Analysis by eugene onegin. Analysis of the novel "Eugene Onegin" by Pushkin: the essence, meaning and idea of the work Description of Eugene Onegin
"Eugene Onegin" rightfully stands out among the works of Russian literature of the 19th century. This is one of the most harmonious in composition and rich in content of Pushkin's works. Alexander Sergeevich has devoted more than 8 years to his brainchild: having begun work on a novel in verse in the spring of 1823, he completed the work only by the fall of 1831. It was the most painstaking and long-term work on the work in his life.
He either quit work on "Eugene Onegin", then began to work on it again. Conventionally, the work on the novel can be divided into four stages, during which many events happened in Pushkin's life: the southern exile, the Boldinskaya autumn, and a series of stormy novels. All chapters were published gradually, as they were written, one after another. The last author's version was published in 1837. According to the description, the actions in the novel span a span of 6 years. In the process of narration, the characters grow up, go through some life path and turn from dreamy boys and girls into mature, established personalities.
Thanks to the expression of the emotions of the heroes through the poetic form, the novel gains great lyricism and expressiveness, thus, the reader becomes understandable and accessible to the entire palette of feelings that the author laid as a basis. In addition, Pushkin introduces himself into the novel as one of the heroes of the narrative, he keeps Tatiana's letter and meets with Onegin in St. Petersburg. There are many lyrical digressions in the novel, where Pushkin shares his thoughts and feelings with the reader, as if alienating himself from the course and the main line of the narrative.
Analysis of the work
The main plot of the work
The plot is based on a love line: the young Tatyana Larina falls in love with the bright extraordinary personality of Eugene Onegin. Still very young, he is already tired of the noisy fuss and tinsel surrounding him, and calls his soul chilled. A young girl in love decides to take a desperate step and writes a letter of confession, where, with the fervor characteristic of her youthful nature, she pours out her soul to Eugene and expresses hope for the possibility of a romantic relationship between them. The hero does not reciprocate Tatiana's love, which very much hurts her. A decisive explanation takes place between the young people, and Onegin gently tells Tatyana that his callous soul is no longer capable of falling in love, even if such a young and beautiful girl like Tatyana. Later, when Larina becomes a married woman and, it would seem, finds a quiet family happiness, the paths of the heroes intersect again. Onegin understands what a terrible mistake he made, but, unfortunately, it is no longer possible to fix anything. Tatiana says her famous "... but I am given to another, and I will be faithful to him for a century ...", which puts an end to the failed love story.
Many mistakes that people tend to make, especially in adolescence, prevented the young heroes from being together, despite their mutual love. Only after going through a series of emotional upheavals, Onegin realizes that Tatyana is the very girl with whom he could be very happy, but, as usual, he realizes this too late. All this, of course, makes the reader think about whether he is making such a mistake. And, perhaps, it immerses in memories of past sad experiences or makes you relive ardent and tender first feelings.
main characters
One of the main characters is Eugene Onegin. An introverted young man with a complex character. The author deliberately does not idealize his image, endowing him with all those shortcomings that are usually inherent in real person... Since childhood, he did not know the need for anything, being the son of a Petersburg nobleman. His soul did not gravitate towards work, was pampered by novels, balls and scientific works of his favorite authors. His life was as empty as that of a million of the same lordly offspring of that time, filled with revelry and debauchery, senseless burning of life. As usual, as a result of this lifestyle, Eugene became a real callous egoist, thinking only about his own pleasures. He does not put other people's feelings into a penny and easily insults a person if he does not like him or utters a phrase that is inappropriate in his opinion.
Meanwhile, our hero is not deprived and positive features: for example, throughout the entire novel, the author shows us how much Onegin gravitates towards science and knowledge. He is constantly in search of something with which to replenish and expand his consciousness, studies the works of philosophers, conducts intellectual conversations and disputes. In addition, unlike his peers, he very quickly gets bored with the bustle of balls and meaningless pastime. Very soon, the reader can observe his personal growth, while his friends, one after another, inevitably degrade, turning into flabby landowners.
Despite his disappointment and dissatisfaction with the way of life that he is forced to lead, he lacks the mental strength and motivation to break this vicious circle. He did not grab hold of that saving straw that the pure and bright girl Tatyana hands him, confessing her love.
The turning point of his life is the assassination of Lensky. At this moment, Onegin's eyes open, he realizes how insignificant his entire previous existence is. From a feeling of shame and remorse, he is forced to flee, and sends him to conquer the vastness of the country in the hope of hiding from the "bloody shadow" of his murdered friend.
From a three-year voyage, he returns as a completely different person, mature and conscious. Having met Tatiana again, who at that time was already married, he realizes that he has feelings for her. He sees in her an adult, intelligent woman, a wonderful companion and an integral mature nature. He is amazed at her greatness and secular coldness, not recognizing in her that timid and gentle country girl as he knew her before. Now she is a loving wife, tactful and benevolent, restrained and calm. He falls in love with this woman without memory, and he is mercilessly rejected by her.
This served as the ending of the novel, the further lives of Onegin and Tatiana remain unknown to the reader. Pushkin does not give any answer to the questions about whether Eugene was able to reconcile and forget his love and how he spent his next days? Was Tatyana happy in the future, married to an unloved man? All this remained a mystery.
An equally important image described in the novel is the image of Tatyana Larina. Pushkin describes her as a simple noblewoman from the provinces. A modest young lady, not endowed with special beauty and external attractiveness, however, she has a surprisingly deep multifaceted inner world. Her romantic poetic nature bewitches the reader and makes her sympathize and empathize with her suffering from the first to the last line. Pushkin himself more than once confesses his love for his fictional heroine:
« Forgive me: I love it so much
My dear Tatiana! "
Tanya grows up as a rather withdrawn, immersed in her own feelings, a closed girl. Her best friends very early became books, in them she looked for answers to all questions, through the pages of novels she learned life. All the more strange looks for the reader Tatiana's unexpected impulse and her frank letter to Onegin. This behavior is not at all characteristic of her character and indicates that the feelings that flared up for Eugene were so strong that they overshadowed the mind of the young girl.
The author lets us understand that even after the refusal, and after the long departure of Onegin, and even after marriage, Tanya does not stop loving him. However, great nobility and self-esteem does not give her the opportunity to rush into his arms. She respects her husband and protects her family. Having abandoned Onegin's feelings, she manifests herself as an exceptionally reasonable, strong and wise woman. Debt is for her above all, and this decision of her makes the reader feel deep respect for the heroine. The suffering and later repentance of Onegin is the natural finale of his way of life and actions.
