Lady with a dog summary main idea. Analysis of Chekhov's story "The Lady with the Dog" essay
Love is an eternal theme in literature. While working on the story “The Lady with the Dog,” Chekhov did not strive to be original. But a classic work created in Last year nineteenth century, acquired extremely Open it will allow artistic analysis. “The Lady with the Dog” is a story about an ordinary holiday romance, told by an extraordinary author.
Far from Moscow
Chekhov begins the story without unnecessary introductions. Already in the first paragraph, a young woman appears walking along the Yalta embankment with Following behind her - main character, which the lady is very worried about. His image emerges throughout the entire story and only at the end acquires clear outlines. And it all starts with the image of Gurov’s wife (this is the name of the character, that is, the person who is interested in the lady with the dog).
It is better to begin the analysis of the characters in the story with a description of the unloved wife. The way she appears in the eyes of her husband is the key to revealing the main images in the work. But he sees her as narrow, narrow-minded and stern. Gurov's wife herself, of course, has a different opinion about herself. Suffering from the feminist ideas that became fashionable among bored but active ladies at the turn of the century, she calls herself a “thinker.” This extremely irritates Gurov, as does her manner of calling him Dimitri. That’s why he cheats on her quite often. And that’s why he feels so good away from her, from home, from Moscow.
Main character: analysis
The lady with the dog had that appearance and manner of behavior that immediately made it clear to an experienced person that she was married, was alone for the first time, and was incredibly bored. Gurov was a knowledgeable man. Although he often spoke unflatteringly about women in social male conversations, he still could not live without them. Therefore, one glance was enough for him to give the young woman the correct description with which to begin the analysis.
The lady with the dog is extremely young, has a thin, weak neck and beautiful gray eyes, and there is an angularity in her behavior. The further course of events in the story suggests that the young woman is married to a man who is uninteresting and unpleasant to her. She is waiting for a significant event to happen in her life. And she believes that this will happen. Gurov does not yet know about the thoughts of the young woman, but he feels in his gut that their acquaintance should take place. And therefore, as soon as the lady approaches, she affectionately calls the white Spitz to her. Thus, he gets to know the owner of the dog.
All around is a beautiful resort landscape. Chekhov's skill lies in the ability to depict the situation in the smallest and, at first glance, insignificant details. It's worth dedicating characteristic feature writer a few words and even do brief analysis.
Lady with a dog on a Yalta evening
On the day the heroes met sea water had a lilac hue, was soft and warm, and a lunar golden road ran along it. A similar picture is typical for a summer evening in Yalta. The author may have recreated it under the impression of a visit to the resort town, which took place shortly before writing the story.
Small details are also present in the image description main character. Her movements are uncertain, angular, and in the crowd she loses her lorgnette. All this seems to confirm Gurov’s thoughts that came to his mind on the day they met: “And yet there is something pathetic about her.”
Moral decline
They become lovers. There is nothing unexpected for him in this event. For her - happiness. But afterwards she sits with her hair down in the pose of a sinner and tells him about her moral failure, for which there is no justification. Gurov, meanwhile, thinks about how absurd all these words are, and slowly eats a watermelon. This realistic detail should undoubtedly be supplemented by the analysis.
“The Lady with the Dog” is a story that begins with an ordinary love affair. He is burdened by her naivety and embarrassment. She, not understanding all this, continues to reveal her soul to him. This is the main problem of the collision of two worlds - female and male. Representatives of the fairer sex see in their lover only what they want to see. The problems of the story “The Lady with the Dog,” the analysis of which is the topic of this article, are much more complex and deeper.
Yalta and early morning fog
The following days pass in bliss and bliss. They sit on a bench, look at the sea and are silent. Chekhov depicts the landscape with his characteristic manner of supplementing the description of nature with the philosophical reflections of the hero. Gurov begins to think more and more about the lofty goals of existence and human dignity. He no longer eats watermelon and is no longer burdened by the emotional outpourings of a young woman. Now they are on the same wavelength.
