Presentation on the theme of Roerich's life and work. School Powerpoint Presentations

Childhood

Nicholas Konstantinovich Roerich (Roerich) was born on September 27 (October 9), 1874 in St. Petersburg.

Father - Konstantin Fedorovich - was a famous notary and public figure.

Mother - Maria Vasilievna Kalashnikova, came from a merchant family.

Brothers - Vladimir and Boris Roerich. Among the friends of the Roerich family were such prominent figures as D. Mendeleev, N. Kostomarov, M. Mikeshin, L. Ivanovsky and many others.

Since childhood, Nicholas Roerich was attracted by painting, archeology, history and rich cultural heritage Russia and the East.

House on the University embankment in St. Petersburg, where N. Roerich was born

The building of the gymnasium K. I. May. Petersburg.

Years of study

Imperial University and Academy of Arts. Beginning 20th century Petersburg.

In 1893, after graduating from the Karl May gymnasium, Nicholas Roerich simultaneously entered the law faculty of St. Ancient Russia”) and to the Imperial Academy of Arts. Since 1895 he has been studying in the studio famous artist A. I. Kuindzhi. The discovery, preservation and continuation of the signs of primordial Russian culture for many years will become the credo of N. K. Roerich.

Start of scientific activity

Since 1892, Roerich began to conduct independent archaeological excavations. Already in student years he becomes a member of the Russian Archaeological Society. Since 1898 he began to cooperate with the St. Petersburg Archaeological Institute. Conducts numerous excavations in St. Petersburg, Pskov, Novgorod, Tver, Yaroslavl, Smolensk provinces.

From 1894 to 1902, Roerich traveled a lot to the historical places of Russia, and in 1903-1904 N.K. Roerich, together with his wife, made a big trip around Russia, visiting more than 40 cities known for their ancient monuments of antiquity. The purpose of this "trip through the old days" was to study the roots of Russian culture. The result of the trip was a large architectural series of paintings by the artist, a collection of photographs of antiquity, and articles in which Roerich was one of the first to raise the question of the enormous artistic value of ancient Russian icon painting and architecture.

“... It's time for a Russian educated person to get to know and love Russia. It's time secular people those who are bored without new impressions, become interested in the high and significant, to which they have not yet been able to give their due place, which will replace the gray everyday life with a cheerful, beautiful life.

Roerich N. K. In the old days, 1903

“The so-called salvific essence of Beauty lies in the energy result that determines harmony in the universe and in man himself. Beautiful harmony, beautiful order that meets natural laws inner life person."

N.K. Roerich

"The Savior Not Made by Hands and the Holy Princes". Mosaic based on sketches by Roerich. Trinity Church, Pochaev Lavra, Ternopil region, Ukraine

In 1912-1915, Roerich actively participated in another major project for the revival of Russian art - the construction of the Fedorovsky town. At the same time, since 1907 he has been an employee of the Old Years magazine, from 1910 to 1914 he was the leading editor of the multi-volume publication History of Russian Art under the general editorship of Grabar, and in 1914 he was the editor and co-author of the large publication Russian Icon.

The emergence of interest in oriental art

Since 1905, in Roerich's work, along with the ancient Russian theme, individual oriental motifs begin to appear. Roerich, in addition to Russian philosophy, studies the philosophy of the East, the works of prominent Indian thinkers - Ramakrishna and Vivekananda, Tagore's work, theosophical literature. The ancient cultures of Russia and India, their common source, are of interest to Roerich as an artist and as a scientist. Collaborates with Agvan Dorzhiev and other Russian Buddhists.

"Treasure of Angels" 1905. Konstantinovsky Palace. Russia. St. Petersburg

"Holy Warriors" 1912.

Azerbaijan Art Museum

From 1906 to 1918, Nicholas Roerich was the director of the School of the Imperial Society for the Encouragement of the Arts, while also teaching. A peculiar report of the semi-annual activity of the icon-painting workshop was the act of presenting to Emperor Nicholas II on December 6, 1909, an icon made by students.