(Illustration by K. I. Rudakov "Eugene Onegin. Meeting in the garden", 1949)
In addition to the main characters, the novel describes many minor characters, however, no one else gets such a striking characteristic as Tatyana and Onegin. Unless the author pays some attention to Lensky. He describes it bitterly tragic fate with an unfair ending. Pushkin characterizes him as an exceptionally pure youth, with an unblemished reputation and high moral qualities. He is talented and impetuous, but at the same time very noble.
Conclusion
The description of nature in the novel stands apart: the author devotes a lot of time to it. We can find on the pages of the novel beautiful paintings that recreate before our eyes Moscow, Petersburg, Crimea, Odessa, the Caucasus and, of course, the wonderful nature of the Russian hinterland. Everything that Pushkin describes are ordinary pictures of a Russian village. At the same time, he does it so masterly that the pictures he created literally come to life in the imagination of the reader, fascinate him.
Despite the disappointing ending of the novel, it cannot be called pessimistic at all. On the contrary, the abundance of bright living moments makes the reader believe in a wonderful future and look into the distance with hope. There are so many bright, real feelings, noble impulses and pure love here that the novel is more capable of leading the reader to positive emotions.
The entire composition of the novel is built surprisingly harmoniously, which is surprising, given the long interruptions with which the author began to work on it again. The structure has a clear, slender and organic structure. The actions flow smoothly from one another, throughout the entire novel, Pushkin's favorite technique is used - a ring composition. That is, the place of the initial and final events coincides. The reader can also trace the mirroring and symmetry of the events taking place: Tatiana and Eugene several times find themselves in similar situations, in one of which (Tatiana's refusal) the action of the novel is interrupted.
It is worth noting that not a single love story in the novel has a successful ending: like her sister Tatyana, Olga Larina was not destined to find happiness with Lensky. The difference between the characters is shown through opposition: Tatiana and Olga, Lensky and Onegin.
Summing up, it is worth noting that Eugene Onegin is truly a confirmation of Pushkin's remarkable poetic talent and lyrical genius. The novel is read literally in one breath and captures from its first line.
The whole life of Russian society is reflected in "Eugene Onegin" early XIX century. However, two centuries later, this work is interesting not only in historical and literary terms, but also in terms of the relevance of the questions that Pushkin posed to the reading public. Everyone, opening the novel, found something of their own in it, empathized with the heroes, noted the lightness and mastery of the style. And quotes from this work have long become aphorisms, they are pronounced even by those who have not read the book itself.
A.S. Pushkin created this work for about 8 years (1823-1831). The history of the creation of "Eugene Onegin" began in Chisinau in 1823. It reflected the experience of Ruslan and Lyudmila, but the subject of the image was not historical and folklore characters, but modern heroes and the author himself. Also, the poet begins to work in line with realism, gradually abandoning romanticism. During the Mikhailovsky exile, he continued to work on the book, and completed it already during his forced imprisonment in the village of Boldino (Pushkin was detained by cholera). Thus, creative story the work has absorbed the most "fertile" years of the creator, when his skill has evolved at a breakneck pace. So his novel reflected everything that he learned during this time, everything that he knew and felt. Perhaps the work owes its depth to this circumstance.
The author himself calls his novel "a collection of colorful chapters", each of the 8 chapters has relative independence, because the writing of "Eugene Onegin" lasted a long time, and each episode opened a certain stage in Pushkin's life. The book came out in parts, the release of each became an event in the world of literature. The full edition was not published until 1837.
Genre and composition
A.S. Pushkin defined his work as a novel in verse, emphasizing that it is lyric-epic: the plot line, expressed by the love story of the heroes (epic beginning), is adjacent to digressions and author's reflections (lyrical beginning). That is why the genre of "Eugene Onegin" is called a "novel".
Eugene Onegin consists of 8 chapters. In the first chapters, readers are introduced to central character Eugene, move with him to the village and meet a future friend - Vladimir Lensky. Further, the drama of the narrative increases due to the appearance of the Larin family, especially Tatiana. The sixth chapter is the culmination of the relationship between Lensky and Onegin and the flight of the protagonist. And at the end of the piece, there is a denouement storyline Eugene and Tatiana.
Lyrical digressions are connected with the narration, but it is also a dialogue with the reader, they emphasize the "free" form, the proximity to intimate conversation. The same factor can explain the incompleteness, openness of the finale of each chapter and the novel as a whole.
About what?
A young, but already disillusioned with life, a nobleman inherits an estate in the village, goes there, hoping to dispel his blues. begins with the fact that he was forced to sit with a sick uncle, who left his family nest to his nephew. However, the village life soon bores the hero, his existence would become unbearable if it were not for his acquaintance with the poet Vladimir Lensky. Friends are "ice and fire", but differences did not interfere with friendly relations. will help you figure it out.
Lensky introduces his friend to the Larin family: an old mother, sisters Olga and Tatiana. The poet has long been in love with Olga, a windy coquette. The character of Tatiana, who herself falls in love with Eugene, is much more serious and whole. Her imagination has long drawn a hero, it only remains for someone to appear. The girl suffers, torments, writes a romantic letter. Onegin is flattered, but realizes that he cannot respond to such a passionate feeling, therefore he gives a harsh rebuke to the heroine. This circumstance plunges her into depression, she anticipates trouble. And the trouble really came. Onegin decides to take revenge on Lensky because of an accidental spat, but chooses a terrible means: flirts with Olga. The poet is offended, calls yesterday's friend to a duel. But the culprit kills the "slave of honor" and leaves forever. The essence of the novel "Eugene Onegin" is not even to show all this. The main thing worth paying attention to is the description of Russian life and the psychologism of the characters, which develops under the influence of the depicted atmosphere.
However, the relationship between Tatyana and Eugene is not over. They meet at a secular evening, where the hero sees not a naive girl, but a mature woman in full splendor. And he falls in love himself. He is also tormented and writes a message. And he meets the same rebuke. Yes, the beauty has not forgotten anything, but it's too late, she is "given to another":. A failed lover is left with nothing.
The main characters and their characteristics
Images of the heroes of "Eugene Onegin" - not a random selection actors... This is a miniature of Russian society of that time, where all the known types of noble people are scrupulously listed: the poor landowner Larin, his secular wife, who descended in the village, the sublime and bankrupt poet Lensky, his windy and frivolous passion, etc. All of them represent imperial Russia during its heyday. No less interesting and distinctive. Below are the characteristics of the main characters:
- Eugene Onegin - the main character novel. He carries in himself dissatisfaction with life, fatigue from it. Pushkin tells in detail about the environment in which the young man grew up, about how the environment shaped his character. Onegin's upbringing was typical of the nobility of those years: a superficial education aimed at being successful in a decent society. He was not prepared for the real business, but exclusively for secular entertainment... Therefore, in my youth I was tired of the empty shine of balls. He has a "soul of direct nobility" (feels friendly affection for Lensky, does not deceive Tatiana, using her love). The hero is capable of a deep feeling, but he is afraid of losing his freedom. But, despite the nobility, he is an egoist, and narcissism is at the heart of all his feelings. The essay contains the most detailed characterization of the character.