It's time to go north
Anton Chekhov ended one of the chapters with these words. The lady with the dog, the analysis of whose image was presented above, and whose last name (Gurov managed to find out) was Diederitz, went to a distant Volga city. And upon returning to Moscow, Gurov gradually begins to feel more and more acutely the contrast between sunny Yalta and the cold capital, between a carefree pastime and boring work in a bank. And, finally, between a pure, sublime feeling and the life of ordinary people who are not interested in anything except cards, wine and food.
And the sturgeon is fragrant!
The feelings of a person who, after being in a state of euphoria, is forced to return to gray reality, were masterfully portrayed by Chekhov. “The Lady with the Dog,” the analysis of which has already given an idea of some realistic touches that complement the picture of the clash of romance and harsh reality, has another rather interesting fragment in this regard.
The depiction of the clash between the romantic and the philistine in this place is masterfully completed. The story “The Lady with the Dog,” a brief analysis of which allows us to assert that it is the mention of “smelling sturgeon” that is the climax, and further reveals the full image of Gurov.
High fence
Under the guise of a business trip to St. Petersburg, Gurov goes in search of the Yalta lady. In this part, Chekhov reveals himself to be a true artist. "The Lady with the Dog", the analysis of which primarily concerns artistic means, used by the writer, does not have a direct description of the state of depression. The story lacks an image of Gurov's mental torment. And nothing is said about his melancholy. The inner world of the hero is conveyed by the author by mentioning all sorts of details. Gurov arrives in an unfamiliar city and rents a hotel room. There he sees a gray cloth carpet, a dusty inkwell, and a figurine of a one-armed horseman. And when Diederitz’s house is found, a high fence studded with nails is revealed. All these elements paint a picture of dullness, monotony, and despondency.
Meeting
The image of the provincial theater in the work “The Lady with the Dog” occupies a special place. Analysis of the story is not intended to reveal the writer’s negative attitude towards shortcomings social society. In the old days, critics were outraged by the author's inattention to the problems of bourgeois marriage. First of all, Chekhov was an artist. That's why he was interested human soul. And the invariable means for him was a hidden, barely perceptible subtext.
Analysis of the work “The Lady with the Dog” is a study of such small details as Diederitz’s resemblance to a footman, the image of the local governor, and the mention of a vulgar lorgnette that was in the hands of a young lady.
Dating in Moscow
An analysis of Chekhov's story “The Lady with the Dog” should also touch upon the topic of the true and false sides of life.
Gurov begins meeting his beloved in one of the Moscow hotels. She comes regularly and immediately sends a man in a red hat to him with a message. It is depicted in sufficient detail how Gurov accompanies his daughter to the gymnasium, talks with her, talking about natural phenomena, and meanwhile thinks about his secret life, which is true. And the paradox is that lies are open to others and approved by them.
The piece is interrupted mid-sentence. In that characteristic Chekhov's short prose. The characters spend long evenings discussing how to get rid of the need to lie and hide. But both of them understand that everything is just beginning...
This is the analysis of the story “The Lady with the Dog.” In this work, Chekhov was able, using many inconspicuous details, to depict the collision of the world of the romantic and the philistine, poetry and prose, high and earthly. This is the unique gift of the writer, who perceived and loved the world in any quality - both beautiful and sublime, and gray and wretched.
To be faithful is a virtue, to know fidelity is an honor. Maria von Ebner-Eschenbach
Human relationships are a very complex mechanism, which, however, is not so easy to fix if some failures occur. This is especially true for feelings that are strong and all-consuming. Loyalty and betrayal are two sides of the same coin, shared by two people. And the choice of each of them leads to consequences in which both are involved, regardless of who betrayed or was betrayed.