A new period in the work of N. Roerich

Since about 1906, a new period has been marked in Roerich's work. His art combines realism and symbolism, intensifying the search for a master in the field of color. He almost gives up oil and moves on to the tempera technique. He experiments a lot with the composition of paints, uses the method of superimposing one colorful tone on another. The originality and originality of the artist's art was noted by art criticism. In Russia and Europe, from 1907 to 1918, nine monographs and several dozen art magazines dedicated to Roerich's work were published. In 1914, the first volume of Roerich's collected works was published.

N.K. Roerich and sons Yuri and Svyatoslav

Roerich family

N.K. Roerich with his wife

Elena Ivanovna

In 1908, Roerich was elected a member of the Board of the Society of Architects-Artists, in 1909 - a member of the Council of the "Society for the Protection and Preservation of Monuments of Art and Antiquity in Russia" and Chairman of the "Commission of the Museum of Pre-Petrine Art and Life" at the Society of Architects-Artists. In 1909, N. K. Roerich was elected an academician of the Russian Academy of Arts.

Since 1910, Roerich has headed the artistic association "World of Art". In 1914, Roerich was elected Honorary Chairman of the Council of Women's Courses of Higher Architectural Knowledge, in 1915 - Chairman of the "Commission of art workshops for crippled and wounded soldiers."

Cultural and educational activities of Roerich in Europe

In 1918, having received an invitation from Sweden, Nicholas Roerich held personal exhibitions of paintings with great success in Malmö and Stockholm, and in 1919 - in Copenhagen and Helsinki. Roerich was elected a member of the Artistic Society of Finland, awarded the Swedish Royal Order of the Polar Star, II degree. Leonid Andreev figuratively calls the world created by the artist - "Roerich's Power". In the public arena, Roerich, together with Leonid Andreev, organizes a campaign against the Bolsheviks who have seized power in Russia. He is a member of the leadership of the Scandinavian Society for Assistance to the Russian Warrior, which finances the troops of General N. N. Yudenich, after which he joins the Russian-British 1917 Brotherhood emigrant organization.

In 1920, N. K. Roerich received an offer from the director of the Chicago Institute of Arts to organize a large-scale three-year exhibition tour of 30 US cities, as well as to create sketches for costumes and scenery for the Chicago Opera. The Roerichs move to America. Roerich's first personal exhibition in the United States was opened in December 1920 in New York. After New York, residents of another 28 US cities saw Roerich's paintings. The exhibitions were an exceptional success. In America, Roerich made several trips to Arizona, New Mexico, California, Monhegan Island and created a series of paintings "New Mexico", "Ocean Suite", "Dreams of Wisdom".

"And we're working." Series "Sancta". 1922

Photo portrait of N.K. Roerich.

Chicago. 1921

“ True creativity is always full of optimism. The Creator cannot be discouraged.” “The builder is full of knowledge in choosing the best materials. A living heart understands how it is necessary now to give people the opportunity to BUILD.”

N.K. Roerich

Central Asian expedition

On December 2, 1923, Nicholas Roerich and his family arrived from Paris to India, where he established cultural and business ties. The Roerichs cover over three thousand kilometers, visiting Bombay, Jaipur, Agra, Sarnath, Benares, Calcutta and Darjeeling. In Sikkim, the Roerichs determine the future route of the expedition, and in September 1924, Roerich and his youngest son make a trip to America and Europe to obtain the necessary permits and documents (officially, the expedition was declared American). After Europe, at the beginning of 1925, Roerich visited Indonesia, Ceylon, Madras. And then the main stage of the expedition begins, which passed through Kashmir, Ladakh, China, Russia, Siberia, Altai, Mongolia, Tibet, through the unexplored regions of the Trans-Himalayas. The expedition continued until 1928.

During the expedition, archaeological and ethnographic research was carried out in unexplored parts of Asia, rare manuscripts were found, linguistic materials, folklore works were collected, descriptions of local customs were made, books were written (“Heart of Asia”, “Altai - Himalayas”), about five hundred paintings were created, on which the artist displayed a picturesque panorama of the expedition route, a series of paintings "The Himalayas" was started, the series "Maitreya", "The Sikkim Way", "His Country", "Teachers of the East" were created.