- It is very different from Tatyana Larina, this image appears to be ideal: a whole, wise, devoted nature, ready for anything for love. She grew up in a healthy environment, in nature, and not in the light, so real feelings are strong in her: kindness, faith, dignity. The girl loves to read, in the books she got a special, romantic, mysterious image. It was this image that was embodied in Eugene. And Tatiana with all passion, truthfulness and purity gave herself up to this feeling. She did not seduce, did not flirt, but took the liberty of confessing. This brave and honest act did not find a response in Onegin's heart. He fell in love with her seven years later, when she shone in the light. Glory and wealth did not bring happiness to the woman, she married the unloved, but Eugene's courtship is impossible, family vows are sacred to her. More on this in the essay.
- Tatyana's sister Olga is not of much interest, there is not a single sharp corner in her, everything is round, it is not for nothing that Onegin compares her to the moon. The girl accepts Lensky's courtship. And any other person, because, why not accept, she is flirtatious and empty. A huge difference is immediately observed between the Larin sisters. The youngest daughter went to her mother, a windy socialite who was forcibly imprisoned in the village.
- However, the poet Vladimir Lensky fell in love with the flirtatious Olga. Probably because it is easy to fill the void with your own content in dreams. The hero was still burning with a hidden fire, he felt subtly and analyzed little. Moral concepts are high in him, therefore he is alien to the light and is not poisoned by it. If Onegin talked and danced with Olga only out of boredom, then Lensky saw betrayal in this, his former friend became an insidious tempter of a sinless girl. In the maximalist perception of Vladimir, this is at once a break in relations and a duel. The poet lost in it. The author raises the question, what could await the character with a favorable outcome? The conclusion is disappointing: Lensky would marry Olga, become an ordinary landowner and vulgarize in routine vegetation. Also you may need.
Themes
- The main theme of the novel "Eugene Onegin" is extensive - it is Russian life. The book shows the life and education in the world, in the capital, village life, customs and occupations, typical and at the same time unique portraits of characters are drawn. Almost two centuries later, the characters contain features inherent in modern people, these images are deeply national.
- The theme of friendship is also reflected in Eugene Onegin. The main character and Vladimir Lensky were in close friendship. But can it be considered real? They met for the occasion, out of boredom. Eugene was sincerely attached to Vladimir, who, with his spiritual fire, warmed the hero's cold heart. However, just as quickly he is ready to offend a friend, flirting with his beloved, who is happy about it. Eugene thinks only of himself, he absolutely does not care about the feelings of other people, so he could not keep a friend.
- Love is also an important theme of the work. Almost all writers talk about it. Pushkin was no exception. In the image of Tatiana is expressed true love... It can develop in spite of everything and remain for life. Nobody loved Onegin and will not love him as main character... Having missed this, you remain unhappy for life. Unlike the sacrificial, all-forgiving feelings of the girl, Onegin's emotions are pride. He was frightened by a timid girl who fell in love for the first time, for the sake of whom it would be necessary to throw the disgusting, but familiar light. But Eugene was conquered by the cold secular beauty, who to visit is already an honor, not just love her.
- The topic of an extra person. The spirit of realism appears in the works of Pushkin. It was the environment that brought up Onegin so disappointed. It was they who preferred to see superficiality in the nobles, the focus of all their efforts at creating secular brilliance. And nothing else is needed. On the contrary, education in folk traditions, society ordinary people made the soul healthy, and the nature whole, like Tatyana's.
- Loyalty theme. Faithful to her first and most strong love Tatiana, and Olga is frivolous, changeable and ordinary. Larina's sisters are completely opposite. Olga reflects a typical secular girl, for whom the main thing is herself, the attitude towards her, therefore, you can change if there is a better option. As soon as Onegin said a couple of pleasant words, she forgot about Lensky, whose affection is much stronger. Tatyana's heart is true to Eugene all his life. Even when he trampled on her feelings, she waited a long time and could not find another (again, unlike Olga, who quickly consoled herself after Lensky's death). The heroine had to get married, but in her heart she continued to be loyal to Onegin though love has ceased to be possible.
Problems
The problematic in the novel "Eugene Onegin" is very indicative. It reveals not only psychological and social, but also political shortcomings and even whole tragedies of the system. For example, the outdated, but no less creepy, drama of Tatiana's mother is shocking. The woman was given into marriage involuntarily, and she broke down under the onslaught of circumstances, becoming an evil and despotic mistress of the hated estate. But what topical problems he raised
- The main problem that is raised in all realism in general, and by Pushkin in Eugene Onegin in particular, is the destructive influence of secular society on the human soul. A hypocritical and greedy environment poisons the individual. It imposes the external requirements of decency: a young man should know a little French, read a little fashionable literature, be decently and expensively dressed, that is, make an impression, appear, and not be. And all the feelings here are also false, they only seem. That is why secular society takes the best from people, it cools the brightest flame with its cold deceit.
- Yevgenia's blues is another problematic issue. Why does the main character get depressed? Not only because he was spoiled by society. main reason- he does not find the answer to the question: why all this? Why does he live? To go to theaters, balls and parties? The absence of a vector, a direction of movement, an awareness of the meaninglessness of existence - these are the feelings that embrace Onegin. Here we are faced with the eternal problem of the meaning of life, which is so difficult to find.
- The problem of selfishness is reflected in the image of the protagonist. Realizing that no one would love him in a cold and indifferent world, Eugene began to love himself more than anyone else in the world. Therefore, he does not care about Lensky (he only dispels boredom), about Tatyana (she can take away freedom), he thinks only of himself, but for this he is punished: he remains completely alone and is rejected by Tatyana.
Idea
The main idea of the novel "Eugene Onegin" is to criticize the existing order of life, which condemns more or less outstanding natures to loneliness and death. After all, there is so much potential in Eugene, but there is no case, only secular intrigues. How much spiritual fire is in Vladimir, and besides his death, only vulgarization in a feudal, stifling environment can await him. There is so much spiritual beauty and intelligence in Tatyana, and she can only be the mistress of secular evenings, dress up and conduct empty conversations.