Love is a creative feeling, but sometimes, if this feeling is unrequited, you can see its destructive power, radically changing the personality loving person. A striking example of such changes is the hero of E. Bronte's work "Wuthering Heights" - Heathcliff. He was a foundling and raised with Katherine and her brother, constantly being ridiculed about his heritage. However, Catherine fell in love with him for who he is, but having fallen under the spell of the wealthy and well-mannered Edgar Linton, the girl betrays her lover and gets married, experiencing love in a new way.
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Heathcliff leaves, but when he returns, revenge becomes the meaning of life. Catherine cannot let go of the past, but she also cannot be with her former lover, and this painful situation is driving her to the grave. Heathcliff, obsessed with revenge, marries Linton's sister, torturing and humiliating his young wife to hurt Edgar's feelings. The hero’s once delicate and vulnerable mental make-up is replaced by a despotic, gloomy one, on the verge of madness, and these sufferings do not let him go until his death.
Often, love comes as a fleeting attraction, which over time transforms into a deep feeling that pushes one to cheat. In the secrecy of such relationships there is some kind of excitement that spurs again and again to go against conscience and public opinion. But a deadlock situation forces you to constantly scroll through your head the prospect of such relationships and feelings that provide moments of happiness and pleasure and endless temporary periods of waiting, confusion, jealousy, fear, pain, disappointment and suffering. A.P. Chekhov very accurately conveyed these changes through relationships in the story “The Lady with the Dog.” A young lady who has fallen under the spell of a holiday romance and cheated on her husband is constantly tormented by pangs of conscience and the fear that she has become fallen in the eyes of the seducer himself. Women liked Gurov and took advantage of this, constantly cheating on his wife. But after meeting Anna, he realizes his real feelings in what happened after some time. Wanting to continue the relationship, he finds the lady who took his peace, and finds reciprocity. But everyone remains to his own, continuing secret meetings and not daring to make serious changes, while realizing all the hardships of the situation.
A person’s own position, framework, principles, and ideals that he sets for himself play a huge role in the formation of relationships and devotion. An example of such commitment to her principles is Tatyana in A. S. Pushkin’s poem “Eugene Onegin”. A girl, having fallen in love and not receiving reciprocity, continues to live and marries another person. Time will pass and Onegin, realizing his mistakes, will come to Tatyana and offer his love. But the woman will refuse. Not in retaliation for past grievances, but because he does not want to overstep his principles. Tatyana remains faithful to her husband, despite the feelings that she continues to have for Evgeniy.
Based on the above, we can conclude that only mutual feelings can carry development. Unhappy and dangerous is unrequited love, which pushes people to betrayal, betrayal, and crime. And there is no justification for betrayal, which becomes a destructive element in the consciousness of the individual, his relationships, since by cheating, a person first of all betrays himself. There should be frankness in relationships, then you won’t have to face difficult moral choices.
Updated: 2017-09-14
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Known to us as a talented satirist writer, he created during his life many amazing stories, novellas and various works, the relevance of which is obvious today. Sometimes it seems that Anton Pavlovich’s goal was to highlight all aspects of human life - all its subtleties and all its moral facets. And it cannot be said that he failed to cope with this task, because all his works are diverse and deep, and touch on the most different aspects of life.
"Student"
Despite its small size, this story raises global issues of morality and touches on many sensitive topics. The main character of the story comes to understand everything that is true in life and due to this gains faith and looks at the world with completely different eyes.
From the very beginning, Chekhov shows us the student as a person completely disillusioned with the world and with people. Throughout the story, we watch Ivan’s rebirth, how he changes himself - fills his inner world something bright and kind, and now faith leads him forward. The minor characters in the story display this same problem. Lukeria and Vasilisa are also familiar with the hardships of life, but their dignity is that they never lost their faith.
"Lady with a dog"
This story is striking in that its main motive, love, is revealed from an unexpected side. Chekhov, being a master of depicting boring and gray everyday life, allows two extraordinary heroes to meet in one of his stories - “The Lady with the Dog.” What is it about these two heroes that makes their meeting significant?..