Routes of the Central Asian Expedition of N.K. Roerich. 1923-1928

Expedition to Altai

In the process of preparing the expedition, the Roerichs, together with the American businessman Louis Horch, created two business corporations in New York - "Ur" and "Belukha", which had the goal of conducting a wide business enterprise on the territory of the Soviet Union. Being in Moscow during the expedition, Nicholas Roerich wanted to achieve registration, in accordance with Soviet laws, of the Belukha Corporation for the development of deposits. The Roerichs visited Altai with a scientific, reconnaissance and ethnographic expedition, selecting places for the proposed concessions and studying the possibility of "organizing a cultural and industrial center in the area of ​​Belukha Mountain."

Altai. Mount Belukha.

Tibetan expedition

The first Central Asian expedition of N. K. Roerich took place in several stages. Upon arrival in Mongolia, it developed into an independent Tibetan journey, now known as the Western Buddhist Mission to Lhasa (1927-1928). By its nature, the Tibetan expedition was not just artistic and archaeological, but, according to its leader, Roerich, had the status of a diplomatic embassy on behalf of the "Union of Western Buddhists". Roerich was considered by his entourage on the expedition as the "Western Dalai Lama".

Completion of the expedition

In the autumn of 1927, under pressure from British intelligence, the expedition was detained by the Tibetan authorities on the outskirts of Lhasa and spent five months in snow captivity high in the mountains at sub-zero temperatures on the Changtang plateau. The expedition was never allowed into Lhasa and was forced, at the cost of incredible difficulties and losses, to break through to India. The Central Asian expedition ended in Darjeeling, where it deployed scientific work processing its results.

Manchurian expedition

In 1930, Roerich went on a long-term expedition to Manchuria and northern China in order to collect plant seeds that prevent the destruction of fruitful soil layers.

The expedition started on April 28, 1934 from Seattle to Yokohama (Japan), from where Roerich and his eldest son left for Kyoto on May 24, 1935.

On May 30, 1934, Roerich and his son arrived in Harbin, from where the scientific part of the expedition, consisting of two routes, started. The first route included the Khingan ridge and the Barga plateau (1934), the second - the Gobi, Ordos and Alashan deserts (1935). The artist painted many sketches, conducted archaeological research, collected materials on linguistics and folklore.

The route of the Manchurian expedition of N.K. Roerich in 1934-1935.

Yuri and Svyatoslav Roerich

On May 30, 1934, Roerich and his son arrived in Harbin, from where the scientific part of the expedition, consisting of two routes, started. The first route included the Khingan ridge and the Barga plateau (1934), the second - the Gobi, Ordos and Alashan deserts (1935). As a result of the expedition, about 300 species of drought-resistant herbs were found, medicinal plants were collected. 2,000 parcels of seeds were sent to America. The expedition was prematurely terminated in Shanghai on September 21, 1935.

Roerich's concept of culture

In his philosophical and artistic essays, Roerich creates a new concept of Culture based on the ideas of Living Ethics. Culture, according to N. K. Roerich, is closely connected with the problems of the cosmic evolution of mankind and is the "greatest pillar" of this process. "Culture rests on Beauty and Knowledge," he wrote.

Indian period

Since the end of 1935, Roerich has been living permanently in India. This period is one of the most fruitful in Roerich's work. For 12 years, the artist has written more than a thousand paintings, two new books and several volumes of literary essays. In 1936, the books "Gate to the Future" and "Indestructible" were published in Riga, and in 1939 one of the largest monographs on Roerich's work with essays by Vsevolod Ivanov and Erich Hollerbach was published. In 1936, the first doctoral dissertation on Roerich's pedagogical method was defended in New York.

Roerich family. Kullu valley. India

The Second World War

While in India, Nicholas Konstantinovich Roerich from the very first days of World War II uses every opportunity to help Russia. Together with his younger son Svyatoslav Roerich, he arranges exhibitions and the sale of paintings, and transfers all the proceeds to the fund of the Soviet Red Cross and the Red Army. He writes articles in newspapers, speaks on the radio in support of the Soviet people.

During the war years, the artist again turns to the theme of the Motherland in his work. During this period, he creates a number of paintings - "Igor's Campaign", "Alexander Nevsky", "Partisans", "Victory", "Bogatyrs woke up" and others, in which he uses images of Russian history and predicts the victory of the Russian people over fascism.