People who do not think, do not reflect, do not suffer - these are those who are suitable for the existing reality. This is a consumer society, which lives at the expense of others, which shines at a time when those "others" vegetate in poverty and filth. The thoughts that Pushkin thought about deserve attention to this day, remain important and urgent.
Another meaning of Eugene Onegin, which Pushkin laid down in his work, is to show how important it is to preserve individuality and virtue when temptations and fashions are rampant around them, which subdue more than one generation of people. While Eugene was chasing new trends, pretending to be the cold and disappointed hero Byron, Tatiana listened to the voice of her heart and remained true to herself. Therefore, she finds happiness in love, albeit unrequited, and he is only boredom in everything and everyone.
Features of the novel
The novel "Eugene Onegin" is a fundamentally new phenomenon in the literature of the early 19th century. He has a special composition - a "novel in verse", a lyric-epic work of a large volume. In lyrical digressions, the image of the author, his thoughts, feelings and ideas, which he wants to convey to readers, looms.
Pushkin amazes with the lightness, melodiousness of his language. His literary style is devoid of ponderousness, didacticism, the author is able to speak about complex and important things simply and clearly. Of course, a lot needs to be read between the lines, since the harsh censorship was ruthless to geniuses, but the poet was also not a bastard, so he was able to tell in the elegance of his verse about the socio-political problems of his state, which were successfully hushed up in print. It is important to understand that before Alexander Sergeevich, Russian poetry was different, he made a kind of "revolution of the game."
The feature is also in the image system. Eugene Onegin is the first in the gallery of "superfluous people", which contains a huge potential, unable to find embodiment. Tatyana Larina "raised" female images from the place “the main character needs to love someone” to an independent and integral portrait of a Russian woman. Tatiana is one of the first heroines who looks stronger and more significant than the main character, and does not hide in his shadow. This is how the direction of the novel "Eugene Onegin" manifests itself - realism, which more than once will open the theme of the superfluous person and touch upon the difficult fate of women. By the way, we also described this feature in the essay "".
Realism in the novel "Eugene Onegin"
"Eugene Onegin" commemorates Pushkin's transition to realism. In this novel, the author for the first time raises the topic of man and society. Personality is not perceived separately, it is part of a society that educates, leaves a certain imprint or completely shapes people.
The main characters are typical, but unique at the same time. Eugene is an authentic secular nobleman: disappointed, superficially educated, but at the same time not like those around him - noble, intelligent, observant. Tatiana is an ordinary provincial young lady: she was brought up on French novels, filled with the sweet dreams of these works, but at the same time she is a “Russian soul”, a wise, virtuous, loving, harmonious nature.
It is precisely in the fact that for two centuries readers have seen themselves and their acquaintances in the heroes, it is in the inescapable relevance of the novel that its realistic orientation is expressed.
Criticism
The novel "Eugene Onegin" evoked a great response from readers and critics. According to E.A. Baratynsky: "Everyone interprets them in his own way: some praise, others scold and read everything." Contemporaries scolded Pushkin for the "labyrinth of retreats", for the insufficiently spelled out character of the protagonist, for the negligence of the language. The reviewer Faddey Bulgarin, who supported the government and conservative literature, was especially distinguished.
However, V.G. Belinsky, who called it "the encyclopedia of Russian life," a historical work, despite the absence of historical characters. Indeed, a modern lover of fine literature can study Eugene Onegin from this point of view in order to learn more about the noble society of the early 19th century.
And a century later, the comprehension of the novel in verse continued. Yu.M. Lotman saw complexity and paradox in the work. This is not just a collection of quotes familiar from childhood, it is an "organic world". All this proves the relevance of the work and its significance for Russian national culture.
What does it teach?
Pushkin showed the life of young people, how their fate can develop. Of course, fate depends not only on the environment, but also on the heroes themselves, but the influence of society is indisputable. The poet showed the main enemy that amazes young nobles: idleness, aimlessness of existence. The conclusion of Alexander Sergeevich is simple: the creator urges not to limit himself to secular conventions, stupid rules, but to live full life guided by moral and spiritual components.
These ideas remain relevant to this day, before modern people often a choice arises: to live in harmony with oneself or to break oneself for the sake of some benefits or public recognition. Choosing the second path, chasing illusory dreams, you can lose yourself and with horror find that life is over, and nothing has been done. This is what should be feared most of all.
Interesting? Keep it on your wall!The main character romana - a young landowner Eugene Onegin, this is a person with a complex, contradictory character. The upbringing that Onegin received was disastrous. He grew up without a mother. The father, a frivolous Petersburg master, did not pay attention to his son, entrusting him to the "poor" tutors. Therefore Onegin grew up an egoist, a person who cares only about himself, about his desires and who does not know how to pay attention to the feelings, interests, suffering of other people. He is able to offend, offend a person without even noticing it. Everything beautiful that was in the soul of a young man remained undeveloped. - boredom and laziness, monotonous satisfaction in the absence of real, lively work.
Onegin's image not fictional. In it, the poet summarized the features, typical images for young people of that time. These are people provided for at the expense of work and serfs who received a disorderly upbringing. But unlike most representatives of the ruling class, these young men are smarter, more sensitive, more conscientious, nobler. They are dissatisfied with themselves, their environment, social structure.
Onegin in terms of views and requirements for life, it stands above not only its rural neighbors, landowners, but also representatives of the St. Petersburg high society. Having met with Lensky, who received higher education at the best university in Germany, Onegin could argue with him on any topic as an equal. with Lensky opens in Onegin's soul, hidden behind the mask of cold egoism and indifference, the possibilities of true, friendly relations between people.
Seeing Tatyana for the first time, not even talking to her, not hearing her voice, he immediately felt the poetry of this girl's soul. In relation to Tatyana, as well as to Lensky, such a trait of his as benevolence was revealed. Under the influence of the events depicted in the novel, evolution takes place in Eugene's soul, and in the last chapter of the novel Onegin is not at all the same as we saw him before. He fell in love with Tatiana. But his love does not bring, neither to him nor to her.
In the novel "Eugene Onegin" Pushkin depicted a frivolous young man who, even in love, cannot give himself advice. Escaping from the world, Onegin was unable to escape from himself. When he realized this, it was already too late. Tatiana doesn't believe him now. And it opens Onegin eyes on yourself, but nothing to change.