Both Gurov and Anna Sergeevna are tormented by the everyday life, the uncertainty of their choices - they both do not love or accept their spouses, and because of this, life seems incredibly boring to them. But resort love changes their worldview and their lives are filled with colors and new sensations. And it turns out that the holiday romance changes the lives of the heroes once and for all.
Gurov, returning to Moscow, discovers that his life is not only ugly, but also that he can no longer put up with it. And suddenly he realizes that the symbol of his happiness is Anna Sergeevna, whom he thought he would forget by this time. The main thing that the writer wanted to show is that freedom and happy life in dreams it appears completely differently, and when real life comes, a person cannot cope with its everyday life and everyday life. The end of the story can be called open, since new life It's just beginning for the two main characters.
"The Cherry Orchard"
When they talk about Chekhov's play" The Cherry Orchard", they always mention that this is a contrasting work - the serious is intertwined with the funny, and the impression from this work cannot be called unambiguous. Chekhov wanted to reflect in the play the social changes of the era and show how the nobility gradually transformed and lost its position... And he managed to do this to the fullest.
With his characteristic style, Chekhov showed the measured and quiet life of the main characters, and all the key and conflicting events took place not in front of the reader, but behind the scenes. And the socio-historical turning point in the life of all of Russia, and in the society of the nobles, is revealed from the most unexpected side - quite everyday and faded.
Composition
The story "The Lady with the Dog" was conceived at a turning point, both for Russia and for the whole world. The year of writing is 1889, that is, the penultimate year of the 19th century. What was Russia like at that time? A country of pre-revolutionary sentiments, tired of the ideas of “Domostroy” that have been put into practice for centuries, tired of how wrong everything is, how untrue everything is, and how little a person means in himself, and how little his feelings and thoughts mean. In just some 19 years, Russia will explode and inexorably begin to change, but now, in 1889, thanks to Chekhov, it appears before us in one of its most threatening and terrifying guises: Russia is a tyrant state, a devourer human lives.
However, at that time (by the way, we note that the time of writing the story and the time depicted by the author coincide) few people could see the impending, or rather, closely approaching threat. Life continued as before, for everyday troubles are the best remedy for insight, since behind them you see nothing but themselves. As before, fairly wealthy people go on vacation (you can go to Paris, but if funds do not allow, then to Yalta), husbands cheat on their wives, owners of hotels and inns earn money. On top of everything else, there are more and more so-called “enlightened” women or, as Gurov’s wife said to herself, “thinking” women, whom men treated, at best, condescendingly, seeing in this, firstly, a threat to patriarchy , and secondly, obvious female stupidity. Subsequently it turned out that both were wrong.
Apparently, Chekhov did not like women who sought to artificially become taller than men. Judging by “The Lady with the Dog” and “The House with a Mezzanine” (where Lidia Volchaninova was such a heroine), such dislike arose as a result of the understanding that general position“thinking” women will not save, and may even make it worse.
“The people are entangled in a great chain, and you do not cut this chain, but only add new links - that’s my conviction.” ("House with mezzanine"). It seems that this phrase, in addition to the hero who uttered it, could also be signed by the author himself.
I must say that “Lady with a Dog” and “House with a Mezzanine” are very similar. Not in content, but in the feelings that these two stories leave after reading them. And the details - thoughts about enlightened women, about what prevents two lovers from uniting - complete the similarity.