Jawaharlal Nehru, Indira Gandhi, Nicholas Roerich, M. Yunus (Roerich Estate, Kullu)

Attempts to return home

Since 1936, Roerich has been striving to return to his homeland. In 1938, Roerich applied to the USSR Committee for Arts with a request to accept three paintings as a gift. In the same 1938, Roerich wrote a letter to the People's Commissariat for Foreign Affairs of the USSR: "...Me and my family members are striving now to bring their knowledge and creativity to the borders of the Motherland." However, all the efforts made were unsuccessful. Roerich did not receive a response to the appeals sent. Roerich's last appeal with a request to return to his homeland was in 1947 - a few weeks before his death.

Elena and Nicholas Roerich

Roerich's concept of culture

In the broad concept of Culture, N. K. Roerich included a synthesis of the best achievements of the human spirit in the field of religious experience, science, art, and education. Nicholas Roerich formulated the fundamental difference between Culture and civilization. If culture is related to spiritual world of a person in his creative self-expression, then civilization is only an external arrangement human life in all its material, civil aspects. Identification of civilization and Culture, Nicholas Roerich argued, leads to a confusion of these concepts, to an underestimation of the spiritual factor in the development of mankind. He wrote that “wealth in itself does not yet give Culture. But the expansion and refinement of thinking and the feeling of Beauty give that refinement, that nobility of spirit, which distinguishes a cultured person. It is he who can build a bright future for his country.” Proceeding from this, humanity must not only develop Culture, but must also protect it.

Last years life

In India, the artist continues to work on a series of paintings "The Himalayas", comprising more than two thousand canvases. The exhibitions of the master were exhibited in various cities of India and were visited by a large number of people.

After the end of the war, the artist last time requested a visa to enter the Soviet Union, but on December 13, 1947, he passed away without ever knowing that he had been refused a visa.

In the Kullu Valley, on the site of a funeral pyre, a large rectangular stone was erected, on which the inscription was carved:

“The body of Maharishi Nicholas Roerich, a great friend of India, was burnt at this place on the 30th Maghar 2004 of the Vikram era, December 15, 1947. OM RAM (Let there be peace).

House-Museum of N.K. Roerich in St. Petersburg

• During the life of N.K. Roerich created about 7,000 paintings, many of which are in famous galleries around the world, and about 30 literary works, including two poetic ones.
• The author of the idea and initiator of the Roerich Pact, the founder of the international cultural movements "Peace through Culture" and "Banner of Peace".
• He is the organizer of the Trans-Himalayan expedition for the purpose of historical and topographic study of Central Asia.

Nicholas Roerich. Unity in life, art, religion.

• Purpose: to create in adolescents an idea of ​​moral service, responsibility to the country and conscience, the concept of benefiting society.

• Tasks:
• To give students an idea of ​​the inseparable connection between the history of the state and the individual.
• Continue to develop feelings of patriotism through the knowledge of the beautiful cultural heritage.
• Education of a moral position, the ability to express one's own
• point of view, work with the Internet, create slides, draw conclusions

Nicholas Konstantinovich Roerich.

• Russian artist,
• Philosopher,
• Scientist,
• Writer,
• Traveler,
• Public figure.

"Be healthy! You will have to work hard for the Motherland ”O. John of Kronstadt

• Overseas guests.

• Messenger. Rise up generation after generation.

• idols

• Rooks are being built

Travel across Russia.

• The purpose of the trip around the country is
• Studying the roots of Russian
• culture.
• Result: - about 90 studies;
• -articles in which Roerich
• one of the first to raise the issue
• about a huge artistic
• Old Russian values
• iconography and architecture.

• Nicholas Roerich with his sons Yuri and Svyatoslav

• In 1899 he met Elena Ivanovna Shaposhnikova. In October 1901, their wedding took place. Helena Ivanovna became a faithful companion and inspiration for Nicholas Roerich, they will go hand in hand all their lives, creatively and spiritually complementing each other. In 1902, their son Yuri, a future orientalist, was born to them, and in 1904, Svyatoslav, a future artist and public figure.

period of realism and symbolism.