Brief description of Eugene Onegin | December 2014
Image and characteristics Evgeniya Onegina in the novel of the same name by Pushkin
Onegin... The hero of the novel appears before the reader as an ordinary person (like many others) and extraordinary, simple and complex. This complexity and even contradiction was a reflection of the complex, contradictory era that gave rise to such characters. At the beginning of the novel we have a young man living according to the laws and customs of a secular society. He leaves Petersburg not in an outburst of freedom for the exotic Caucasus, but for an ordinary village for the prosaic legacy of his uncle. There is nothing exceptional, mysterious, like the heroes of romantic poems, in him. It is significant that the romantics did not understand Pushkin's plan and could not appreciate the new, realistic principles of depicting reality. A. A. Bestuzhev, having read the first chapter of the novel, with bewilderment wrote to the poet in March 1825: "I see a person whom I meet in thousands in reality." He believed that this is why Onegin is not worthy of becoming a hero of a work of fiction.
but Onegin for all its typicality, it has such individual, unique features that make it "superfluous" for the society of the Buyanovs, Petushkovs, Skotinins. The widespread term "superfluous person" (Onegin was the first in this typological series) should be perceived as a negative characteristic, and first of all, not of a hero, but of an environment for which extraordinary people turn out to be inconvenient, unnecessary, unnecessary. There can be no fullness of human existence in this society. Onegin's disappointment in social life, in the people around him, in himself, finally, just testifies to such of his outstanding inner, spiritual qualities that, unfortunately, he was never able to show anywhere. Onegin's uncommonness is also evidenced by the circle of his friends, which include Kavelin, Chaadaev (Pushkin mentions this in Chapter 1) and, most importantly, the author himself, who called Onegin his good friend. And the fact that in Onegin's office there is a portrait of Byron, a bust of Napoleon, is also filled with a certain meaning, was a kind of "signal" for the reader, helping him to better understand the attitude of the hero of the novel.
Belinski conveyed his impression of Onegin in the following way:
“... The inactivity and vulgarity of life stifle him; he does not even know what he needs, what he wants; but he knows, and knows very well that he does not need, that he does not want what he is so pleased with, the proud mediocrity is so happy. "
And precisely because the secular society killed in him "the passion of the heart and the warmth of the soul," he could not understand Tatiana, her trusting love. In modern literary criticism, the debate about the possibility of Onegin's moral revival does not stop. The opinion is expressed that the love for Tatiana that flared up in Onegin has a source only "a shallow sense of secular pride and vanity." Researchers who adhere to this point of view proceed from the concept according to which the person of Onegin "typifies the historical doom of the nobility", due to which there can be no question of any revival of Pushkin's hero. The meaning of the correlation between the images of Onegin and Tatiana in this case is determined by the concepts: on the one hand - "emptiness" and on the other - "inner wholeness". There is another concept, according to which the evolution of Onegin's character seems to be undeniable, especially considering the impact on the hero of the novel of the journey he undertook after the murder of Lensky. According to G.P. Makogonenko, after the defeat of the Decembrists, the way of fighting the autocratic-serf system was completely unclear. That's why Pushkin showed moral revival of Onegin's personality through love.
Pushkin's discovery enriched literature: the moral value of a person, his public position began to be found in the sphere of private, intimate life, "tested by love," as the researcher writes. Belinsky, who took into account the specifics of Pushkin's assessments, his dialectical approach in depicting human characters and the prospects for their development, approached the solution of this really very difficult question at one time: “What happened to Onegin later? - asked the critic. - Has his passion resurrected for a new suffering, more consistent with human dignity? Or did she kill all the strength of his soul, and his joyless melancholy turned into dead, cold apathy? “We don’t know, and why should we know this, when we know that the forces of this rich nature were left without application, life without meaning, and the novel without end?”.
Characteristic of Eugene Onegin | November 2015
Feature and the image of Eugene Onegin
The hero of Pushkin's novel in verse Eugene Onegin appears before us in different periods own life. The entire first chapter is devoted to describing his youth.
Onegin's youth
"Young rake" - these words can briefly describe Eugene at this time. He does not serve anywhere, leads a secular life, goes to balls and dinners, pays a lot of attention to his appearance. He knows how to seem smart and subtle, but in fact his knowledge is superficial, and he uses them only to impress.
He loves women, but his hobbies are superficial. Using his charm, he conquers women, and then quickly cools down.
Evgeniy Onegin in the village
In the end, Eugene grows cold towards this way of life. Fed up with both balls and female attention, he is going to travel, but then his uncle dies, and Eugene remains the heir to the estate.
Here we get to know Onegin on the other side. Not being afraid to provoke the displeasure of the local landowners, he replaces corvee for the serfs with an easy quitrent. Having escaped from the capital's entertainment, he does not visit neighbors in the village either, but he closely converges with a naive, but sincere Lensky.
Killing a friend and rejected love
This friendship ends tragically. An ardent young man sends a challenge to Eugene. Onegin realizes that it is better to apologize to a friend, but narcissism makes him put on the usual mask of indifference and accept the challenge. Lensky is killed by Onegin.
Having received Tatyana's letter, Eugene was moved. He sympathizes with Tatiana, but does not love her yet. Having never experienced true love for a woman, using her as a bargaining chip, he is generally not able to take this feeling seriously. Therefore, Eugene, as usual, enters the role of an experienced, cold-hearted person, while showing nobility. Eugene did not take advantage of Tatyana's feelings, but did not escape the temptation to read the notation to the girl in love.
Know how to dominate yourself:
not everyone, like me, will understand
inexperience leads to trouble.
Enlightenment Onegin
Several years passed and he had a chance to severely regret his coldness. In adulthood, he is no longer interested in spectacular poses, he is less focused on himself. Having met Tatiana, a married lady who has perfectly studied the art of "self-rule", Eugene selflessly falls in love with her. Time does not heal him, months pass, and he still thinks only of her, driving himself almost to insanity.
An explanation takes place; he learns that Tatiana still loves him, but is not going to break her loyalty to her husband.
Pushkin hero capable of real feelings, but early adherence to the light spoils it, forcing it to sacrifice love and friendship in favor of posturing. When Onegin finally begins to “be” and not “seem”, many mistakes cannot be corrected.
Characteristics of Eugene Onegin - | December 2014
The multifaceted, "most sincere" work of the writer, according to his own calculations, was created "7 years 4 months 17 days" (1823-1830). In the first complete edition of the novel in 1833 (before that, separate chapters were published), Pushkin included 8 chapters and "Excerpts from Onegin's journey." There was also the 10th chapter, destroyed by the writer, some stanzas from it have survived.Trying to determine the genre of the work,
Pushkin talks about the "devilish difference" between the novel and the novel in verse. Indeed, “Eugene Onegin” is also an ordinary novel, where there is a quite clearly defined intrigue, “unhappy love, a duel, a dream, two letters”, and an incessant author's monologue, lyrical self-expression of the writer. He appears first in the guise of the author of "Lyudmila and Ruslan", known to the reader, then as a friend and friend of the hero, then as a narrator who has withdrawn from events, however, more often he actively and passionately evaluates actions and characters. The author talks about how the individual parts of the work were created, enters into disputes on various issues with the alleged opponents among the readers. So called " lyrical digressions»Are so numerous, so closely related to other forms of the author's presence in the text, that it is more correct to consider them as an independent non-plot part of the work.