Thus, we come directly to the text, to its themes and issues. The topic is simple, but for ordinary people it is also a reason for rather slippery gossip: a holiday romance and its consequences. But, knowing Chekhov’s narrative style, one cannot even assume that his goal was to depict precisely the notorious holiday romance. We need to dig much deeper. In my opinion, the main goal of the work is to show the reader (especially, of course, the reader of that time) what he did not notice before: this is the seeming hopelessness of the situation, as if it were really better for the heroes to give up their love, this is the fear of the heroes themselves to overcome the views of society, fear of taking steps themselves towards their real, not stolen happiness, their connection by chimeric chains of non-existent responsibilities. And of course, it is quite clear that not only the heroes are to blame for their inaction. This inaction gave rise to something similar to the “dark kingdom” in Ostrovsky’s “The Thunderstorm”. But this is new" dark kingdom"lies not in the tyranny of some and the dumbness of others, but in the general indifference to each other and blindness to the present state of affairs. A striking example of this is the following scene:
One night, leaving the doctor's club with his partner, an official, he (Gurov) could not resist saying:
If you only knew what a charming woman I met in Yalta!
The official got into the sleigh and drove off, but suddenly turned around and called out:
Dmitry Dmitrich!!
And just now you were right: the sturgeon is fragrant!
As we see, this official, Gurov’s partner in playing cards, is indifferent, blind and deaf. He is only interested in the state of his own stomach, and the concept of tact, with which you will not respond like that to a remark about a charming woman, is completely unfamiliar to him.
Returning to the theme of the story - a holiday romance - one cannot help but notice that the theme is divided into two separate subtopics, one way or another connected with each other and forming the main one.
The first one, which we are introduced to at the beginning, is the behavior of men and women at resorts away from their families and their usual way of life. We see how Gurov is possessed by “the seductive thought of a quick, fleeting connection, of an affair with an unknown woman.” Later we learn that he manages to accomplish this. Now we can be puzzled: for what purpose does Chekhov open this topic? It seems to me that this theme is intended not only to set up the action, but also serves certain purposes. In fact, it’s not just out of boredom that Gurov makes this acquaintance! Without such a prerequisite as an unloved wife, it is unlikely that Gurov would have cheated on her. And Anna Sergeevna did not love her husband. So, they came together out of loneliness, instinctively feeling the lack of love, needing it.
Nowadays, many people do not understand how people who did not have any positive feelings for each other connected their destinies, but back at the end of the 19th century it was as real as it is today. This, I think, is the purpose of the first subtopic: to show people how wrong a family union without love and respect is, what consequences it can lead to.
The second subtheme is the theme of love and the changes that it brings with it. The meeting with Anna Sergeevna changed Gurov. He fell in love with her, fell in love with a woman for the first time in his life, experienced in adulthood everything that young men feel: “And only now, when his head turned gray, did he fall in love properly, truly - for the first time in his life.” And along with love, an understanding came to him:
What wild customs, what faces! What stupid nights, what uninteresting, unnoticeable days! Furious card playing, gluttony, drunkenness, constant conversations all about one thing. Unnecessary things and conversations all about one thing consume the best part of the time, the best forces, and, in the end, what remains is some kind of short, wingless life, some kind of nonsense, and you can’t leave and run, as if you were sitting in a madhouse or in prison companies!
Love itself changed Gurov, as Chekhov says, love can do anything. And now his hero is no longer a playmaker, but real man who knows how to sympathize, be sincere, gentle.
Having understood the purpose of the story, why it was written, let us consider in detail the plot of the work and its composition. Among those walking on the Yalta embankment, a new face appears - a lady with a dog. This event is the beginning of the action. By the way, the exposition in this case follows the plot, and not vice versa. A few days later, in the garden, the main character - Gurov - meets this lady. This is how the action begins to develop. They walk together and spend a lot of time. Gradually, our heroes - and there are two of them - become attached to each other, but, as we remember, Gurov had his own plans in relation to Anna Sergeevna. He dreamed of a holiday romance.
After a week of acquaintance, the action suddenly approached the first highest point of its development - the first climax. Gurov and Anna Sergeevna went to her room, and there, according to Anna Sergeevna, her fall occurred.
It seems that Gurov has achieved what he wanted, and something should follow. Logically, the heroes should either break up and look away from each other during chance meetings, or continue to meet.
“Then every afternoon they met on the embankment, had breakfast together, had lunch, walked, admired the sea.”