• Earth curse.

• Glow

• Angel Last.

• The most pure city - exasperation to the enemies

Cultural and educational activities in Europe and America.

• Exhibitions in Scandinavian countries.
• Exhibition tour of US cities.
• Opening of the Master - Institute in
• New York.
• In Chicago, the International Cultural Center"The Crown of the World" ("Corona Mundj").

• In 1903-1904, Nicholas Roerich and his wife traveled around Russia, visiting more than 40 cities known for their ancient monuments. The purpose of this "trip through the old days" was to study the roots of Russian culture. The result of the trip was a large architectural series of paintings by the artist (about 90 studies) and articles in which Roerich was one of the first to raise the question of the enormous artistic value of ancient Russian icon painting and architecture. As an artist, Roerich worked in the field of easel, monumental (frescoes, mosaics) and theatrical and decorative painting.

• The many-sided talent of Nicholas Roerich also manifested itself in his works for theatrical productions: The Snow Maiden, Peer Gynt, Princess Malene, The Valkyrie, etc. He was among the leading ideologists and creators of the reconstructive Old Theater (1907-1908 ; 1913-1914) - a prominent and unique phenomenon in the cultural life of Russia in the first quarter of the 20th century, and N. Roerich participated in this historical and dramatic event both as the creator of the scenery and as an art critic.

• Russian artist Nicholas Roerich Mill in the mountains, 1912. Sketch of scenery for the production of G. Ibsen's drama Peer Gynt at the Moscow Art Theater in 1912

• Since about 1906, a new, more mature period has been marked in Roerich's work. His approach to historical theme: history, mythology, folklore turn into sources from which the artist draws material for a metaphorical pictorial language. His art combines realism and symbolism.

• Nicholas Roerich. Gallery of paintings and drawings of the artist - The last angel

• After revolutionary events In 1917, Finland closed the borders with Russia, and N. K. Roerich and his family found themselves cut off from their homeland. In 1919, having received an invitation from Sweden,
• In 1920, N. K. Roerich received an offer from the director of the Art Institute of Chicago to organize a large exhibition tour of 30 cities in the United States. In America, Roerich painted a series of paintings "Sankta" (Saints), "New Mexico", "Ocean Suite", "Dreams of Wisdom", etc.

• Nicholas Roerich. Gallery of paintings by the artist - House Solveig

Central Asian Expedition

• On December 2, 1923, N. K. Roerich and his family arrived in India, which attracted him not only as an artist, but also as a scientist studying a number of problems related to the world migrations of ancient peoples and the search for a common source of Slavic and Indian cultures. Here begins the route of the expedition through the hard-to-reach regions of Central Asia.

• Nicholas Roerich. Gallery of paintings by the artist - Maitreya the Winner

• The extensive scientific material collected by the Roerichs during the expedition required systematization and processing, and at the end of the expedition in July 1928 in the Western Himalayas, in the Kullu Valley, N. K. Roerich founded the Urusvati Himalayan Research Institute, which in Sanskrit means " Light of the Morning Star.

• Urusvati, the Himalayan Research Institute of the Roerich Museum, was founded by Madame and Professor Roerich, who conduct research in various fields of art and science. In creating the institute, the founders felt a growing need to create a research center in which to make scientific investments.
• The Research Institute consists of the following scientific departments:
• (A) Department of Archeology, Applied Sciences and Art. (B) Department of Natural and Medical Sciences, and Applied Research. (C) Research laboratory. (D) Museum.
• One of the Institute's main missions is to record and preserve the rapidly disappearing local folklore, and to provide field research opportunities in India and the Middle East for American and European scholars.

• In his philosophical and artistic essays, Roerich creates a completely new concept of Culture, based on the ideas of Living Ethics. Culture, according to N. K. Roerich, is closely connected with the problems of the cosmic evolution of mankind and is the "greatest pillar" of this process. "Culture rests on Beauty and Knowledge" he wrote.

• peace pact

• Here, in the Kullu valley, the last period of the artist's life will pass. Yuri Roerich, the eldest son of Nicholas Roerich, an orientalist of world renown, became the director of the Institute.