The author's self-expression in a work is both the narrator's relationship with the heroes, and the writer's stories about his own fate and perception of the phenomena of life, and the linguistic element, freely combining new, outdated, low and high, serious, ironic, dramatic intonations.
And in attempts to define the genre of "Eugene Onegin" it is best to turn to the writer himself, who called what he writes "a great poem."
In the novel, the following are of equal importance:
... plot twists and turns, connections, contradictions, internal psychological states and changes in characters;
... the personality, the character of the author, changing as the action develops (let's not forget that the novel was written for many years);
... actually poetic emotional and semantic elements, conditioned by feelings and thoughts embodied in verses and through verses, playing and alternating rhythms, using tropes and stylistic figures and other elements of form and content, through which verses affect the reader in a completely special way and are perceived by him. To embody such a multifaceted and unusual idea, the writer used his favorite poetic meter, iambic tetrameter, and created a new poetic form - "Onegin stanza". It consists of 14 lines and includes three quatrains with all variants of paired rhymes: cross (AbAb) (uppercase letters denote feminine, lowercase masculine rhymes), contiguous (VVrg), encircling (DeeD), concludes a couplet stanza with contiguous masculine rhyme (LJ) (male rhyme - stress on the last syllable: sick; could not; female - on the penultimate: science, boredom; dactylic - two unstressed syllables at the end of the line: bird cherry, birch; hyperdactylic - more than two: opal, pinning). The stanzas of the novel are almost always intonationally and meaningfully finished, rounded, contain the autonomous thought and emotion contained in them, connected with the whole episode, chapter, work.
The plot of the novel is multifaceted. The history of the heroes is no less interesting than the gradual self-realization in the text of the author as a person, character, poet with certain views on the profession.
Four heroes are actively involved in the plot events - Onegin, Lensky, Tatiana and Olga. At the same time, Olga is much less interested in the author than the others, he is limited to her general characteristic... Even the ordeal associated with Lensky's death concerns her to a lesser extent, although, it would seem, everything should have been the other way around - her fiancé, the man she loved, died. The author emphasized that not only Olga's appearance is cliche, but her character is not capable of development. Soon after the duel, she disappears from the pages of the novel, having married an ulan, about whom, again, nothing is said, the reader cannot even guess how this choice characterizes her. The author is much more interested in personalities and characters that are ambiguous, capable of change, growth.
The fate of Vladimir Lensky is of independent importance for the writer. First, his death in a duel is the culminating event of the plot, which changed the course of the life of all the leading characters. Lensky's death was predicted earlier, in Tatyana's dream, and is remembered more than once later. For the author, the mystery of his future is important. This image with its separate sides, as it were, adjoins, repeats, copies the central pair of characters and the author. Lensky is already related to Onegin by the meaning of surnames that have a “northern”, “river” sound. It is no coincidence that for all the difference in life experience, characters, and views, they nevertheless "converged." With Tatiana, they are similar in many ways: by age, by the primordially Russian semantics of names, brought up on Western romantic literary models, far from the environment in which they live, dreamy and strange, inexperienced, which is why they make mistakes in their initial choice. It is no coincidence that the sophisticated and intelligent Onegin noticed that Tatyana is much more suitable for Lensky than Olga:
I would choose another one
Whenever I was like you, a poet.
Finally, Onegin played in their fate a similar fateful role... First, he "killed" the romantically inclined Tatiana:
Shining eyes, Eugene
Stands like a formidable shadow
And, as burned by fire,
She stopped.
Then - the romantic poet himself. And later Tatiana tells herself that in Onegin she must hate "the murderer of her brother."
The author discusses two options for the future of Lensky. In this case, the first is called a worthy, high path:
Maybe he is for the good of the world
Or at least he was born for glory.
Of course, the hero was not immune from anything else either. The realist Pushkin soberly understands how oppressive and distorting the initial inclinations of the personality can be exerted by the environment, and even by human laziness. And yet the chaste, pure, sincere, talented hero had every reason for a worthy continuation of life. What is incomplete in it must "develop" in the heroes who are left to live, and in the author.
Onegin has yet to go through the "murderous shot", now at him ("Eugene is standing, as if struck by thunder, in what storm of sensations he is now immersed in his heart!"). However, it should be understood that Tatyana is forced to be severe: Onegin goes too far in an attempt on the values and rules that are indisputable for her (they were also the natural basis of the murdered Lensky's nature). This "shot", therefore, is more correct to consider "suicidal", provoked by the hero himself. And his task, having gone through the second strongest shock and, finally, being reborn, to become in the spiritual sense what Lensky, who had been killed by him, could have been, and which Tatyana achieved in her own way. Her relationship to family life, her husband is far from hypocrisy and vulgarity. This is a sublimely spiritualized version of family life, worthy of respect for its moral impeccability, socially significant ("the good of the world"), according to the writer.
Lensky's connections with the developing image of the author are also diverse.
Pushkin began writing the novel at a time when the transition from predominantly romantic to realistic creativity was taking place. It is known how strong was the influence of Western literature, philosophy, just languages on the writer. The genres, themes, moods of Lensky's poems mentioned in the novel are close to those that can be found in early work Pushkin himself. The ideal of the young poet's beauty was not at all and always alien to Pushkin, who, ironically drawing a portrait of Olga, notes:
I used to love him myself,
But he bothered me immensely.
Parting with Lensky, the poet imperceptibly turns to reasoning about his work, fate. He also says goodbye to the irrevocable, naive, sweet, natural time of his own life, speaks of the transition to other principles of creativity: "Summer tends to harsh prose, summer is driven by minx-rhyme." But at the same time he hopes to preserve what Lensky is so dear to him, the fading youth, romantically colored poetry:
And you, young inspiration,
Excite my imagination
Revive the slumber of the heart,
Fly to my corner
Do not let the poet's soul cool down,
To harden, harden ...
The poem ended in the "Boldin Autumn" on the eve of marriage, which Pushkin considered the beginning of a completely new stage of life, requiring greater responsibility, adherence to strict moral rules, the laws of honor and responsibility before conscience, loved ones, and society. This is how the favorite heroine of the writer understands marriage and, more broadly, a mature attitude to being. Her position is an embodied model of further "adult" life for him and for the title character. The principles of loyalty, responsibility and honor can and should be embodied not only in the family. The poet leaves his Onegin at a crossroads, his further path is unclear. It is important that he finally understands how to live. This understanding will make life worthy, no matter what forms it takes.