The denouement was a letter from Anna Sergeevna’s husband, in which he begged his wife to return home. Soon Gurov went home, thinking that they would never see each other again.
However, the action is still developing. Upon arrival home, Gurov cannot forget the lady with the dog, and the memory, very real, follows him like a shadow. He changes internally and finally matures in order to see Anna Sergeevna again. In December, during the holidays, he comes to S. and makes inquiries about where Anna von Diederitz lives. Not having the opportunity to see her during the day, Gurov goes to the theater in the evening in the hope that she will be there.
The second culmination was their meeting. Again the heroes are faced with a choice - to be together or not to be together, and after a short date they part again, but now in the firm belief that Anna Sergeevna will come to Gurov in Moscow. This is the outcome.
The story concludes with a narrative about further meetings of the heroes, but in the full sense this cannot be called a conclusion: the last paragraph allows for further development of the action and further experiences of Anna Sergeevna and Gurov.
Until now, we have not talked about practically anyone else except Anna Sergeevna and Gurov, as if the other heroes did not exist. This is partly true. The fact is that Chekhov singles out only two heroes - those who are capable of developing. Thus, he emphasizes the disunity of people, as if they speak different languages. Everyone around is impersonal; even if there are a lot of them, you won’t see the person’s presence. We are given only two portraits minor characters: Gurov's wife and Anna Sergeevna's husband, and even outwardly these people are unattractive, not to mention their other features. And the role that these heroes play is always negative: they are the force that separates lovers.
The portraits of the main characters are attractive. She is: short, blonde, with an angular laugh; thin, weak neck, beautiful gray eyes. There is something “pathetic” about her (in Gurov’s words), or rather, when you look at her you want to be strong and feel sorry for her. He: “In his appearance, in his character, in his whole nature there was something attractive, elusive, which attracted women to him.”
Oddly enough, only one character is shown in development. Only Gurov radically changes his position in life, and Anna Sergeevna remains practically unchanged, except that she understands that she is not a fallen woman, and finds the strength to fight.
The story covers a time period of approximately six months to a year, it is impossible to determine exactly. During this time, the action was transferred from Yalta to Moscow, from Moscow to the city of S. and back. According to the author, the heroes are exactly “two migratory birds, a male and female who were captured and forced to live in separate cages.” However, even at a distance from each other, they continue to be mentally together.
So, based on the above, we see that in terms of genre we have a typical story - a prose work that is small in terms of the volume of depicted phenomena and events, and hence in terms of the volume of text, in which there are characters who represent certain individuals. They are shown to us in a certain complete (that is, having a beginning and an end) moment of their lives, which most fully reveals their characters to us. The number of characters in the story is small and all of them, except the main ones, are outlined briefly.
Chekhov uses literary language throughout the story to show that the heroes belong to the so-called “decent society”, but from the whole variety of artistic means he uses only portraits of heroes and landscapes that accurately reflect the mental state of the heroes, emphasizing them.
We examined only one small work by A.P. Chekhov, but we see how masterfully the author shows seemingly insignificant, but entailing so much life situations, outlines integral, extremely realistic characters with all their shortcomings and knows how to convey to the reader not only the content , but also the ideas of the story, and also makes us feel confident that true love, loyalty can accomplish a lot.
Anton Pavlovich Chekhov always managed to create unusual works, which contain deep meaning. It all depends on the person who opens the book famous writer. If the reader is interested in studying life and its laws, then he does not dare pass by Chekhov’s work.
The story that raises the problem of love is, undoubtedly, “The Lady with the Dog,” where Anna Semyonovna and Dmitry Dmitrievich turn out to be lovers; they meet at a resort. It is noteworthy that both heroes are married. The lady with the dog has a husband whom she calls a footman. The heroine married him purely out of curiosity, without ever finding true happiness. It can be seen that during the years that she lived with her husband, there was no joy and fun in her life. Gurov, Dmitry Dmitrievich, is not only married, but also has three children, thereby understanding that he is responsible for those whom he created. Lead by character ordinary life, does not have strong feelings for his family. But as soon as Anna Semyonovna and Gurov meet, love pierces them like lightning. Happiness comes into their everyday and routine life.