• mother of the world

• confucius fair

• Christ

• Banner of Peace

• Victory

• Agni Yoga

• song of the morning

• In 1942, before the Battle of Stalingrad, Nicholas Roerich hosted the freedom fighter of India, Jawaharlal Nehru, and his daughter, Indira Gandhi, in Kullu. Together they discussed the fate of the new world, in which the long-awaited freedom of the conquered peoples would triumph. When the Nazi troops occupied many territories of the USSR, Nicholas Roerich turned to his employees with a request to serve the cause of mutual understanding between the peoples of the two powers - Russia and the USA. And in 1942, the American-Russian Cultural Association (ARKA) was established in New York. Among the active employees were Ernest Hemingway, Rockwell Kent, Charlie Chaplin, Emil Cooper, Sergei Koussevitzky, P. Geddas, V. Tereshchenko. The activities of the association were welcomed by world-famous scientists Robert Milliken and Arthur Compton.

• "N. K. Roerich was an ascetic of culture on a global scale.”

• Also, the recognition of the multifaceted cultural activities of N. K. Roerich is evidenced by the awards that he was awarded by the governments of many countries of the world.
• Cavalier of the Russian Orders of St. Stanislav, St. Anna and St. Vladimir;
• Knight of the Yugoslav Order of St. Sava;
• Chevalier of the Order of the Legion of Honor of France;
• Knight of the Royal Swedish Order of the Northern Star

• Lhasa

• Nicholas Roerich. Gallery of paintings
• artist - River in the Himalayas (Santana)

• Mother of Genghis Khan

• constellations

• Every motive, no matter what N.K. Roerich undertook, he conveyed with incomprehensible skill. Many of his paintings have become an artistic discovery for the audience. Roerich's world is the world of truth. The whole world respects Roerich for his wisdom and creative genius. He always thought about the Motherland. And through all the storms and hardships of life, he carried his bright, sincere feeling of love for Russia, devotion to her.

• Nicholas Roerich. Gallery of paintings of the artist - Everest (Chomolungma)

slide 2

The well-known Academician of the Russian Academy of Sciences D.S. Likhachev, who has now passed away from us, wrote in his letter to S.N. Roerich in August 1989: the life of our country." A phenomenon on a planetary scale A. Ya. Golovin. Portrait of N. K. Roerich. 1913. Collection of the State Tretyakov Gallery.

slide 3

P - Genus, E - if P - born, And - the history of X - keeps. 10/9/1874 - 12/13/1947 NIK O L A Y - "rich in fame" (Scandinavian); "winner" (Orthodox faith). Interpretation of the name From the history of the family? Why such attention to the personality of Roerich

slide 4

According to Nikolai Konstantinovich himself, from the age of 16 he began to think about entering the Academy of Arts. But at the same time, Roerich could not allow the thought of refusing to acquire knowledge in other areas that seriously interested him - history, archeology, philosophy. And he decided to simultaneously enter the Academy of Arts and the Faculty of History of the University. However, the father told the graduate of the gymnasium that he, a St. Petersburg notary, intended to give his son a legal education, to make him the successor of his business, capable of arranging his fate and being useful to the fatherland. The Academy of Arts, according to the father, should be completely excluded. Education

slide 5

1. The main building of the university ("Twelve Colleges"). Photo from the "Literary collection of works of students ...", St. Petersburg, 1896. 2. N. K. Roerich in a university uniform. Photo 1897-1898, made in the workshop of Elena Mrozovskaya. Original in MSSSM. Time to explore the world 1 2

slide 6

The daily routine of Roerich as a student went something like this: getting up at nine o'clock in the morning, from ten to one - classes at the Academy, from one to three - university, from three to five - work on sketches, from five to nine evening classes and practical classes at the Academy , from nine to twelve at night - reading, literary work, meetings with friends and acquaintances, participation in student circles.

Slide 7

Roerich's range of interests seems to have been unlimited. He studied books about Persian burials, South American alligators, read the classics of Hellas, the works of Balzac, A. France, L. Tolstoy, works on jurisprudence, general history, art history, musicology, and literary criticism. A. Kuindzhi invites the young artist to work in his studio.