In the case of Onegin, we should also talk about the redemption of the evil that was associated with his lonely, aimless and irresponsible movement in life. The author does not allow forgetting the death of Lensky, who was most likely born “for the good of the world”. All the narration preceding the scene of the duel is intended to indicate the patterns that led Onegin to murder. He was given a lot from nature - intelligence, nobility, the ability to correctly moral, intellectual, aesthetic assessment of people and phenomena. These inclinations of a truly profound nature put Onegin in opposition to the absolutely soulless life of a secular society. He rejects the rags of a secular masquerade outwardly, but the laws, stereotypes and habits of an unnatural masquerade life still hold sway over him.
It is they who do not allow Tatyana to be fully perceived. Already in her youth, she demanded a depth of soul that could contain and appreciate her impulse, desires, opportunities. And Onegin possessed intellectual and sensual experience, he did not know about the existence of the soul, although he mentioned it many times in his rebuke. He is right, honestly and sternly reprimanding a romantic, exalted provincial young lady. He is blind, not noticing in her the inclinations of an extraordinary, spiritually powerful personality who so shocked him in full development. "New" Tatiana appears to Onegin in the environment and those forms of behavior that are accessible to the "secular" eye of the hero. He was amazed that she dares to live “without these little antics, without imitative undertakings” - without a mask, in a world of masks. But Tatyana was already like that, having written him a touching, sincere confession, "where everything is outside, everything is free."
Until the moment of the decisive choice, Onegin's good inclinations allow him to find the right tone in communication with Lensky. The feeling of talent, originality of personality attracts Onegin to the young poet. But to rise above secular prejudices, and even despised in the soul of provincial society, he could not remove the mask. In the scenes preceding the quarrel and challenge, the writer deliberately exaggerates the shortcomings of the provincial residents who gathered for Tatyana's name day, although in other parts of the work he poeticizes traditional way of life, morals, human qualities of representatives of the metropolitan and provincial nobility. The cartoons that the angry Onegin “draws in his soul” are not so far from the truth:
Happy with a festive dinner
The neighbor sniffs in front of the neighbor.
Not many of the episodic characters in the novel have received such a detailed characterization as the direct organizer of the duel, Zaretsky. The writer emphasizes that not only public opinion, "Whisper, laughter of fools", which Onegin is guided by when making a decision, but the possible assessments of the old duelist are not worth endangering the life of a friend. Onegin understands the impulse and delusion of the young soul. He cannot rise above "false shame" in front of people who are not worthy of respect.
The death of Lensky shocked Onegin, forced him to rethink his whole life, but did not reincarnate him. In essence, from the point of view of the rules of secular honor, he was not guilty of anything: "" Well, well? Killed, "- decided the neighbor." The author, however, emphasizes that the murder was a natural result of Onegin's entire previous life, who
Having lived without a goal, without work
Until twenty six
Languishing in the inaction of leisure,
No service, no wife, no deeds,
I didn't know how to do anything.
From the trip, Onegin, formerly a "good fellow" who looked like "the whole world", is already returning somewhat "strange" in the eyes of secular mediocrity. A new shock and another chance to finally become different gave Onegin, as mentioned above, an experience associated with his love for married Tatyana. A sincere and great feeling came to the hero, apparently, for the first time in his life and awakened the best in him. He is one of the few who is able to distinguish the truly beautiful from the falsely significant. True love is associated with new, not provided by the "science of tender passion", unfamiliar feelings. It is strange and unpleasant for Onegin not to be bored, but to suffer. But boredom is a fruitless emotion, and suffering is a feeling that can strengthen the weakened, cleanse and revive the fallen.
Having gone through the suffering that became part of her spiritual experience, Tatiana gained human maturity, retaining her best inclinations.
Pushkin emphasizes the proximity of the system moral values, aesthetic views, behavior, appearance, the very name of the heroine to the Russian folk, national origin. The author strives with all his might to strengthen the Russian in it. Childhood impressions, native nature, national life create an invariable and solid foundation of the personality, so wonderfully developed in maturity. She is open to everything in the world. He is fascinated by the fictions of Western literature, and does not get lost in the "light" with its contradictory influence on a person.
After marriage, the behavior, the appearance of the heroine, changes dramatically. It even seemed to many that such a quick transformation was impossible - in two years she turned from a provincial girl into a trendsetter of secular fashions. Pushkin, on the other hand, emphasizes that the simplicity and naturalness of a pure, sincere country girl and the moral impeccability and calm self-respect of an aristocrat are not as far apart from each other as they sometimes think. In this sense, Tatiana remained the same: "Everything is quiet, it was just in her." And as before, Onegin is far from understanding her, who thinks that now he has made out the true Tatiana.
In the final chapter, the same situation is repeated as when the heroes first met. But now Onegin writes love letters to Tatyana. His feelings seem sincere, although one cannot fail to notice in them a significant share of a proud desire to conquer the "socialite". But the hero is wrong now. After all, he, having confessed his love to a married woman, pushes her to commit a sin - betrayal to her husband, by the way, to her “relatives and friend”.
Tatiana, who grew up in a patriarchal environment, sacredly reveres Christian values. She will never violate the obligation she made:
I got married. You should,
I ask you to leave me ...
I love you (why dissemble?),
But I am given to another;
I will be faithful to him forever.
The heroine does not answer that way because she does not love Eugene or does not believe in the possibility of happiness with him. She acts guided by a sense of duty, which is understood by the poet as the deep foundation of national folk morality.
The conversation is the apotheosis of Tatiana's nobility, clearly shows the moral purity, the folk basis of the heroine's world-attitude, who knows how to make the right, albeit difficult, choice. The explanation scene also shows Onegin's final temptation. Passion, vanity, egocentrism still dominate him. But all in last scene built by the author in such a way as to show that the hero is on the threshold, on the path to moral purification, transformation.
Tatiana is the hero most beloved by the author, embodying his human ideal. She remains true to herself, even when forced to be in conditions far from those in which she would like to see herself.
Onegin, after all, is the title character of the novel because the most important social and moral issues are associated with him, he is not so integral, he is in search of himself. He is precisely the hero of the novel and therefore stands at the center of the plot.
We dwelt only on some important and interesting aspects of Pushkin's inexhaustible work, the most complex and artistically perfect creation of the writer.