The main characters are inspired by a feeling like love and turn their lives around. It turns out that Chekhov shows: love is capable of much. It can change a person for the better if the feelings are truly mutual. When there is someone who shows you attentiveness, care, warmth, you want to start not just existing, but living! So are the heroes, they have found each other, but they do not expect commitment. One has a family and children, the other has his own business. The roads diverge...
But Dmitry Dmitrievich realizes how difficult it is for him without the lady with the dog, because in her he found what he was looking for initially: support, attentiveness, reciprocity. The hero cannot stand the separation and goes to Anna Semyonovna. Having found her, they agree on how to see each other more often, because the intensity of feelings cannot be extinguished.
But in the end, when the characters united and realized that they had each other, Anton Pavlovich does not show a clear future for the heroes. Dmitry Dmitrievich and Anna Sergeevna believe that a new one will definitely begin, wonderful Life“, however, this moment is still very far away... And it is unknown what awaits the characters next...
Chekhov shows us how important it is to love here and now, not to put feelings on the back burner. If you love the way last time without thinking about what will happen tomorrow, in a month, in a year. The main thing to understand is that you cannot be an indifferent creature. Having found love, hold on to it, because later, when there is nothing left and the end comes, you will regret that you did not try fresh feelings, did not accept warmth in your heart. Such a tragedy should never be allowed to happen!
Analysis of the work Lady with a Dog 2
Who among the writers has not touched upon the theme of love? You can write endlessly about love; it is an eternal problem that arises between a woman and a man.
Anton Pavlovich Chekhov, in his story “The Lady with the Dog,” wrote about love that is doomed to suffer and here’s why. Chekhov tells the story of a fleeting holiday romance that turns into love.
At the beginning of the nineteenth century, the intelligentsia preferred to relax on the waters and on the sea coast. The plot develops in Yalta. Gurov, a relatively young man, came to rest. He had been languishing with an unloved woman for a long time. She irritated him because she tried to be a feminist, which was fashionable at that time. She also paid little attention to the opinion of her husband. Accordingly, there is no talk of any tender relationships in this case. He came to terms with this, but at every opportunity he tried to start a non-binding love relationship.
There was a lady relaxing next door who was constantly walking her dog. According to her appearance it was clear that she was married, but not for a long time. She is burdened by her position and, left alone, is waiting for something good and interesting that can diversify her life. A man with experience will immediately feel that a woman is not against a relationship. Events, as always at the resort, unfolded rapidly. Gurov was not mistaken, a week after they met, he invited Anna Sergeevna, that was the name of the lady with the dog, to visit his room, she agreed. The subsequent events of Dmitry Gurov were very surprising; he could not have expected this. This had never happened before in his love life.
Anna Sergeevna was not happy family life, she didn't like her husband. She did not resist for long and happily responded to Dmitry’s advances. As expected in holiday romances, everything happens quickly. For Gurov, this is a common thing; he is used to cheating on his wife, but for the lady with the dog it turned out to be real stress, although she did it consciously. Anna Sergeevna wanted changes, but when they happened, she understands that this is not just betrayal, but a moral failure. These reflections do not touch the rough soul of the lover at all; he is simply surprised at the thinking of his next passion.
The time had come to part, but Dmitry Gurov could not forget this naive woman, he was drawn to her and began to look for a meeting with her. The most interesting thing is that it was with this woman that he understood what love is. Both of them understood that the hardest part began now.
In his work, Anton Pavlovich Chekhov described not just a holiday romance, but where people’s relationships can lead. Enough for that time current problem. The story made an indelible impression on readers; it was discussed in society for a long time.
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