Slide 8

On October 30, 1895, Nikolai Konstantinovich wrote in his diary: "A big event! I'm in Kuindzhi's workshop. One of the most important steps was taken as easy as shelling pears. Arkhip Ivanovich became a teacher not only of painting, but of all life." Kuindzhi

Slide 9

In November 1897, the Academy hosted a competitive exhibition and a solemn act of awarding diplomas for the title of artist. This title was also awarded to Nikolai Konstantinovich for his painting "Messenger. Rise of clan against clan" or, as it appeared in the "Reports of the Academy of Arts", "Slavs and Varangians". creative steps

Slide 10

Master's Brush

slide 11

Roerich continues to study in the workshop of Fernand Cormon. "Original! Characteristic! Curious! Goes well! He Feels the character of his country! He has a special point of view!" - so said Kormon, considering Roerich's works. N. K. Roerich. Herald. 1914. Meeting of the State Russian Museum. N. K. Roerich. London, 1920. Photograph by E. O. Hoppe from MSSSM.

slide 12

The East attracted Roerich. He considered it the most mysterious edge. N. K. Roerich. Boris and Gleb. 1942. Meeting of the State Russian Museum. N. K. Roerich. Herald. 1922. Bolling Collection, Michigan, USA, Grand Haven. N. K. Roerich. Herald. 1946. Collection of the GIMV. N.K. Roerich. Tibet. 1933

slide 13

In 1903, the young artist makes an equally interesting journey through the ancient Russian cities. Antiquity - that's the main thing ... N. K. Roerich. City. Sketch for the mural of the prayer room in Nice. 1914. Collection of the State Art Museum. N. K. Roerich. Youth-successors. Sketch for the mural of the prayer room in Nice. 1914. Collection of the State Art Museum.

Slide 14

City - sky, earth and underworld

They created two loves, two cities: the earthly city - love for oneself to the point of contempt for God, and the city of heaven - love for God to the point of contempt for oneself. Blessed Augustine. About the City of God. G - form, fence, fortress, helping to survive; O - Cosmos, opposing Chaos, humanized space; R - a way of drawing a boundary separating space from chaos, culture from barbarism, one's own and others', life and death, being and non-being; O - an attempt to restore the lost paradise; D - reproduces the model of the world of a given culture, makes visible the structure and levels of the universe.

slide 15

“What glorious places these are!” Nikolai Konstantinovich enthusiastically wrote in his travel diary. The ancient one lived widely and felt widely. If he wanted to spread himself freely, he climbed to the very top of the terrain, so that a free wind hummed in his ears, so that Roerich and the Ivanovo land of Shekshovo sparkled under his feet. Church of the Holy Trinity. Photo of the beginning of the 20th century, a fast river, so that the eye does not know the limit in the blue, alluring distances. And the white towers shone proudly on all sides. N.K. Roerich in 1903 visited not only Suzdal, but also the outback, where he found pieces of antiquity. The artist visited the villages of Torki and Shekshovo in the Suzdal district.

slide 16

In 1928 he went to Roerich in India, where, together with his wife, they founded the Urusvati Himalayan Research Institute, which attracted the attention of many prominent Scientists (it ceased its activities due to the Second World War.) From Kullu, Roerich made a trip to America and Europe, and then goes on an expedition. These efforts lead to the signing in 1935 of the Roerich Pact, the International Treaty for the Protection of Artistic and Scientific Institutions and Historical Monuments in Wartime and Peacetime. Founding of the institute

Slide 17

“My idea is about the preservation of artistic and scientific values,” wrote N.K. Roerich, - first of all, consisted in creating an international impulse for the defense of all the most precious things that make humanity alive .... the sign should tell humanity about beautiful treasures. ? How to interpret the emblem of N. K. Roerich. Madonna Oriflamma. 1932. Private collection, USA.