The character of Onegin in the novel "Eugene Onegin" became the subject of scientific controversy and research immediately after the publication of the work. To this day, Pushkin scholars have been unable to come to unambiguous conclusions. Who was Eugene - a lonely lost soul, an extra person or the carefree captive of their own idle thoughts. His actions are contradictory, his thoughts are covered with a haze of "world sorrow". Who is he?
Hero prototype
In the novel "Eugene Onegin", summary which is presented against the background of the development of the image of the hero - the property of many literary critics and Pushkin scholars. We will show you the development of the character of the hero against the background of the events of the novel.
Pushkin was not only a genius poet, but also a subtle psychologist. His the only novel The writer devoted seven years to writing and editing it. This work marked the transition of Pushkin from romanticism to realism. The novel in verse was planned to be a completely realistic work, but the influence of romanticism is still very strong and tangible, which is not surprising when you consider that the idea arose after reading Byron's Don Juan.
The character of Onegin in the novel "Eugene Onegin" is the result of the poet's creative quest. This is not to say that the main character had his own clear prototype. The role of the prototype was predicted for Chaadaev and Griboyedov, Pushkin himself and his opponent Pyotr Katenin, with whom the poet exchanged veiled barbs in his works. However, Pushkin himself has repeatedly said that Eugene is a collective image of the noble youth.
What was Onegin's character in the novel "Eugene Onegin"?
In the first lines of the novel, we see a person spoiled by a wealthy noble life young man... He is handsome and not deprived of the attention of women. Therefore, the reader is not at all surprised by the title line of Tatyana's love for Onegin, and then Onegin's unrequited love for Tatyana.
Throughout the novel, the character of the hero undergoes major changes, which we will discuss in the following sections of the article. At the first glance at him, one gets the impression that strong feelings are not available to him, he is so satiated with the attention of the fair sex that he considers himself entitled to give advice. "How less woman we love, the more she likes us ”- became an aphorism. But in the novel, Onegin himself falls into his own trap.
Characteristics of Onegin in the novel "Eugene Onegin" for 1 chapter
The work was called "the encyclopedia of Russian life." It describes in great detail the balls and outfits of ladies and gentlemen, dishes and tableware, interiors and architecture of buildings. But most of all, the author's attention is directed to the atmosphere in which the poet himself lived, and in which his heroes live.
The first chapter of the novel is dedicated to Eugene. On behalf of the narrator, we learn that the hero is saddened by a letter about his uncle's illness. He is forced to go to him, but Onegin has no desire to do so. Here we see the hero somewhat indifferent. Having learned about the illness and imminent death of a relative, he would have grieved and sympathized, but Eugene only cares about his own comfort, unwillingness to leave social life.
Onegin's image
The characterization of Onegin in the novel "Eugene Onegin" is rather deep. It begins with a description of the origin of the character, from which we learn that he is a nobleman, was born in St. Petersburg. His father "wasted at last" on balls and gambling debts.
Eugene was raised by hired teachers - tutors, who did not care at all about the fruit of their studies. The author says that in his time, almost all noble children received such an upbringing.
Moral principles not instilled in time did their job: young Onegin became a thief of women's hearts. The attention of the ladies disgusted him, pushing him to "love exploits". Soon this way of life led him to satiety and boredom, disappointment and blues.
Characteristics of Onegin in the novel "Eugene Onegin", short description which we see in the first chapter, is gaining momentum with the development of the plot. The author does not justify the actions of his hero, but the realistic border of the novel shows us that he simply cannot be different. The environment in which he grew up could not bear other fruit.
Evgeny's characteristic development
The characterization of Onegin in the novel "Eugene Onegin" by chapters shows us completely opposite sides of the character's personality. In the first chapter we have before us a young self-willed rake, balls and the conquest of beautiful girls, outfits and personal care are his main concerns.
In the second chapter, Eugene is the young heir to his deceased uncle. He is still the same eccentric rake, but his behavior with the serfs tells the reader that he is capable of sympathy and understanding. Onegin relieves peasants from an unbearable tax, which causes the discontent of his neighbors. However, he simply ignores them. For this he is reputed to be an eccentric and "ignorant", his image is overgrown with rumors and speculation.
Friendship with Lensky
A new neighbor, Vladimir Lensky, settles next to Eugene. He has just arrived from Germany, where the world of romanticism and poetry has carried and fascinated him. At first, the heroes do not find a common language, they are very different. But soon a friendly relationship is struck between them.
The young poet Lensky temporarily relieves Yevgeny of the insane boredom that overpowers him here with his communication. He is interested in the poet, but in many ways he does not understand his romantic impulses.
The characterization of Onegin in the novel "Eugene Onegin", thanks to the image of Lensky, rapidly acquaints the reader with the dark shades of the hero's soul. The spirit of rivalry and superiority throws Onegin on In the fifth chapter, the Larins organized a feast on the occasion of Tatyana's birthday. Frustrated with boredom and din, Eugene begins to flirt with Olga, Lensky's bride. He does this to anger Vladimir, and does not expect a challenge to a duel from him. In this duel, he kills a friend and leaves the village. Whether he grieves for a friend who died at his hand, the poet does not say.
Evgeny and Tatiana
In the third chapter of the novel, Eugene appears at the Larins' house. Tatiana falls into the power of partly her girlish dreams, partly - the charm of the hero. She puts her feelings in the letter. But there is no answer to it. At the beginning of the fourth chapter, the heroes meet, and Onegin coldly tells Tatiana that if he wanted a quiet family life, he would not need anyone except Tatiana. However, now the family is not included in his plans, and marriage will bring both only disappointment and pain. He takes on the role of a noble mentor and advises the girl to be careful with her impulses, because "not everyone, as I understand, will understand you."
The characterization of Onegin in the novel "Eugene Onegin", a summary of which we are talking about, is inseparable from the image of the protagonist. It is revealed precisely thanks to the love line. Tatiana is inconsolable in her non-reciprocal love, Eugene's coldness wounds her in the very heart, deprives her of sleep and peace, plunges her into half-nightmare, half-dreaming.
Second meeting with Tatiana
When Eugene meets a girl who was once in love with him in St. Petersburg, this becomes the culmination of the novel.
The character of Onegin in the novel "Eugene Onegin" undergoes completely unexpected changes. The hero falls in love for the first time in his life. And so much so that he is ready for any extravagance, just to win the girl, whom he once pushed away.
He writes a letter to her, where he confesses his feelings, but does not receive an answer to it.
The answer later will be a conversation with Tatyana, where she admits that she also loves him, but loyalty to her husband, honor and responsibility do not allow her to reciprocate his feelings. The novel ends at this dialogue, the poet leaves Eugene to reap the fruits of his madness in Tatyana's bedroom.
