke. Draw a headband with a medallion, earrings and a lock of hair on the head. On both sides of the cross, draw eyes looking down, and then a nose and mouth. Add a round collar, pendant, curved necklace and armholes. Draw an open palm with a stone. Draw two vertical lines from the belt. Outline the wavy edge of the skirt and the folds at the bottom. | Please note that to paint figures you use different types shading. Apply a subtle design to the medallion, earrings, collar and pendant. Draw a snake bracelet on your hand and a pattern on your skirt. Add a cape on the shoulders. Use soft strokes to indicate the texture of the hair, folds on the chest, skirt and cape. Shade the hair, necklace, belt and the inside of the cloak gray medium saturation. Use a lighter color to paint the body and folds of the skirt. Draw the features and add volume to the stone using shading. Draw the outline of an arch around the woman's figure, and then the steps. And when hieroglyphs, pyramids and a vessel appear in your drawing, your Egyptian woman will be able to receive guests! |
You will need
- - aged or plain paper;
- - a simple pencil;
- - eraser;
- - paints (tempera, gouache, watercolor).
Instructions
To depict an Egyptian, it is best to take as a basis the ancient Egyptian canon of image. Draw a person standing in full height. To do this, draw a vertical line and divide it into 18 segments. Lay out the proportions of the human body on this line: the head makes up 3 parts, 5 parts are allocated for the torso, and the remaining 10 parts are occupied by the legs.
According to Egyptian canons, the head is always drawn in profile, but the eyes on the faces of Egyptians are depicted from the front. Draw a characteristic Egyptian profile with a low, flat forehead, covered or bandaged, with a neat, straight, slightly elongated nose and plump lips. At the level of the bridge of the nose, draw a large almond-shaped eye with a round black pupil covered by the upper eyelid. Outline the eye with a thick black liner all around.
Above the eye, draw a wide, arched black eyebrow that follows the shape of the eye. At the level of the nose, approximately in the middle of the head turned in profile, draw a large ear (although it may be hidden under hair or a headdress). Draw your hair in a thick, very voluminous black head up to the shoulders (u), framing the face like a “bob”. Individual strands can be emphasized wavy lines.
Draw the neck and torso, with both wide shoulders drawn from the front, and everything below in profile. The length of the arms, according to the Egyptian canon, is approximately 8 divisions of the human height scale. Your Egyptian may be holding something in his hands (for example, a thin long staff or a spear), draw long fingers and convey their movement. The arms can be bent or straightened. Draw the legs in profile too. Given the general sketchiness of drawing using canons, the line should be quite lively and plastic, revealing the shape of strong muscles, knees, and shins. Draw large, bare feet.
An Egyptian's clothing can only consist of a white knee-length loincloth tied at the waist (shenti) and a wide round collar-necklace made of beads and beads, covering the upper chest - uskh. Decorate the collar with stripes. On the loincloth, mark thin graphic lines of folds.
Very important in this drawing is its color scheme. Use colors that are canonical for ancient Egyptian art: to convey a dark skin tone, take a terracotta color, make the background uniform, warm ocher, the color of golden sand, and paint the ornamental elements on the collar and staff turquoise blue.
The drawing can be given greater completeness and authenticity if you do not copy onto it several Egyptian hieroglyphs and images of animals or birds revered in Egypt, for example, an ibis or a falcon. Place these details in the form of an ornament against the background. Animals or birds may also be depicted in the hands of an Egyptian.
As a result of the unification of the Lower and Upper Kingdoms by 3000 BC. e. it worked out Ancient state. According to the calculation of the priest Manetho, there were thirty dynasties. The state developed in all directions. The art of Ancient Egypt was especially actively improved. Let's briefly look at its main features.
General information
How did the art of Ancient Egypt express its ideas? In short, its purpose was to serve the needs of the religion existing at that time. First of all, this related to the state and funeral cult of the pharaoh. His image was deified. This is confirmed by the drawings of Ancient Egypt that have survived to this day. In general, the ideas were expressed in a strict canonical form. However, art has experienced an evolution that reflected changes in both the spiritual and political life of the state.
Main development results
Quite a lot of classical architectural types and forms were formed in Ancient Egypt. These, in particular, include such elements as a column, an obelisk, a pyramid. New species have appeared visual arts. The relief has become quite popular. Ancient Egypt is also quite interesting. Local art institutions were formed.
At this time, many creative individuals emerged. Ancient Egyptian artists comprehended and transformed into a system the basic means of plastic arts. In particular, supports and ceilings, mass and volume appeared in architecture.
Wall paintings of Ancient Egypt included silhouette, line, plane, and color spots. There was a certain rhythm in the images. Wood and stone textures began to be used in sculpture. It is also important that over time a canonized form was formed, in accordance with which the human figure was depicted on a plane. She was shown in profile (legs, arms and face) and front (shoulders and eyes) at the same time.
Main principles
The main canons in the art of Ancient Egypt began to take shape in the period 3000-2800 BC. e. The architecture of that time acquired a leading role. She was quite closely connected with the afterlife. The principles of staticity and monumentality dominated in architecture. They embodied ideas about the superhuman greatness of the Egyptian Pharaoh and the inviolability of the social order. These canons had a great influence on other spheres of culture. In particular, the painting and sculpture of Ancient Egypt were distinguished by statics and symmetry, geometric generality, and strict frontality.