Slide 18

Explanation

Explaining his motive for choosing this particular sign, in a letter to Baron M.A. Traube (1932), N.K. and more authentic than the Byzantine concept, which goes back to the mists of time to the first generalized Christianity and is so beautifully embodied in Rublev's icon "The Holy Life-Giving Trinity" in the Holy Trinity Sergius Lavra. It was this symbol - the symbol of ancient Christianity, illuminated for us by the name of St. Sergius, that suggested our sign to me. Considering themselves Orthodox people, Nicholas Roerich and Helena Ivanovna Roerich raised their children in veneration of Orthodox shrines. Patriotism was also deeply inherent in the entire Roerich family. Despite their wanderings around the world, the Roerichs carefully kept Russian passports, dreaming of returning to their homeland and bequeathed all their spiritual heritage to Russia. “We worked for the Russian people. We bring knowledge and achievements to him,” Nicholas Roerich wrote in 1942.

Slide 19

He again and again refers to the fate of Russia, noting in his notebook: "Two themes were combined everywhere: Russia and the Himalayas." Therefore, such paintings as "Svyatogor", "Heroes wake up", "Nastasya Mikulichna", dedicated to the feat of the Russian people in the Great Patriotic War, appear. Since 1935, Roerich has been living in Kullu, doing a lot of painting, journalism, conducting a huge correspondence, extensive public work, meeting with progressive Indian figures (D. Nehru, I. Gandhi were guests of his house). last years of life

Slide 20

Roerich is amazingly efficient. The total number of his paintings ranges, according to art historians, from five to seven thousand. Roerich's literary heritage is no less great: ten volumes were published during his lifetime, but this is far from a complete collection of records, essays, articles, letters and speeches scattered around the world. December 13, 1947 in the Kullu Valley N.K. Roerich passes away. At the place of his cremation, a monument was erected with the inscription: "The body of the Great Saint (Maharishi) Nicholas Roerich, the great friend of India, was burnt at this place on the 30th Maghar 2004 of the Vikram era, corresponding to December 15, 1947. Om Ram." Departure from life

Thank you for your attention! Performed by students of 11 "A" class MOUSOSH No. 1, Ivanovo Rysina Anastasia, Mustafina Anisa The great gift was bequeathed to Russia. Can we accept it? It depends on you and me.

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Nicholas

Roerich

Russian artist, stage designer, mystic philosopher, writer, traveler, archaeologist, public figure. During his life he created about 7,000 paintings, many of which are in the famous galleries of the world, and about 30 literary works, including two poetic ones.

The presentation was made by Alexandra Gromovetskaya

11th grade student

Creativity of Nicholas Roerich

Nicholas Roerich was formed as an artist and public figure of culture in late XIX- the beginning of the XX century. Peculiar worldview N.K. Roerich was based on the belief that by raising the spiritual culture of the masses it is possible to transform life on earth, to defeat ignorance, vulgarity, wars: “Where culture is, there is peace ... As long as culture is only a luxury, ... it will not yet rebuild life. Culture should enter into the immediate, everyday life of both the hut and the palace.

Painting "LEADING"

Nicholas Roerich, with his work entitled “The Host”, shows the important quality that is inherent in wives in the lives of husbands. After all this picture he dedicated to his life partner, Elena Ivanovna. If you delve into the biography of the artist, it becomes known that his wife was for him a kind of mentor in life.

Painting "Himalayas"

"Himalayas" is an idealized, song image of the mountains, in which they appear mysterious, majestic, legendary. Not just a place located in a particular country, at a particular latitude and longitude. It seems that they are transferred to the canvas directly from the legends, in which heroes cross rivers and mountains, in which heroes grow up to their waists into the ground, in which maidens eat people, and cunning is valued on a par with military prowess.

Painting "Agni Yoga"

Agni Yoga is a doctrine that combines the features of Eastern teachings with some features of purely Western teachings, it is also called "Living Ethics". It was created by Roerich's wife, he himself took part in the creation, helped write the book, and the Agni Yoga painting expresses what this teaching was for the artist. And it was a light in the darkness, a guiding beacon in a raging menacing world.

Nicholas Roerich - a man of the world

"The awareness of Beauty will save the world," Roerich repeated with a slight correction of Dostoevsky's words. And beauty is known to man only through culture. Nicholas Roerich convinces us that where culture was born, it can no longer be killed. You can kill civilization. But culture, as a true spiritual value, is immortal. Civilizations came and went, emerged and collapsed, while the eternal spirit of culture, which was carried by humanity as a whole, remained, passing its development cycles through many generations.

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