The next stage of development
From 2800 to 2250 BC. e. previously formed artistic techniques began to acquire stylistic completeness. A new architectural form of the Pharaoh's tomb was developed. The geometric simplicity of the pyramid was used. Its shape, combined with its enormous size, created architectural image, full of superhuman, aloof grandeur. The ceremonial order and hierarchy of Egyptian society is reflected in the strict rows of mastaba-shaped tombs, funeral temples connected to the entrance pavilions by covered long corridors, and in the majestic figure of the sphinx. Drawings of Ancient Egypt in tombs illustrated a prosperous life in the kingdom of the dead. The paintings show a sense of rhythm, keen observation characteristic of artists, beauty of silhouette, contour line and color spot.
A period of bright prosperity
It falls during the era of the New Kingdom. Thanks to successful campaigns in Asia, the life of the nobility acquired exceptional luxury. And if dramatic images prevailed during the period, now sophisticated aristocratic forms began to be used. Architectural trends of the past era have also developed. Thus, the temple in Deir el-Bahri (Queen Hatshepsut) is a whole complex unfolded in space. It is partially carved out of the rocks. Proto-Doric columns and cornices, with their strict lines and reasonable orderliness, contrast with the chaotic crevices in the rocks. Painting becomes more elegant. This can be seen in softly modeled statues, reliefs, and paintings. Stone processing has become finer. In-depth relief using the play of chiaroscuro has become especially popular. The drawings of Ancient Egypt acquired freedom of angles and movements, elegance of colorful combinations. The landscape began to be present in the images. In ground temples, the main elements were an open courtyard surrounded by a colonnade and a hypostyle with papyrus or lotus-shaped columns.
Drawings of Ancient Egypt
The images reflect the diversity of talents of the people of that era. Throughout the Kingdom, drawings of the gods of Ancient Egypt were common. Religious themes were traced in all areas of culture. Drawings of gods decorated sarcophagi, tombs, and temples. The inhabitants of the Kingdom believed that earthly existence was only a stage before death, which would be followed by eternal life. The drawings of Ancient Egypt were supposed to glorify the deceased. The images contained motives for moving the deceased to the dead kingdom (the court of Osiris). They also illustrated human life on earth. So he could do the same things in the kingdom of the dead as on earth.
Statues
The sculptural portrait was distinguished by its special development. According to the ideas of the people of that era, the statues were doubles of the dead. The sculptures served as containers for the souls of the departed. The statues were quite clearly divided into types. For example, a person was depicted walking with his leg forward or sitting with his limbs crossed. Portrait statues, solemnly static, are distinguished by the accuracy and clarity of the transfer of the most significant characteristic features, as well as the social status of the person being portrayed. At the same time, careful consideration was given to Jewelry, folds in clothing, hats and wigs.
Features of technical design
For almost four centuries, Egyptian painting was subject to strict canons. They were determined not only by the imperfection of technology, but also by the requirements of existing customs. Artists made mistakes in perspective. In this regard, ancient images look more like a map of the area. At the same time, the figures in the background were greatly enlarged.
To apply designs to the surface, the Egyptians used soot, black charcoal, white limestone (yellow or red). They also had blue and green colors. They were obtained using copper ore. The Egyptians mixed paints with a viscous liquid, then divided them into pieces. Wetting them with water, they painted. To preserve the image, it was coated on top with varnish or resin. Egyptian painting was distinguished by its brightness and colorfulness. However, there were not many paintings in palaces, temples, and tombs.
Finally
It should be said that, despite the fairly large variety of colors for that era, the rendering of shadow, shades and light was very conditional. Upon examination, it can be noted that the drawings of the ancient Egyptians lacked realism. Nevertheless, despite certain inaccuracies and errors, the images contain a fairly deep meaning. Their significance confirms the position that a person occupied in art.
The most important means of expression of Egyptian art was wall painting. Most often, the Egyptians made their “drawings” on the wall with bas-reliefs. The placement of such drawings and reliefs was subject to strict norms and canons dictated by the priests. The drawings of Ancient Egypt served for its inhabitants as nothing more than a “double of reality” - a reflection of their lives.
Ancient Egypt: the meaning of the drawings
Why did the Egyptians make their drawings so detailed, investing a huge amount of time and the best resources into them? There is an answer. In Ancient Egypt, the main purpose of painting was to perpetuate the life of the deceased in the afterlife. Therefore, Egyptian art does not reproduce any emotions or landscapes.
The Egyptians painted mainly on the walls of tombs, tombs, temples and various objects that had funerary or sacred significance.
Ancient Egypt: rules for painting
The scenes depicted on the walls always correspond to the hieroglyphs attached to them; they seem to explain the essence of the entire image.
The most important rule of the artists of Ancient Egypt was to correctly depict each part of the body so that it was easily distinguishable and perfect. It should be noted that the Egyptians painted exclusively in profile, but the eye was always drawn from the front, all for the same reason - so that it was correct, since if it is drawn in profile its image is distorted, which was unacceptable.
To ensure that all the proportions of the human body were observed, the artists first drew a grid, and then figures with the correct dimensions.
The idealization of figures is directly proportional to the social status of the person depicted in the picture. So, for example, he is depicted as eternally young, he himself is motionless and imperturbable (the Egyptians had a rule: the more motionless the person depicted, the higher he is social status). Also characteristic of painting is the size factor - the higher a person stood in society, the larger he is in the picture, for example - the pharaoh does not seem like a giant when compared with the soldiers.
Animals were depicted the other way around - alive, moving quickly.
Each color that was applied to the wall had its own specific symbolism. Mostly bright colors were applied, especially in places exposed to daylight, but dark tombs could also boast bright images.
Green color meant vitality, black - black soil, white - a sign of joy and victory, yellow - the eternal power of the gods, blue - the sea and eternal life.
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